Publication Record: Algrain, I., L'alabastre attique. Origine, forme et usages (Brussels, 2014): 46, FIG.7 (COLOUR OF PART OF BD) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 294.25 Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 669 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 8.13 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 9.12 Beazley, J.D., Paralipomena (Oxford, 1971): 321 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 72 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 77, 151 Cite sous terre, Des archeologues suisses explorent la cite grecque d'Eretrie, Une exposition realisee par l'Ecole suisse d'archeologie en Grece, en collaboration avec l'Antikenmuseum Basel und Sammlung Ludwig (Basel, 2010): 175, NO.120 (COLOUR OF PARTS) Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 187, FIG.1 (COLOUR OF PART) Kurtz, D., Athenian White Lekythoi (Oxford, 1975): PL.1.3 Melanges Perrot, recueil de memoires concernant l'archeologie classique, la litterature et l'histoire anciennes, dedies a G. Perrot (Paris, 1903): 252 Mertens, J., Attic White Ground, its development on shapes other than lekythoi (New York, 1977): PL.3.3 Metropolitan Museum Journal: 39 (2004) 55, FIG.36 (BD)
CAVI Footnotes: {1} Μόρυλος or Μο̅ρύλος? LGPN ii has Μόρυλλος. The name seems to be otherwise
unknown. The only parallel is Μόρυλλος, a place name (Pape). I no longer believe
this and similar inscriptions by Psiax and others are modern; cf. AttScr (1990),
58 n. 6. In ARV[1] 9/12 and in ARV[2] Beazley gives the inscriptions without
comment.
CAVI Comments: The Grr. are done with a fine point.
