Last Recorded Collection: Orvieto, Museo Civico, Collezione Faina: 2664
Previous Collections:
Orvieto, Museo Civico, Collezione Faina: 41
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 102.100, 684 Beazley, J.D., Paralipomena (Oxford, 1971): 38 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 27 Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 186, FIG.7.1 (A1) Golden M. and Toohey, P., Inventing Ancient Culture, Historicism, periodization, and the ancient world (London, 1997): 44, PL.7 (DRAWING OF PART OF A) Immerwahr, H., A Corpus of Attic Vase Inscriptions, Preliminary Edition (1998): NO.5812 Lear, A. and Cantarella, E., Images of ancient Greek pederasty, Boys were their gods (London and New York, 2008): 126, FIG.3.14A-B (A, B) Wannagat, D., Archaisches Lachen, Die Entstehung einer komischen Bilderwelt in der korinthischen Vasenmalerei (Berlin and Boston, 2015): 114, FIG.101 (A1) Wojcik, M.R., Museo Claudio Faina di Orvieto, Ceramica attica a figure nere (Perugia, 1989): 46-48, NO.1 (A, B)
CAVI Lemma: BF TYRRHENIAN NECK AMPHORA. FROM ORVIETO? GUGLIELMI PAINTER (BOTHMER). THIRD
QUARTER SIXTH. 550-530. MIDDLE PERIOD (KLUIVER).
CAVI Subject: A: LOVE-MAKING: MEN AND YOUTHS, AND A NAKED WOMAN; COLUMN KRATER. B: DIONYSUS
SEATED ON A STOOL; MAENAD, SATYR AND A MAN; GRAPE VINE. A, B, EACH: BELOW: THREE
ANIMAL FRIEZES.