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310091, ATHENIAN, Munich, Antikensammlungen, Munich, Antikensammlungen, 1430

  • Vase Number: 310091
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, NECK
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -575 to -525
  • Attributed To: TYRRHENIAN GROUP by THIERSCH
  • Decoration: A,B2-3: ANIMAL FRIEZES, SIRENS, PANTHERS, DEER, RAMS
    A1: FIGHT, WARRIORS, BETWEEN WOMEN, BETWEEN DRAPED MEN, SHIELD DEVICE, BULL HEAD
    B1: KOMOS, MEN AND YOUTHS DANCING, COLUMN KRATER
  • Last Recorded Collection: Munich, Antikensammlungen: J150
  • Previous Collections:
    • Munich, Antikensammlungen: 1430
  • Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 101.92
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 27
    Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 7, 22-24, BEILAGE A7, PLS.(1535-1536) 321.1-2, 322.1-2 View Whole CVA Plates
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 290-291, FIGS.47.4A-B (A, PART OF B)
    Wannagat, D., Archaisches Lachen, Die Entstehung einer komischen Bilderwelt in der korinthischen Vasenmalerei (Berlin and Boston, 2015): 124, FIG.107 (PART OF B1)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5374
  • AVI Record Number: 5157
  • CAVI Collection: Munich 1430.
  • CAVI Lemma: BF Tyrrhenian ovoid neck amphora. From Vulci. Unattributed. Third quarter sixth. 560-550 (CVA){1}.
  • CAVI Subject: A: duel; at left and right, women and bearded men watching (three figures on each side){2}. B: komos: seven men dancing; on the ground, a column krater.
  • CAVI Inscriptions: Nonsense: A: to right of the body of the second person from the left: υουεγυι{3}. Between the fighters, under the shields: υογ̣[--]γσι. B: to right of the left-most figure's head: 4 letters? To right of the second figure's legs: υουο(σ). To right of the fourth figure's legs: (.)ο[ν[ν{3}. Under the foot, Dip.: Χ.
  • CAVI Footnotes: {1} too early. {2} Beazley speaks only of women. {3} could be read retr.: γογευγι. {2} perhaps two sigmas?
  • CAVI Comments: Dot-band. Large but sloppy letters. The readings are uncertain. K.-G. calls the figures on B satyrs; Beazley, men in the komos; they have no tails. Hackl thought there were traces of a Dip. under the foot, but K.-G. denies that the traces of paint are of that; yet Johnston accepts it. - Sguaitamatti (1982), 34/13 (Küsnacht, C.W. Hirschmann G 40, q.v.) is by the same painter.
  • CAVI Number: 5157
  • AVI Bibliography: Thiersch (1899), 50/42, 121, fig. 221, 115, figs. 9 and 27. — Hackl (1909), 18/5. — ABV (1956), 101/92. — E. Kunze-Götte, CVA Munich 7, Germany 32 (1970), pls. 321,1-2 and 322,1-2, Beilage A 7 (bibl.). — Johnston (1979), 120/8D 5. — Add.[2] (1989), 27. — Vierneisel–Kaeser (1990), figs. 47.4a-b (A, small, B).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Last updated 15/12/2025 06:57:00. Approved by Mannack, Thomas. Copyright © 2003-2026 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/59B2839A-C532-48CD-831B-8DD7DD595D09

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