Decoration: Body: APHRODITE AND ADONIS WITH LYRE SEATED, EROTES, ONE CHASING HARE, WOMEN, SOME SEATED, ONE ON LAP, WITH MIRROR, BIRD, TYMPANON, SOME NAMED, LAUREL
Last Recorded Collection: Florence, Museo Archeologico Etrusco: 81948
Publication Record: Archeo, Attualita di Passato: 163 (SEPTEMBER 1998) 20 BOTTOM RIGHT (COLOUR OF PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1312.1 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 460.4 Beazley, J.D., Paralipomena (Oxford, 1971): 477 Bierl, A., Burkert, W., et al., Religion, Lehre und Praxis, Akten des Kolloquiums, Basel, 22. Oktober 2004 (Athens, 2009): 78, FIG.2 (PART OF BD) Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): PL.10, NO.139 (COLOUR OF PART) Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): 146, NO.1, FIG.285 (PARTS AND DRAWING) Boardman, J., and LaRocca, E., Eros in Greece (London, 1978): 23 RIGHT (COLOUR OF PART) Burn, L., The Meidias Painter (Oxford, 1987): PLS.22-25A (INCLUDING DRAWING) Buschor, E., Griechische Vasenmalerei (Munich, 1914): 211 Carannante, A., and D'Acunto, M. (eds.), I profumi nelle societa antiche, produzione, commercio, usi, valori simbolici (Paestum, 2012): 234 (COLOUR OF PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 361 Castaldo, D., Giannachi, F.G., and Manieri, A. (eds.), Poesia, musica e agoni nella Grecia antica, Poetry, Music and Contests in ancient Greece. Atti del iv convegno internazionale di MOISA, Lecce, 28-30 ottobre 2010, Rudiae 22-23 (2010-2011): 240, FIG.9 (BD) Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 2, III.I.54, III.I.55, III.I.56, FIG.1, PLS.(644-647) 60.1, 61.1, 62.1-3, 63.1-3 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 283, FIG.227 (DRAWING) Ducati, P., I vasi dipinti nello stile del ceramista Midia (Rome, 1909): 101 Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 117, FIG.24 (DRAWING) Esposito, A.M. and Tommaso, G. (eds.), Museo Archeologico Nazionale di Firenze, Vasi Attici (Firenze, 1993): 79, FIG.132 (COLOUR OF PART) Greek Vases in the J.Paul Getty Museum: 5 (1991), 120, FIG.9 (PART) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 82, FIG.28 (PART OF BD) Krumeich, R., Bildnisse griechischer Herrscher und Staatsmänner im 5. Jahrhundert v. Chr. (Munich, 1997): FIG.70 (DRAWING) Lexicon Iconographicum Mythologiae Classicae: IV, PL.21, EUDAIMONIA I 1 (PART) Lexicon Iconographicum Mythologiae Classicae: V, PL.300, HIMEROS 5 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.104, PANNYCHIA, PANNYCHIS 2, PL.94, PAIDIA 2 (PARTS) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.354, CHRYSOTHEMIS III 1 (PART OF BD) Milani, L.A., Monumenti scelti del R. Museo archeologico di Firenze (Florence, 1905): I, PLS.4, 5.1-3 Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): II, 108, FIG.10 (DRAWING OF UF) Nicole, G., Meidias et le style fleuri (Geneva, 1908): PL.3.2 Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 118, FIG.15 (DRAWING OF PART) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.594 Reitzammer, L, The Athenian Adonia in Context, The Adonis Festival as Cultural Practice. Wisconsin studies in classics (Madison and London, 2016): 123, FIG.1 (PART) Schierup, S. & Rasmussen, B.B. (eds.), Red-figure Pottery in its Ancient Setting, Gosta Enbom Monographs 2 (Copenhagen, 2012): 39, FIG.10 (COLOUR OF PART) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 63, 86, 70, 129, FIGS.16, 39, 70, 81 (INCLUDING DRAWING) Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIGS.5.1-5.2, 5.11, 8.3 (PARTS) Stampolidis, N.C. and Tassoulas, Y. (eds.), Eros, from Hesiod’s Theogony to Late Antiquity, Museum of Cycladic Art, Athens, 10th December 2009-11th April 2010 (Athens, 2009): 164-166, NO.133 (COLOUR OF BD AND PARTS OF BD) Stutzinger, D., Griechen, Etrusker und Römer, Eine Kulturgeschichte der Antiken Welt im Spiegel der Sammlungen des Archäologischen Museums Frankfurt (Regensburg, 2012): 166, FIG.153 (PART)
CAVI Lemma: RF HYDRIA. FROM POPULONIA. MEIDIAS PAINTER. LAST QUARTER FIFTH. 410-400.
CAVI Subject: ADONIS AND APHRODITE: CHRYSOTHEMIS SEATED; EROS; BELOW: EUTYCHIA WITH A
MIRROR; EUDAIMONIA SEATED; HIGHER UP: EURYNOE, WITH A SPARROW, SEATED; EROS
PLAYING THE IYNX; ADONIS AND APHRODITE (SEATED); BELOW: EROS PURSUING A HARE;
GIRL WITH CYMBALS; A SMALL EROS FACES HER.
CAVI Inscriptions: 1. READINGS AFTER ATTSCR (MILANI WITH SOME CORRECTIONS FROM CVA):
Χ̣ρυσοθεμις. Ευρυνοη. Ιμερος. Αφροδιτη. Υγιεια. Παιδια. Παυθ(?)α[.....].
Ευτυ[χια]. Ε[υ]δα[ιμονια]. Αδωνιος. Ιμερος(?). ONE OTHER. 2. READINGS FROM CVA:
ABOVE THE HEAD: Χρυσοθεμις. ABOVE EUTYCHIA, THE DR. SHOWS: Ευτυ(^WING) VAC. NOT
GIVEN IN THE TEXT. TO LEFT OF EUDAIMONIA'S FOREHEAD: Ευδα(^FOREHEAD). NO MORE IN
THE TEXT, DR., AND PHOTO. THERE IS VERY LITTLE SPACE FOR THE REST OF THE NAME.
ABOVE EURYNOE: Ευρυνοη. BETWEEN THE WINGS OF THE EROS WITH THE IYNX: Ιμερος.
ABOVE ADONIS' HEAD: Αδωνιος. SIMILAR FOR APHRODITE: Αφροδιτη. TO LEFT OF THE
LEFT SHOULDER OF A GIRL WITH CYMBALS (?): [--]ννυιιι. (SO THE DR., AFTER
MILANI). CVA SUGGESTS PANNYCHIA, SAYING THAT ANY TRACES ARE NOW COMPLETELY GONE.
[I THINK: [Πα]ννυ[χις], AS THE NAME OF THE GIRL WITH CYMBALS.] 3. SHAPIRO:
EUTYCHIA. EUDAIMONIA. HIMEROS. HYGIEIA. PAIDIA. ADONIS. APHRODITE. PANDAISIA.
PANNYCHIS. EURYNOE OMITTED? 4. COPIES OF THE DR. IN NICOLE (SHAPIRO, FIG. 16;
BURN, FIG. 24,A): Χρυσοθεμις. Ευτυ[χια]. Ευδα[ιμονια]. Ευρυνοη. Ιμερος. Ιμερος.
Αφροδιτη. Αδωνιος{1}. Υγιεια. Παιδια. Πονος{2}. THE COMPANION WITH THE TAMBOURIN
HAS A SHORT NAME OF THREE LETTERS WHICH I CANNOT READ; BURN SAYS THE NAME IS
PANNYCHIS; SEE ABOVE. [UNDER THE FOOT, GRR.:] A GR. LINE ACROSS THE FOOT. (υ)δ
ΙΙ Μ ΙΙΙΙΙ{3}.
CAVI Footnotes: {1} THREATTE (1996), 108 CONSIDERS THIS GEN. AND POETIC. [THE GEN. FORM IN
-ιος IS CITED BY LSJ FROM PHERECRATES COMICUS, BUT THE REGULAR FORM IS IN -ιδος.
A NOM. Αδωνιος IS CITED BY LSJ FROM PLUTARCH, MORALIA 2.756C. THE OTHER NAMES
ARE APPARENTLY NOT IN THE GEN.] {2} UNCLEAR: IS THIS PANDA[ISIA]? {3} ACCORDING
TO THE FACS., THE UPSILON IS IN LIGATURE WITH A RHO 2: IS THIS A WRITING ERROR
FOR υδρ[](?).
CAVI Comments: THESE READINGS ARE NOT COMPLETE AND DO NOT AGREE WITH MY ORIGINAL READINGS
FROM THE DR. IN MILANI THAT I USED IN ATTSCR TOGETHER WITH SOME CORRECTIONS FROM
CVA, PP. 55-56. IONIC ALPHABET. JOHNSTON (1979), P. 64, CHAPTER 10 N. 4: THE GR.
SEEMS TO REFER TO THE COMPANION VASE FOUND WITH THE PRESENT ONE IN A GRAVE OF
POPULONIA; I.E., IT MENTIONS TWO HYDRIAI.
CAVI Number: 3608
AVI Bibliography: NICOLE (1908), PL. 3,2 (AFTER MILANI (19....A), PLS. 4 AND 5,1-3). — D. LEVI,
CVA FLORENCE 2, ITALY 13 (1938), PLS. 60,1, 61,1, 62-63. — ARV[2] (1963),
1312/1. — [THE PICTURE IN PFUHL IS FROM MILANI, CF. ARV[2] (1963), 1312/1.] —
PARA. (1971), 477. — JOHNSTON (1979), 64, CH. 10 N. 4, 118/18C 78, 165/21F 13,
FIG. 13,L (FACS.). — LIMC I (1981), ADONIS 10*. — LIMC II (1984), APHRODITE
1266. — BURN (1987), 27-29, 40-44, 97/M 1, PLS. 22-25A. — LIMC IV (1988), EROS
AD 285, EUDAIMONIA I/1*, EURYNOE I/1, EUTYCHIA 1. — ADD.[2] (1989), 361. —
BOARDMAN (1989), FIG. 285, ABOVE: DR. AFTER PFUHL, FIG. 594 (SHOWS
INSCRIPTIONS). — ATTSCR (1990), NO. 803. — LIMC V (1990), HIMEROS, HIMEROI 5*,
HYGIEIA 2*. — ROBERTSON (1992), 239 (INSCRIPTIONS). — SHAPIRO (1993), 233/16,
63, FIG. 16 (DR. AFTER NICOLE), 86, FIG. 39, 118, FIG. 70, 129, FIG. 81 (PHS. OF
DETAILS). — LIMC VII (1994), PAIDIA 2*, PANDAISIA 1, PANNYCHIA, PANNYCHIS 2* —
LIMC VIII (1997), (SUPPL.) CHRYSOTHEMIS III (S) 1*,
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
