Decoration: A: SYMPOSIUM, HERAKLES AND DIONYSOS WITH CUP, PLAYING KOTTABOS, RECLINING, SATYR WITH OINOCHOE, LION SKIN ON TREE B: MAENADS
Last Recorded Collection: Paris, Musée du Louvre: G114
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 257.14 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 193.10 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 157.11 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 204 Corpus Vasorum Antiquorum: PARIS, LOUVRE 1, III.I.C.5, PLS.(044,045) 6.9, 7.2 View Whole CVA Plates Corpus Vasorum Antiquorum: PARIS, LOUVRE 2, III.Ic.9, PL.(082) 12.3.6 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 60, FIG.40 (A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 220, FIG.87 (A) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 72, FIG.20 (A) Hesperia, The Journal of the American School of Classical Studies at Athens: 60 (1991) PL.100.4 (A) Hesperia, The Journal of the American School of Classical Studies at Athens: 90 (2021) 664, FIG.12 (DRAWING OF A) Lexicon Iconographicum Mythologiae Classicae: III, PL.365, DIONYSOS 580 (A) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.107 (A) Wolf, S.R., Herakles beim Gelage, eine motiv- und bedeutungsgeschichtliche Untersuchung des Bildes in der archaisch-frühklassischen Vasenmalerei (Köln, 1993): FIGS.47-49 (A, PARTS OF B)
CAVI Lemma: RF stamnos. Copenhagen Painter. First quarter fifth. Ca. 480 (Csapo–Miller).
CAVI Subject: A: symposium: Dionysus (reclining and playing kottabos) and Heracles; vine;
at left, a satyr oinochoos. B: three maenads.
CAVI Inscriptions: A: from Dionysus' mouth: τοι τενδε, retr.{1}. To right of the satyr's face:
Λυκοι{2}. The inscriptions are at opposite sides of the picture.
CAVI Footnotes: {1} CVA shows a broken vertical line between the second tau and the epsilon.
{2} is Λυκοι spoken by the satyr?
CAVI Comments: + Louvre fr. Much restored. In ARV[2] 1596 Beazley indicates that Lykos is
being greeted. The inscription is one: τοὶ τένδε, Λύκο̅ι. Csapo and Miller
rightly use this vase as a parallel to the inscription: τοί, [Λ]άχετι on London
95.10-27.2, q.v. For the interpretation of τοι, see the options offered in their
article.
CAVI Number: 6457
AVI Bibliography: E. Pottier, CVA Louvre 1, France 1 (1923), III I c, pls. 6,9, 7,2, 12,3,6. —
ARV[2] (1963), 257/14, 1596. — Add.[2] (1989), 204. — Lissarrague (1990a),
84-85, fig. 71 (sketch of A, with inscriptions). — Csapo–Miller (1991), 373ff.,
no. 4, fig. 2 and pl. 100.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
