Inscriptions: Inscription: OPOLLON SE TE KAI MAKAI[RAN...] Kalos/Kale: LEA[GROS ... K]ALOS LEAGROS Named: SMIKROS Named: THODEMOS, MELAS, SYKO, ECHPHANTIDES Transcription: LEAGROS
Attributed To: EUPHRONIOS by BEAZLEY EUPHRONIOS by HECHT
Decoration: A: SYMPOSIUM, MEN AND YOUTH (NAMED) RECLINING ON KLINAI, SOME WITH CUPS, WOMAN PLAYING PIPES (NAMED), TABLE WITH FOOD AND CUP, KITHARA AND PIPESCASE SUSPENDED, INSCRIPTION B: SYMPOSIUM, YOUTHS, FIGURE WITH OINOCHOE AT DINOS, LAMPSTAND WITH LADLES, LYRE SUSPENDED
Last Recorded Collection: Munich, Antikensammlungen: 8935
Previous Collections:
Philadelphia (PA), market
Boston (MA), Museum of Fine Arts
Munich, Antikensammlungen: 9400
Munich, Antikensammlungen: 9403
Munich, Antikensammlungen: 9235
Munich, Antikensammlungen: 9236
Munich, Antikensammlungen: 8945
Munich, Antikensammlungen: 9404
Publication Record: Ancient World: 10 (1984) 3-4, PL.2, FIG.3 (PART) Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 106, FIG.52 (DRAWING OF PART OF A) Antike Kunst: 8 (1965), PLS. 11, 12.1, 13.1-2 (A, B, UH, PART OF A) Antike Welt: 22 (1991) 2, 136, FIG.3 (PART) Antike Welt: 32 (2001) 185, FIG.5 (COLOUR OF A) Antikenpräsentation in der heutigen Zeit - zwischen Tradition und Zukunft, Internationales Kolloquium 22. Oktober 1994 in Leipzig (Leipzig, 1995): PLS.32-33 (A, AH) Archäologischer Anzeiger: 1976, 505-507, FIGS.24-26 (A,B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1619.3BIS, 1705, 1699 Beazley, J.D., Paralipomena (Oxford, 1971): 322 Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 62, FIGS.3-4 (COLOUR OF A AND B) Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.324 (PART OF A) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.25 (PART OF A), 32, HEAD DETAILS 1 Brijder, H.A.G., Ancient Greek and Related Pottery, Proceedings of Vase Symposium (Amsterdam, 1984): 169, FIG.6 (PART OF A) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 115, FIG.69 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 152 Christiansen, J. and Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 308, FIG.11 (PART OF A) Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN EHEMALS MUSEUM ANTIKER KLEINKUNST 21, 63-71, FIGS.22A, 22B, 22C, 22D, 22E, 22F, 22G, 22H, 22I, 23, BEILAGE 18.1, PLS.(5474-5477) 26.2-5, 27.1-4, 28.1-6, 29.1-6 View Whole CVA Plates Fellmuth, N. et al., Der Jenaer Maler, Eine Töpferwerkstatt im klassischen Athen (Wiesbaden, 1996): 37, FIG.26 (PART OF A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 163-164, FIGS.45A-B (A, B) Frank, S., Attische Kelchkratere, eine Untersuchung zum Zusammenspiel von Gefässform und Bemalung (Frankfurt, 1990): PL.5.1-3 Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 7-8, FIGS.15, 18 (PARTS OF A) Griesbach, J. and Knauß, F.S. (eds.), Wein & Sinnlichkeit, Der Fotograf Johann Willsberger entdeckt das griechische Symposion, 11.07.2024 - 20.10.2024, Staatliche Antikensammlungen (Munich, 2024): 39, 41, 46, FIGS.3.6.9.15 (COLOUR OF A, B AND PART OF A) Grimm, G., Von der Liebe zur Antiken Welt, Zaberns Bildbände zur Archäologie (Mainz, 2005): 95, FIG.5 (COLOUR) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 18, FIG.4, 25, FIG.6, PLS.3, 5 AT 176 (A, B, COLOUR OF A AND PART OF A) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 90-91, NO.5 (COLOUR OF A AND B) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 68, FIG.19 (PROFILE) J. Paul Getty Museum Journal: 14 (1986) 18, FIG.19 (PARTS) Jahrbuch des Deutschen Archäologischen Instituts: 94 (1979) 211, FIG.44 (B) Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 407, FIG.63 (A) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 497, FIG.32.20 (COLOUR OF PART) Knauss, F.S., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 156-158 (COLOUR OF A, PART OF A, AND B) Korshak, Y., Frontal Faces in Attic Vase Painting of the Archaic Period (Chicago, 1977): 92, FIG.18 (PART) Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 179, 181-182, 185-186, FIGS.1-8 (COLOUR) Metropolitan Museum Journal: 43 (2008) 18, FIG.18 (COLOUR OF A) Moon, W.G. (ed.), Polykleitos, the Doryphoros, and Tradition (Madison) 1995: 35, FIG.3.13 (A) Münchner Jahrbuch der Bildenden Kunst: 22 (1971) 230-34, FIGS.1-11 Münchner Jahrbuch der Bildenden Kunst: 24 (1973) 241, FIG.4 (PART) Münchner Jahrbuch der Bildenden Kunst: 26 (1975) 214, FIG.5 (PART) Münchner Jahrbuch der Bildenden Kunst: 38 (1987) 230-231, FIGS.7-8 (A, B, INCLUDING NEW FRAGMENTS) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 112-114, FIGS.53-56 (A,B, PARTS OF A) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 52, FIG.4 (A) Ohly, D., Geleitwort fur den Besucher (Munich, 1968): PL.24 (PART OF A) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 11 (A, B, PARTS OF A) Padgett, J.M. (ed.), The Berlin Painter and His World, Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 140, FIG.9 (COLOUR OF PART) Pallas, Revue d'etudes antiques: 85 (2011) 128, FIG.2 Pasquier, A., Euphronios, genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 10-11 (COLOUR OF A AND B) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.4 Proceedings of the Int. Conference on Greek Architectural Terracottas of the Classical and Hellenistic Periods, Hesperia Supp. 27 (Princeton, 1994): PL.1C (PART OF ORNAMENT) Scheibler, I., Griechische Töpferkunst, Herstellung, Handel und Gebrauch der antiken Tongefässe (Munich, 1983): 129, FIG.114 (PART OF A) Scheibler, I., Griechische Töpferkunst, Herstellung, Handel und Gebrauch der antiken Tongefässe, 2nd ed. (Munich, 1995): 129, FIG.114 (PART OF A) Spivey, N., The Sarpedon Krater, The Life and Afterlife of a Greek Vase (Chicago, 2018): 22, FIG.3 (COLOUR OF A) Taplin, O. and Wyles, R. (eds.), The Pronomos Vase and its Context (Oxford, 2010): 211, FIG.11.2 (PART) The Birth of Democracy, An Exhibition celebrating the 2500th Anniversary of Democracy at the National Archives, Washington, D.C. (Athens, 1993): 22, FIGS.1-2 (A, B) Topper, K., The imagery of the Athenian symposium (Cambridge, 2012): 149, FIG.61 (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 75,180,216-17,219-20,236,238-9, FIGS.9.5, 29.7,35.1A-E, 38.4,39 Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 17, TOP 3, BOTOM LEFT AND RIGHT (COLOUR OF A AND PARTS OF A AND B) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 40, 41, FIGS.4.4-5 (COLOUR OF PART OF A AND B) Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 211, FIG.2 (A)
CAVI Lemma: Frs. of RF calyx krater. Euphronios. Last quarter sixth. 510-500. 515-500
(`Euphronios').
CAVI Subject: A-B: symposium. (B: servants procuring wine for it{1}.
CAVI Inscriptions: A: left to right: two on a couch: Θοδεμος. Μελας. A female flautist: Συκο. A
blond youth on a couch: Σμικρος. A bearded man sitting on a couch and singing:
Εχφαντιδες, for Εκφαντιδες. From his mouth: Ὄ̅πολλον, σέ τε(2) καὶ μάκαι[ραν],
retr. B: Λεα[γρος | κ]α̣λος.
CAVI Footnotes: {1} B has 3 figures: at right was a servant carrying an amphora on his back,
a figure similar to the amphora bearer on the Smikros amphora. {2} τε Beazley in
Para., γε Vermeule; Ionic gamma is probably not that early; see AttScr (1990),
135 and 180. {3} so Vierneisel, but I am not sure that this is the complete list
of frs.; see the accounts in MüJb.
CAVI Comments: Ex Philadelphia Market. + 9235-36, 9400, 9403-04{3}. A skolion (the meter a
hipponacteum) addressed to Apollo and Artemis, cf. the proemium of the
Theognidea. Differently Vermeule. See also the comments in ARV[2] 1619. For the
proper names see D. Ohly in Münch. Jahrb. 22. Robertson, p. 26, says the
pictures on the Smikros krater in Brussels are `reduced and simplied versions'
of those on the Munich krater; on p. 29 he suggests that Syko, the old hetaera,
was a real person. For a parallel to the name, see Jeffery (1961), 276/14, from
Akrai in Sicily.
