Decoration: Body: ATHLETES, ACONTIST, DISKOBOLOS, JUMPING WITH HALTERES, TRAINERS (?), YOUTH (VICTOR), DRAPED MAN PLAYING PIPES
Last Recorded Collection: New York (N.Y.), Metropolitan Museum: 10.210.18
Previous Collections:
Rome, Mus. Naz. Etrusco di Villa Giulia: 22643
Publication Record: A Lexicon of Greek Personal Names: II, 144 Alexander, C., Greek athletics (New York, 1925): 10, 15.1, 31.2 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 54.7 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 35.6 Beazley, J.D., Attic red-figured Vases in American Museums (Cambridge, 1918): 8 (DETAIL) Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 11.5, 11.7 Beazley, J.D., Paralipomena (Oxford, 1971): 326 Blech, M., Studien zum Kranz bei den Griechen (Berlin, 1982): 116, FIG.25 (DRAWING OF PART) Bothmer, D. v., Greek Vase Painting, An Introduction (New York, 1987): 30-31, 65, NO.14 (PARTS) Bothmer, D. von, Greek Vase Paintings, Metropolitan Museum of Art (New York, 1987): 32-33, 70, NO.18 Bulletin of the Metropolitan Museum of Art, New York: 31 (1972-73) FIG.14 (PARTS) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 80 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 163 Coulson, W.D.E. et al. (eds.), The Archaeology of Athens and Attica under the Democracy (Oxford, 1994): 155, FIG.6 (PART) Drougou, S., Der Attische Psykter (Würzburg, 1975): PL.2 (PART) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 310-311, FIGS.166A-C (BD) Folsom, R., Attic Red-Figured Pottery (Parkridge, 1976): PL.12 (PART) Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): 134, FIG.31 (VILLA GIULIA FRAGMENT) J. Paul Getty Museum Journal: 14 (1986) 8, FIGS.2A-D Nikephoros: 2 (1989) 321, FIG.17 (DRAWING OF PART) Numismatica e Antichita Classiche, Quaderni Ticinesi: 16 (1987) 80, PL.9.14 (DRAWING OF BD) Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 67, FIG.3.7-8, PL.6 (PARTS, COLOUR OF PART) Patrucco, R., Lo Sport nella Grecia antica (Florence, 1972): 164, FIG.73 (DRAWING OF PART) Richter, G. & Hall, L., Red-figured Athenian Vases in the Metropolitan Museum of Art (New Haven, 1936): PLS.4, 173.3 Richter, G. & Milne, M., Shapes and Names of Athenian Vases (New York, 1935): FIG.87 Richter, G., Perspective in Greek and Roman Art (London [1970]): FIG.77 (DRAWING OF PART) Richter, G., The Craft of Athenian Pottery (New Haven, 1923): 53 (DETAIL) Richter, G., The sculpture and sculptors of the Greeks (New Haven, 1929): FIG.471 Robertson, C., History of Greek Art (Cambridge, 1975): PL.71C (PART) Rocznik Muzeum Narodowego w Warszawie: 26 (1982) 141, FIG.12 (PART) Steiner, A., Reading Greek Vases (Cambridge, 2007): 249, FIG.10.6 (DRAWING OF BD) Tempel, L., Agency, Memory, Community, der Kranz in Festszenen auf attischer Keramik, Eine bildwissenschaftliche Analyse unter Berücksichtigung phänomenologischer Prämissen (Hamburg, 2020): 62, FIG.10 (PART OF BD)
CAVI Lemma: RF PSYKTER. FROM CAMPAGNANO. OLTOS. LAST QUARTER SIXTH. CA. 510. 520-510
(RICHTER).
CAVI Subject: ATHLETES WITH A FLUTIST AND WITH TRAINERS.
CAVI Inscriptions: A YOUTH PLAYING FLUTES; UNDER HIS ARMS: Σμικυ[θος]. A YOUTH PREPARING TO
JUMP; TO LEFT OF HIS MIDDLE: Hαλούμενος εἶσι, RETR., COMPLETE. BEHIND HIS BACK:
(Δ)οροθεος. A BEARDED MAN CROWNING A BOY; TO RIGHT OF HIS FACE: Κλεαινετος. TO
RIGHT OF THE BOY'S BACK: Επαινετος, AND AT THE LOWER LEFT: καλος, RETR., I.E.,
Επαινετος | καλος{1}. A BEARDED TRAINER; BETWEEN HIM AND THE NEXT FIGURE:
Αλκετες. A YOUTH WITH A DISCUS; BETWEEN HIS LEGS AND THE NEXT FIGURE'S:
Αντιφανες. A BEARDED TRAINER; FROM HIS FACE: Α[ντ]ι[μ]ε̣[ν]ες, RETR. BEHIND HIS
HEAD, TOWARD THE NEXT FIGURE'S FACE, BUT NOT RETR.: πομε{2}. TO RIGHT OF HIS
LOWER BODY AND STARTING FROM THE BUTTOCK OF THE NEXT FIGURE: χασ.[.](ο),
RETR.{3}. A YOUTH WITH A JAVELIN; TO RIGHT OF HIS BODY, BELOW HIS RAISED ELBOW:
Βα[τρ]αχος.
CAVI Footnotes: {1} RICHTER, BUT NOT SO LISTED BY BEAZLEY. IT IS PORTRAIT-KALOS. {2} BEAZLEY
IN ARV[2] SUGGESTS πῶ με, `DRINK ME', CF. CL. REV. 57, 102-103, BUT I THINK IT
IS MEANINGLESS. RICHTER SAYS THAT A LETTER MAY BE MISSING AT THE BEGINNING, BUT
I THOUGHT THIS UNLIKELY. {3} χασκ̣ο̣, RICHTER. χασκο = χάσκω, `I OPEN MY MOUTH
WIDE', BEAZLEY IN ARV[2]. THE FOURTH LETTER IS THE SLIGHTLY SLANTED TOP OF A
STROKE, AS IN LAMBDA OR UPSILON; IT COULD BE PART OF A KAPPA. AFTER IT, THERE IS
SPACE FOR A LETTER. THE LAST LETTER IS Ο, Δ(?), OR Α(?). I TAKE THIS WORD TO BE
NONSENSE ALSO. {4} ONE FR.; SEE CF, 33/3.
CAVI Comments: + ROME, VILLA GIULIA{4}. RICHTER NOTES THAT DOROTHEOS AND BATRACHOS OCCUR
TOGETHER ON A CUP BY THE EARLY PANAITIOS PAINTER, PARIS, CAB. MéD. 523. ON THE
CONSTRUCTION OF Hαλούμενος εἶσι, SEE ATTSCR.
