Decoration: DRAPED MAN WITH THYRSOS (HERAKLES ? HEPHAISTOS ?) AND YOUTH (BEARDLESS DIONYSOS ?) RECLINING, ATHENA, MAN IN PATTERNED CHITON WITH NIKAI PLAYING KITHARA, SATYR (NAMED) PLAYING PIPES, WOMAN WITH SCEPTRE
Last Recorded Collection: Würzburg, Universität, Martin von Wagner Museum: H5708
Previous Collections:
Bonn, private, E. Langlotz
Publication Record: Archontidou, A. et al., Geschenk van de Muzen, Muziek en dans in het oude Griekenland. Μοuson Dora. Μοusikoi kai choreutikoi apoikoi apo tin archaia Εllada (Athens, 2003): 46, FIG.7 (PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1339.5 Ceccarelli, P., La pirrica nell'antichita greco romana, studi sulla danza armata (Pisa, 1998): PL.19.1 Corpus Vasorum Antiquorum: WURZBURG, MARTIN VON WAGNER MUSEUM 2, 61-63, FIG.43, PLS.(2243-2245) 42.1-4, 43.1-2, 44.1-4 View Whole CVA Plates Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 268, FIG.130 (PART) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 255, FIG.161 (DRAWING OF A) Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 205, FIG.1 (COLOUR OF PART) Lexicon Iconographicum Mythologiae Classicae: VI, PL.311, MIMOS II.1 Schöne, A., Der Thiasos, Eine ikonographische Untersuchung über das Gefolge des Dionysos i.d. att. Vasenmalerei des 6.u.5. Jhs.v.Chr. (Goteborg,1987): PL.12 Steinhart, M., Die Kunst der Nachahmung (Mainz, 2004): PL.45.5 (PART) Walter-Karydi, E., Die Nobilitierung des Wohnhauses, Lebensform und Architektur im spätklassischen Griechenland, Xenia 35 (Konstanz, 1994): PL.8.2
CAVI Lemma: Frs. of RF calyx krater. From Tarentum. Talos Painter (Simon); near
(Beazley). Last quarter fifth.
CAVI Subject: A: in a vinyard: a bearded Dionysus and a youthful Hephaestus reclining; at
right, a bearded satyr playing the cithara, and at the far right a seated
goddess; between Hephaestus and Dionysus, an armed female divinity (Athena,
Simon; a female pyrrhichist, Brommer; perhaps a dancer dressed as Athena,
Kunze); lower than the level of the couch, below the cithara player, the upper
part of a young satyr playing the flutes. Simon thinks the scene represents a
satyr play. B: at least one fr. belongs there: see CVA, p. 62, d and pl. 42,2:
unclear subject, the drawing more casual.
CAVI Inscriptions: To left of the satyr flautist's head: Μιμος.
CAVI Comments: Ex Bonn, Langlotz.
CAVI Number: 8043
AVI Bibliography: ARV[2] (1963), 1339/5. — Brommer (1979), 512. — F. Hölscher, CVA Würzburg 2,
Germany 46 (1980), pls. 42,1-4, 43,1-2 and 44,1-4, fig. 43 (dr. of scene after
Pantheon 36 (1978)); p. 62, facs. of inscription; pl. 42,2 gives the
inscription. — Kannicht–Snell (1981), fr. 3f. — Add.[2] (1989), 367. —
Kossatz-Deissmann (1991), 162 (Mimos 1).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
