Menu
Search
Main SiteGandhara ConnectionsVase Corpus (CVA Online)
Search

41590, ATHENIAN, Athens, Agora Museum, P10554

  • Vase Number: 41590
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: AMPHORA, PANATHENAIC SHAPE, FRAGMENT
  • Provenance: GREECE, ATHENS, AGORA
  • Date: -450 to -400
  • Inscriptions: EUPOMPOS
    Inscription: EUPOMP[OI]
    KOPREUS
    Named: KOPREUS, CHRYS[...
  • Attributed To: Compare TALOS P by CORBETT
  • Decoration: A: PROCESSION (?) DRAPED YOUTHS, ONE WITH SACRIFICIAL BASKET OR PLAYING PIPES (?), SOME NAMED, OLIVE TREE
    B: DRAPED YOUTHS, ONE WITH PANATHENAIC AMPHORA, INSCRIPTION
  • Last Recorded Collection: Athens, Agora Museum: P10554
  • Publication Record: Archäologischer Anzeiger: 1991, 492-493, FIGS.3A-B (A,B)
    Hesperia, The Journal of the American School of Classical Studies at Athens: 18 (1949), PL.73.74
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 5 (A, B)
    The Athenian Agora, Results of Excavations conducted by the American School of Classical Studies at Athens: 30, PL.9
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=477
  • AVI Record Number: 425
  • CAVI Collection: Athens, Agora P 10,554.
  • CAVI Lemma: Fragmentary RF Panathenaic amphora. From Athens, Agora B 15:1. Unattributed. Last quarter fifth: near 410 (Corbett). Ca. 410 (Moore).
  • CAVI Subject: Procession of youths in himatia wearing olive wreaths, three on each side.: A: preserves parts of three youths, the first two from the left carrying a tray, the third was a flautist(1); a fourth probably preceded; between the second and third youths is an olive tree. B: preserves parts of three youths, the first from the left turning back and carrying a Panathenaic amphora.
  • CAVI Inscriptions: A: starting above the forehead of the first youth from the left: Κοπρευς. Above the head of the flautist: Χρυσ[ογονος]{1}. B: above the amphora: Ευπονπ[ος]{2}.
  • CAVI Footnotes: {1} the figure recognized by J. Binder as a flautist and identified with Chrysogonos, Alcibiades' flute player. See Moore further. LGPN ii, s.v. 17 refers to I.E. Stephanis, Διονυσιακοι Τεχνιται (Herakleion 1988) 2637. {2} Beazley, by letter, 1937. Bea. Arch. reads EUPOMP[OI]. [Seems doubtful to me.]
  • CAVI Comments: The inscriptions after the sketches in Moore (1997). Kopreus is known as a mythical name; Eupompos is given by Pape as a human name. But this is probably not a mythological scene (see also LGPN ii, s.vv. Ευπομπος and Κοπρευς). Scene cannot be connected with the Herakleidai of Euripides (Riemann). Inscriptions in white.
  • CAVI Number: 0425
  • AVI Bibliography: BADB 41,590. — Museum card. — Riemann (1937), 97-98. — Corbett (1949), 301/1, pls. 73-74. — Valavanis (1991), 492-93, figs. 3,a-b (A, B). — Moore (1997), 138/22, pl. 9.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/807514119
  • Coordinates: 37.995486,23.731327
  • Pleiades Coordinates: 37.975,23.7225
Image Image Image Image Image

Last updated 26/07/2024 18:11:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/613CB4AB-6072-4FFA-8F95-4738BD18C2A2

My photograph albums
Site map Copyright Accessibility Privacy statement Contact us
Gandhara Connections
Gandhara Connections on Facebook
Gandhara Connections on Twitter
Back to top