Attributed To: ANDOKIDES P by FURTWÄNGLER LYSIPPIDES P by BEAZLEY
Decoration: A: SYMPOSIUM, HERAKLES RECLINING WITH KANTHAROS, TABLE WITH FOOD AND CUP, ATHENA, TREE, GRAPEVINE B: SYMPOSIUM, HERAKLES RECLINING WITH KANTHAROS, HERMES, ATHENA, YOUTH AT DINOS, TABLE WITH FOOD AND CUP, GRAPEVINE
Last Recorded Collection: Munich, Antikensammlungen: J388
Previous Collections:
Munich, Antikensammlungen: 2301
Publication Record: Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 158-159, FIGS.93-94 (A, B) Antike Welt: 7 (1976) 2, 5, FIGS.5-6 (A,B) Antike Welt: 8 (1977) 2, 49-50, FIGS.1-2 (A,B) Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 169, FIGS.3.35A-B (COLOUR OF A AND B) Baughan, E.P. and Peraccini, L.C. (eds.), Etruria and Anatolia, Material Connections and Artistic Exchange (Cambridge, 2015): 372, FIG.15.2B (COLOUR OF A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 255.4 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 4.9, 1617 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 2.8 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 8.6, 467 Beazley, J.D., Paralipomena (Oxford, 1971): 113, 320 Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.321 (PART OF A) Boardman, J. (ed.), La ceramica antica (Milan, 1984): 213 (A) Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): PL.VII (COLOUR OF A AND B) Boardman, J. with Charleston, R.J., Cook, R.M., and Hennessy, J.B., Die Keramik der Antike, Mesopotamien, Agypten, Griechenland, Italien (Freiburg, Basel, and Wien, 1985): 213 (COLOUR OF A) Boardman, J., Athenian Red Figure Vases (London, 1975): 16, HEAD DETAILS 5 Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 80, FIG.111.1-2 (A, B) Brinkmann, V. and Wünsche, R. (eds.), Bunte Götter, Die Farbigkeit Antiker Skulptur (Munich, 2004): 183, FIGS.329-330 (COLOUR OF A AND B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 71 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 147 (A) Campo, M. (ed.), Mites, ofrenes funeraries i monedes, XV Curs d'historia monetaria d'Hispania (Barcelona, 2011): 122, FIG.2.2 (A) Carpenter, T.H., Dionysian Imagery in Archaic Greek Art (Oxford, 1986): PL.25 (A,B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 66, 149 Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 296, FIGS.339-40 (A,B) Clark, A.J. and Gaunt, J. (eds.), Essays in Honor of Dietrich von Bothmer, Allard Pierson Series 14 (Amsterdam, 2002): PLS.54F, 55C, 79 (A, B, PARTS OF A AND B) Cohen, B., Attic Bilingual Vases (New York, 1978): PLS.17.1, 33.5, 34.1 (A,B) Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 19, FIGS.1-2 (A, B) Cook, R.M. and Charleston, R., Masterpieces of Western and near-Eastern Ceramics (Tokyo, 1979): PL.61 (A) Cook, R.M., Greek Painted Pottery (London, 1966): PL.38 (A) Cook, R.M., Greek Painted Pottery 3rd ed. (London, 1997): PL.38 (A) Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 4, 9-10, PLS.(533-536,566) 155.1-2, 156.1-2, 157.1-2, 158.1-3, 188.2 View Whole CVA Plates Daraki, M., Dionysos (Paris, 1985): 46, FIG.8 Daraki, M., Dionysos (Paris, 1985): 46, FIG.8 (DRAWING OF A) Das Altertum: 23 (1977) COVER (A) Das Altertum: 23 (1977), COVER (A) Eckstein, H., Griechische streng-rotfigurige Vasenmalerei (Leipzig, 1923): FIG.1 Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 159, 161, FIGS.42A-B (A, B) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): I, 15, 18, 266, PL.4 (A, B, DRAWINGS) Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 782, FIG.295 (A, B) Hagenow, G., Aus dem Weingarten der Antike (Mainz, 1982): 35, FIG.2 (PART OF B), 59, FIG.19 (PART OF A) Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 29, FIG.6 (A) Harlow, M. and Nosch, M-L. (eds.), Greek and Roman Textiles and Dress, An Interdisciplinary Anthology (Oxford, 2014): 36, 38, FIGS.2.2, 2.5 (DRAWINGS OF PART OF A) Hephaistos: 16/17 (1998/99) 73, FIG.2 (B) Hesperia, The Journal of the American School of Classical Studies at Athens: 78.1 (2009) 32, FIG.14 (A, B) Himmelmann, N., Archäologisches zum Problem der Sklaverei (Mainz, 1971): 23, FIG.25 (B) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 25, FIG.7A-B (DRAWINGS OF A AND B) Jacobsthal, P., Göttinger Vasen (Berlin, 1912): 46-7 Kader, I. (ed.), Penelope rekonstruiert, Geschichte und Deutung einer Frauenfigur, Sonderausstellung des Museums für Abgüsse Klassischer Bildwerke München 9. Oktober bis 15. Januar 2007 (Munich, 2007): 100, FIG.4.3 (COLOUR OF A) Keuls, E., The Reign of the Phallus (New York, 1985): 37, FIG.14 (A) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 385, FIG.26.4 (COLOUR OF A) Knauss, F.S., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 133, 135 (COLOUR OF A AND B) Kurtz, D. (ed.), Essays in Classical Archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford, 2008): 103, FIG.2 (DRAWING OF A) Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 251, FIG.198 (A) L'Antiquité classique: 58 (1989) PL.5, FIG.8 (A) Lexicon Iconographicum Mythologiae Classicae: II, PL.758, ATHENA 523B (A) Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 137, FIG.83 (A, B) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIGS.8.1-2 (COLOUR OF A AND B) Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung: 62 (1937) PL.26.2 (B) Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 44, FIG.14 (A) Murray, O. (ed.), Sympotica, A Symposium on the Symposium (Oxford, 1990): PL.4B (A) Murray, O. and Tecusan, M. (eds.), In Vino Veritas (London, 1995): 149, FIG.4 (A) Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 205, FIG.8.13 (COLOUR OF A AND B) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 165, FIGS.11-12 (A, B) Ohly-Dumm, M., Attische Vasenbilder der Antikensammlungen Munchen, I (Munich, 1975): 11, PL.2 (DRAWING OF A) Opuscula Romana, Edidit Institutum Romanum Regni Sueciae: 13 (1981) 20, FIG.12 (A) Paul, E., Antike Keramik (Leipzig, 1982): 192-93 (DRAWINGS OF A & B) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIGS.265, 315 Pfuhl, E., Masterpieces of Greek drawing and painting (London, 1926): FIG.28 Revue Archeologique: (1982), 69, FIG.10 (A) Rutter, K.N. and Sparkes, B.A. (eds.), Word and Image in Ancient Greece (Edinburgh, 2000): 36, FIG.3.1 (B) Schaal, H., Griechische Vasen II, Rotfigurig (Bielefeld, 1928): FIG.11 (A) Schefold, K., Gods and Heroes in Late Archaic Greek Art. English translation by A. Griffiths (Cambridge, 1992): FIGS.46-47 (A,B) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIGS.46-47 (A,B) Schmitt Pantel, P., La cite au banquet, Histoire des repas publics dans la cites grecques (Rome, 1992): FIG.19 (A, B) Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 814, FIG.30 (B) Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 162-163, FIGS.72-73 (A, B) Steiner, A., Reading Greek Vases (Cambridge, 2007): 38, FIGS.2.14-2.15 (A, B) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 110-111, FIGS.78-79 (COLOUR OF A AND B) Valavanis, P. and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 49 (COLOUR OF PART OF B) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 235, 340-341, FIGS.58.3A-B, 38.2 (A,B,PART OF B) Vollmer, C., Im Anfang war der Thron. Studien zum leeren Thron in der griechischen, römischen und frühchristlichen Ikonographie (Rahden, 2014): PL.41, FIG.1 (A) Wolf, S.R., Herakles beim Gelage, eine motiv- und bedeutungsgeschichtliche Untersuchung des Bildes in der archaisch-frühklassischen Vasenmalerei (Köln, 1993): FIGS.22-23 (A, B) Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 59, FIGS.76-77 (COLOUR OF A AND B) Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 18 BOTTOM, 308-309, FIG.54.4-5, 416, CAT.171 (A, B, COLOUR OF A AND B)
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