Decoration: A: ODYSSEUS, WITH SWORD, AND YOUTHS (COMPANIONS) UNDER RAMS ESCAPING FROM POLYPHEMOS, RECLINING ON ROCK, TREE B: DIONYSOS MOUNTING CHARIOT AND SATYRS, ONE WITH DRINKING HORN I: NAKED WOMAN RUNNING WITH BASKET AND ALABASTRON
Last Recorded Collection: Rome, Mus. Naz. Etrusco di Villa Giulia: 50385
Publication Record: Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 132, FIG.2.25 (COLOUR OF A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 134.7, 1628 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 106.6 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 88 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 177 Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 94, FIG.72 (A) Journal of Hellenic Studies: 4 (1883) 255, PL.252 Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 422, NO.176 (COLOUR OF A) Lexicon Iconographicum Mythologiae Classicae: III, PL.352, DIONYSOS 450 (B) Lexicon Iconographicum Mythologiae Classicae: VI, PL.630, ODYSSEUS 120 (A) Mingazzini, P., Vasi della Collezione Castellani, vol. 2 (Rome,1971): PLS.109.3-4, 111, NO.641 (I,A,B) Neumann, D. (ed.), Gründer Roms, Etruskische Schätze aus der Villa Giulia. Eine Ausstellung des Niedersächsischen Landesmuseums (Hannover, 2024): 36 (COLOUR OF I, A, B AND AH) Pantheon: 40 (1982) 213, FIG.5 (DRAWING OF A) Sassatelli, S. et al, (eds.), Tesori etruschi. La collezione Castellani tra storia e moda (Milan, 2023): 152-151 (COLOUR OF A, B AND I) Touchefeu-Meynier, O., Themes Odysseens dans l'Art Antique (Paris, 1968): PL.12.1 (DRAWING OF A) Wijer, B. van de, Iconologisch Onderzoek van het Polyphemusavontuur (Leuven, 1982): NO.165 (DRAWING OF A)
CAVI Lemma: RF CUP. FROM CERVETERI. WIDER CIRCLE OF NIKOSTHENES PAINTER. PAMPHAIOS,
POTTER. LAST QUARTER SIXTH.
CAVI Subject: INT.: A NAKED WOMAN RUNNING, WITH A BASKET AND ALABASTRON. A: ODYSSEUS UNDER
THE RAM. B: DIONYSUS MOUNTING A CHARIOT BETWEEN TWO SATYRS.
CAVI Inscriptions: INT.: LETTERS AROUND THE CIRCUMFERENCE, PROBABLY NONSENSE, ALTHOUGH
MINGAZZINI THINKS THEY REPRESENTED AN ORIGINAL καλος Hο παις. A: I COULD NOT SEE
WHETHER THIS SIDE WAS INSCRIBED. MINGAZZINI: κ(α)λ(ο)ς{1}. B: SCATTERED, NEAR
THE TOP: H(ο) ^ [π](α)^ις^ AND κ(α)λ^ος, RETR. PERHAPS MORE. MINGAZZINI: Hο παις
καλος{2}. UNDER THE FOOT, GR.: Α. (HIGH-KICKING ALPHA, DISJOINTED){3}. CARUSO'S
READINGS ARE: INT.: καλος ο παις. A: καλος. B: ο παις καλος, ναι.
CAVI Footnotes: {1} THE SECOND AND FOURTH LETTERS ARE SMEARED. {2} TO JUDGE BY THE FACS.,
WHICH GIVES A STRING OF OF NONSENSE LETTERS, THIS IS NONSENSE, BUT THE FACSS. IN
M. ARE UNRELIABLE. {3} NOT IN JOHNSTON (1979).
CAVI Comments: VERY SLOPPY WRITING. CARUSO REPORTS THAT MINGAZZINI ATTRIBUTES INT. AND A TO
THE NIKOSTHENES PAINTER, AND B TO THE PITHOS PAINTER. CARUSO AGREES THAT B IS
MUCH LESS CAREFUL.
CAVI Number: 7177
AVI Bibliography: HARRISON–MACCOLL (1894), PL. 29,1,3 (A, B, AFTER JHS). — BLöSCH (1940),
66/32. — ARV[2] (1963), 134/7, 1628. — MINGAZZINI (1971), 21,641, PLA. 109,3-4,
111,1-2, A, FIGS. 1,6 AND B, FIG. 3 (FACSS.). — LIMC II (1984), PL. 352,
DIONYSOS 450 (B). — CARUSO (1985), 32, NO. 34 (A). — ADD.[2] (1989), 177.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
