Decoration: Body: APHRODITE AND ADONIS WITH LYRE SEATED, EROTES, ONE CHASING HARE, WOMEN, SOME SEATED, ONE ON LAP, WITH MIRROR, BIRD, TYMPANON, SOME NAMED, LAUREL
Last Recorded Collection: Florence, Museo Archeologico Etrusco: 81948
Publication Record: Archeo, Attualita di Passato: 163 (SEPTEMBER 1998) 20 BOTTOM RIGHT (COLOUR OF PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1312.1 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 460.4 Beazley, J.D., Paralipomena (Oxford, 1971): 477 Bierl, A., Burkert, W., et al., Religion, Lehre und Praxis, Akten des Kolloquiums, Basel, 22. Oktober 2004 (Athens, 2009): 78, FIG.2 (PART OF BD) Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): PL.10, NO.139 (COLOUR OF PART) Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): 146, NO.1, FIG.285 (PARTS AND DRAWING) Boardman, J., and LaRocca, E., Eros in Greece (London, 1978): 23 RIGHT (COLOUR OF PART) Burn, L., The Meidias Painter (Oxford, 1987): PLS.22-25A (INCLUDING DRAWING) Buschor, E., Griechische Vasenmalerei (Munich, 1914): 211 Carannante, A., and D'Acunto, M. (eds.), I profumi nelle societa antiche, produzione, commercio, usi, valori simbolici (Paestum, 2012): 234 (COLOUR OF PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 361 Castaldo, D., Giannachi, F.G., and Manieri, A. (eds.), Poesia, musica e agoni nella Grecia antica, Poetry, Music and Contests in ancient Greece. Atti del iv convegno internazionale di MOISA, Lecce, 28-30 ottobre 2010, Rudiae 22-23 (2010-2011): 240, FIG.9 (BD) Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 2, III.I.54, III.I.55, III.I.56, FIG.1, PLS.(644-647) 60.1, 61.1, 62.1-3, 63.1-3 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 283, FIG.227 (DRAWING) Ducati, P., I vasi dipinti nello stile del ceramista Midia (Rome, 1909): 101 Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 117, FIG.24 (DRAWING) Esposito, A.M. and Tommaso, G. (eds.), Museo Archeologico Nazionale di Firenze, Vasi Attici (Firenze, 1993): 79, FIG.132 (COLOUR OF PART) Greek Vases in the J.Paul Getty Museum: 5 (1991), 120, FIG.9 (PART) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 82, FIG.28 (PART OF BD) Krumeich, R., Bildnisse griechischer Herrscher und Staatsmänner im 5. Jahrhundert v. Chr. (Munich, 1997): FIG.70 (DRAWING) Lexicon Iconographicum Mythologiae Classicae: IV, PL.21, EUDAIMONIA I 1 (PART) Lexicon Iconographicum Mythologiae Classicae: V, PL.300, HIMEROS 5 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.104, PANNYCHIA, PANNYCHIS 2, PL.94, PAIDIA 2 (PARTS) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.354, CHRYSOTHEMIS III 1 (PART OF BD) Milani, L.A., Monumenti scelti del R. Museo archeologico di Firenze (Florence, 1905): I, PLS.4, 5.1-3 Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): II, 108, FIG.10 (DRAWING OF UF) Nicole, G., Meidias et le style fleuri (Geneva, 1908): PL.3.2 Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 118, FIG.15 (DRAWING OF PART) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.594 Reitzammer, L, The Athenian Adonia in Context, The Adonis Festival as Cultural Practice. Wisconsin studies in classics (Madison and London, 2016): 123, FIG.1 (PART) Schierup, S. & Rasmussen, B.B. (eds.), Red-figure Pottery in its Ancient Setting, Gosta Enbom Monographs 2 (Copenhagen, 2012): 39, FIG.10 (COLOUR OF PART) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 63, 86, 70, 129, FIGS.16, 39, 70, 81 (INCLUDING DRAWING) Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIGS.5.1-5.2, 5.11, 8.3 (PARTS) Stampolidis, N.C. and Tassoulas, Y. (eds.), Eros, from Hesiod’s Theogony to Late Antiquity, Museum of Cycladic Art, Athens, 10th December 2009-11th April 2010 (Athens, 2009): 164-166, NO.133 (COLOUR OF BD AND PARTS OF BD) Stutzinger, D., Griechen, Etrusker und Römer, Eine Kulturgeschichte der Antiken Welt im Spiegel der Sammlungen des Archäologischen Museums Frankfurt (Regensburg, 2012): 166, FIG.153 (PART)
CAVI Lemma: RF hydria. From Populonia. Meidias Painter. Last quarter fifth. 410-400.
CAVI Subject: Adonis and Aphrodite: Chrysothemis seated; Eros; below: Eutychia with a
mirror; Eudaimonia seated; higher up: Eurynoe, with a sparrow, seated; Eros
playing the iynx; Adonis and Aphrodite (seated); below: Eros pursuing a hare;
girl with cymbals; a small Eros faces her.
CAVI Inscriptions: 1. Readings after AttScr (Milani with some corrections from CVA):
Χ̣ρυσοθεμις. Ευρυνοη. Ιμερος. Αφροδιτη. Υγιεια. Παιδια. Παυθ(?)α[.....].
Ευτυ[χια]. Ε[υ]δα[ιμονια]. Αδωνιος. Ιμερος(?). One other. 2. Readings from CVA:
above the head: Χρυσοθεμις. Above Eutychia, the dr. shows: Ευτυ(^wing) vac. Not
given in the text. To left of Eudaimonia's forehead: Ευδα(^forehead). No more in
the text, dr., and photo. There is very little space for the rest of the name.
Above Eurynoe: Ευρυνοη. Between the wings of the Eros with the iynx: Ιμερος.
Above Adonis' head: Αδωνιος. Similar for Aphrodite: Αφροδιτη. To left of the
left shoulder of a girl with cymbals (?): [--]ννυιιι. (so the dr., after
Milani). CVA suggests Pannychia, saying that any traces are now completely gone.
[I think: [Πα]ννυ[χις], as the name of the girl with cymbals.] 3. Shapiro:
Eutychia. Eudaimonia. Himeros. Hygieia. Paidia. Adonis. Aphrodite. Pandaisia.
Pannychis. Eurynoe omitted? 4. Copies of the dr. in Nicole (Shapiro, fig. 16;
Burn, fig. 24,a): Χρυσοθεμις. Ευτυ[χια]. Ευδα[ιμονια]. Ευρυνοη. Ιμερος. Ιμερος.
Αφροδιτη. Αδωνιος{1}. Υγιεια. Παιδια. Πονος{2}. The companion with the tambourin
has a short name of three letters which I cannot read; Burn says the name is
Pannychis; see above. [Under the foot, Grr.:] a Gr. line across the foot. (υ)δ
ΙΙ Μ ΙΙΙΙΙ{3}.
CAVI Footnotes: {1} Threatte (1996), 108 considers this gen. and poetic. [The gen. form in
-ιος is cited by LSJ from Pherecrates Comicus, but the regular form is in -ιδος.
A nom. Αδωνιος is cited by LSJ from Plutarch, Moralia 2.756c. The other names
are apparently not in the gen.] {2} unclear: is this Panda[isia]? {3} according
to the facs., the upsilon is in ligature with a rho 2: is this a writing error
for υδρ[](?).
CAVI Comments: These readings are not complete and do not agree with my original readings
from the dr. in Milani that I used in AttScr together with some corrections from
CVA, pp. 55-56. Ionic alphabet. Johnston (1979), p. 64, chapter 10 n. 4: the Gr.
seems to refer to the companion vase found with the present one in a grave of
Populonia; i.e., it mentions two hydriai.
CAVI Number: 3608
AVI Bibliography: Nicole (1908), pl. 3,2 (after Milani (19....a), pls. 4 and 5,1-3). — D. Levi,
CVA Florence 2, Italy 13 (1938), pls. 60,1, 61,1, 62-63. — ARV[2] (1963),
1312/1. — [The picture in Pfuhl is from Milani, cf. ARV[2] (1963), 1312/1.] —
Para. (1971), 477. — Johnston (1979), 64, ch. 10 n. 4, 118/18C 78, 165/21F 13,
fig. 13,l (facs.). — LIMC i (1981), Adonis 10*. — LIMC ii (1984), Aphrodite
1266. — Burn (1987), 27-29, 40-44, 97/M 1, pls. 22-25a. — LIMC iv (1988), Eros
ad 285, Eudaimonia I/1*, Eurynoe I/1, Eutychia 1. — Add.[2] (1989), 361. —
Boardman (1989), fig. 285, above: dr. after Pfuhl, fig. 594 (shows
inscriptions). — AttScr (1990), no. 803. — LIMC v (1990), Himeros, Himeroi 5*,
Hygieia 2*. — Robertson (1992), 239 (inscriptions). — Shapiro (1993), 233/16,
63, fig. 16 (dr. after Nicole), 86, fig. 39, 118, fig. 70, 129, fig. 81 (phs. of
details). — LIMC vii (1994), Paidia 2*, Pandaisia 1, Pannychia, Pannychis 2* —
LIMC viii (1997), (suppl.) Chrysothemis III (S) 1*,
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
