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2947, ATHENIAN, Athens, Ceramicus, 4290

  • Vase Number: 2947
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CHOUS
  • Provenance: GREECE, ATHENS, CERAMICUS
  • Date: -450 to -400
  • Attributed To: Manner of MEIDIAS P by KNIGGE
    AISON by KNIGGE
  • Decoration: Body: SATYRS ATTACKING AMYMONE (WITH HYDRIA)
  • Current Collection: Athens, Ceramicus: 4290
  • Publication Record: Antike Welt: 4 (1973)4, 10, FIG.12A-B (PARTS)
    Archäologischer Anzeiger: 1974, 191, FIG.21
    Bulletin de Correspondance Hellenique: 97 (1973), 263, FIG.18 (PART)
    Burn, L., The Meidias Painter (Oxford, 1987): PL.33
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 131, 287, FIGS.71, 180 (DRAWING OF BD, PART OF BD)
    Knigge, U., Der Kerameikos von Athen, Führung durch Ausgrabungen und Geschichte (Athen, 1988): 155, FIG.152 (PART)
    Lezzi-Hafter, A., Der Eretria-Maler, Werke und Weggefährten (Mainz, 1988): 197, FIG.65A, PL.195C, NO.223 (INCLUDING PROFILE)
    Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 93, FIG.68 (DRAWING OF BD)
    Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung: 90 (1975), PLS.44-47, 49.2
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 234, FIG.243
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=1884
  • AVI Record Number: 1761
  • LIMC ID: 45269
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7625374d6dd88-e
  • CAVI Collection: Athens, Ceramicus 4290.
  • CAVI Lemma: RF oinochoe (chous). From Athens, Ceramicus. Meidias Painter (Knigge){1}. Last quarter fifth. Ca. 430, early (Knigge). 425-420 (Lezzi-Hafter).
  • CAVI Subject: Amymone with a water jar surprised by four satyrs, two on each side.
  • CAVI Inscriptions: Above the fourth satyr: Ενα[υ]λο{2}.
  • CAVI Footnotes: {1} but see D]. {2} so Knigge who says on p. 128: from εναυλος, `Ausdruck des Erstaunens oder der Überraschung'. [I do not understand.] The inscription is above the two right-hand satyrs, slightly bearing upward. It could refer to the fourth satyr and be a name, or a remark of some kind or even nonsense. It should not refer to the woman. Consider εναθλος or εναλλος(?). Possibly a satyr name: Ενα[λ]λο[ς], `jumper, dancer,' from εναλλομαι(?).
  • CAVI Comments: Not in Kossatz-Deissmann (1991); the name not in Pape or LGPN ii. εναυλος is an adj. related to flutes or an abode. - Knigge identified the extant Aison with the young Meidias Painter but Burn does not agree. Cf. Burn 12 n. 59: Cramers and Lezzi-Hafter consider Aison the teacher of the Meidias Painter. Burn is uncertain about the attribution of Ceramicus 4290: she is inclined to Aison but keeps it provisionally under Meidias Painter; she thinks the vase influenced by theater.
  • CAVI Number: 1761
  • AVI Bibliography: Michaud (1973), 263 (principal frs.). — Knigge (1975), 129, fig. 4, pls. 44-47, 49,2 [[invis.]]. — Cramers (1980), figs. 10,b (profile), 67-70, M 16. — Burn (1987), 12-13, 50f., 98/M 15, pl. 33. — Lezzi-Hafter (1988), 206, 340/223, pl. 195,c.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/52D70CAE-F87A-41C8-AC54-BD8E463B8CFB

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