Last Recorded Collection: Madrid, Museo Arqueologico Nacional: I150
Previous Collections:
Madrid, Museo Arqueologico Nacional: 10910
Publication Record: Abantos. Homenaje a Paloma Cabrera Bonet (Madrid, 2021): 824-825, FIGS.1-2 (COLOUR OF I) Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact, Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 369, FIG.2 (DRAWING OF I) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 236.4, 97 Beazley, J.D., Paralipomena (Oxford, 1971): 109 Corpus Vasorum Antiquorum: MADRID, MUSEO ARQUEOLOGICO NACIONAL 2, IIIIC.3, PLS.(58,59) 1.1, 2.1 View Whole CVA Plates Sanchez-Fernandez, C., and Cabrera-Bonet, P. (eds.), En los limites de Dioniso, Acta del simposio celebrado en el Museo Arqueologico Nacional (Murcia, 1998): 43, FIG.1 (COLOUR OF I)
CAVI Lemma: BF cup. From Vulci. Unattributed. Pamphaios, potter. Last quarter sixth. Ca.
520.
CAVI Subject: Int.: gorgoneion. Ext.: plain (BG).
CAVI Inscriptions: Int.: around the gorgoneion, in a reserved band inside a BG circular line,
starting below the middle of the gorgon's tongue and filling the circle:
Πανφαιος μεποιεσεν{1}.
CAVI Footnotes: {1} the name is more widely spaced than μεποιεσεν thus avoiding crowding at
the end.
CAVI Comments: = 150. Leroux: "Sans doute le même vase que celui jadis signalé dans Bullet.
dell' Ist., 1844, p. 100; et Klein (1887), 90, n. 3."
CAVI Number: 4882
AVI Bibliography: Alvarez-Ossorio (1910), 68 (not ill.). — Leroux (1912), 78/150 (facs.), pl.
14 (Int., exc. for inscription). — J.R. Mélida, CVA Madrid 2, Spain 2 (1944),
pls. 1,1 and 2,1 (inscription). — ABV (1956), 236/4. — Para. (1971), 97 (not
102) and 109. — Immerwahr (1984), 343 and 348/7 (not ill.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
