Publication Record: Balme, M. and Lawall, G., Athenaze. An Introduction to Ancient Greek. Third Edition (Oxford, 2016): 164, UNNUMBERED (A) Bazant, J., Les citoyens sur les vases atheniens, Rocnik 95 (1985) 2: PL.39.65 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 432.52 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 203.51 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): VI, PL.10 Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 220, FIG.234 (A) Bruschetti, P. et al. (eds.), Seduzione etrusca. Dai segreti di Holkham Hall alle meraviglie del British Museum (Milan, 2014): 446, FIG.III.76A-B (COLOUR OF A AND B) Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PL.62, NO.96 (I, A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 117 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 237 Cite sous terre, Des archeologues suisses explorent la cite grecque d'Eretrie, Une exposition realisee par l'Ecole suisse d'archeologie en Grece, en collaboration avec l'Antikenmuseum Basel und Sammlung Ludwig (Basel, 2010): 124 (DRAWING OF A) Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 9, 35-36, FIGS.02B, 03J, 07B, PLS.(804-805) 28.A-B, 29.A-E Faulkner, N., A visitor's guide to the ancient Olympics (New Haven and London, 2012): 21, FIG.2 (A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 243, FIG.104 (A) Fraser, J., Luxury and power, Persia to Greece, British Museum (London, 2023): 142, FIG.137 (COLOUR OF A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 241 Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 335, FIG.6 (COLOUR OF A) Lippolis, E., Gli eroi di Olimpia, lo sport nella societa Greca e Magnogreca (Taranto, 1992): 74, FIG.15 (A) Murray, A.S., Designs from Greek vases in the British Museum (London, 1894): FIG.30 (I) Neils, J., The Parthenon Frieze (Cambridge, 2001): 66, FIG.51 (A) Nevett, L.C., House and Society in the Ancient Greek World (Cambridge, 1999): 47, PL.3 (A) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 126, FIG.1, PL.14B (A, COLOUR OF A) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 89, FIG.79 (A) Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): II, 536, FIG.27.6 (A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 241, FIG.11.1 (DRAWINGS OF A, B AND I) Vanhove, D. (ed.), Le Sport dans la Grece Antique, Du Jeu a la Competition, 23 Janvier- 19 Avril 1992 (Gent, 1992): 74, FIG.15 (A) Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 176, FIG.251 (COLOUR OF PART OF A)
CAVI Lemma: RF cup. From Vulci. Douris. Python, potter. First quarter fifth.
CAVI Subject: Int.: a bearded komast with a cup. Ext.: symposium: A: three men on couches;
two boys attending. B: similar.
CAVI Inscriptions: Int.: to the komast's left, starting near head height, but at some distance
and curving down without being close to the margin: Δορις ε^γραφσ[ε]ν, retr.{1}.
A: καλος. καλος. καλος. B: three times καλος{2}. Under the foot, Etruscan Gr.:
facs. p. 78: 8AI IO8, retr.
CAVI Footnotes: {1} the cup held by the komast intervenes. The last epsilon is clearly
missing in the ph. of CVA, GB 17, pl. 28,b, although my original note, Williams
and Buitron-Oliver all give it as extent; but ARV[2] had it right. {2} Williams
gives it only twice.
CAVI Comments: + Villa Giulia. The signature looks rather different from the usual Dourian
signatures, esp. because it is retr. Williams says the Gr. is Etruscan, perhaps
ownership. Dotted delta.
CAVI Number: 4462
AVI Bibliography: C.H. Smith in BM Cat. E (1896), 74-75. — CF (1933), pl. Z/25 (Villa Giulia
fr.). — ARV[2] (1963), 432/52. — Bažant (1985), pl. 39, fig. 65. — Add.[2]
(1989), 237 (bibl.). — D. Williams, CVA London 9, Great Britain 17 (1993),
35/20, pls. 28-29, figs. 3,j (facs. of Gr.) and 7,b (profile). — Buitron-Oliver
(1995), 78/96, pl. 62.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
