Last Recorded Collection: Berlin, Antikensammlung: F2179
Publication Record: Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 180, FIG.9 Antike Kunst: 29 (1986) PL.13.2 (PART) Antike Welt: 1988, SONDERNUMMER, 22, FIG.33 (PART) Backe-Dahmen, A. et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 17, NO.6 (COLOUR OF BD) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 252.52, 1639 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 167.44 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 162.24 Beazley, J.D., Paralipomena (Oxford, 1971): 350 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): III, PL.6 Bentz, M. (ed.), Vasenforschung und Corpus Vasorum Antiquorum, Standortbestimmung und Perspektiven, Beihefte zum Corpus Vasorum Antiquorum I (Munich, 2002): 46, FIGS.5-7 (BD, DRAWING OF PART OF BD) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 101 Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.249 (DRAWING) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 203 Corpus Vasorum Antiquorum: BERLIN, ANTIKENSAMMLUNG 9, 26-29, FIGS.7, 8, BEILAGE 3.1, PLS.(3698,3699,3746) 8.1-3, 9.1-2, 56.7 View Whole CVA Plates De Simone, A., L' area archeologica Etrusco Sannitica di Fratte (Salerno, 1989): 9.1-2 Gerhard, E., Etruskische und kampanische Vasenbilder (Berlin, 1843): PL.6-7 Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 114, FIG.60 (DRAWING OF BD) Kaempf-Dimitriadou, S., Die Liebe der Götter in der attischen Kunst des 5. Jhs.v .Chr. (AK Beiheft 11, 1979): PL.22.1-2 Lexicon Iconographicum Mythologiae Classicae: VIII, PL.330, AIGIS 2 (PART OF BD) Monumenti antichi pubblicati per cura della Reale Accademia deiLincei: 14, 55 Neugebauer, K., Staatliche Museen zu Berlin, Führer (1932): PL.45 Revue des Etudes Anciennes: 94 (1992) 142, FIG.2 (PART) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 123, FIG.126 Schefold, K., Die Göttersage in der klassischen und hellenistischen Kunst (Munich, 1981): 266, FIG.379 (PART) Schlesier, R. (ed.), A Different God? Dionysos and Ancient Polytheism (Berlin and Boston, 2011): PL.38 (COLOUR OF PART) Schlesier, R. and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 26, 166, NO.17, FIG.8 (COLOUR OF BD) Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 129, FIG.50 (PART) del Corral Corredoira, P.D., Y Dioniso desposó a la rubia Ariadna, estudio iconográfico de la cerámica ática (575-300 a.C.) (Oxford, 2007): 179, FIG.95 (DRAWING OF BD)
CAVI Lemma: RF HYDRIA (KALPIS). FROM VULCI. SYLEUS PAINTER. FIRST QUARTER FIFTH.
CAVI Subject: THESEUS LEAVING ARIADNE, WITH ATHENA AND DIONYSUS.
CAVI Inscriptions: ABOVE THESEUS' HEAD: Θ̣ε[σε]υς. TO ATHENA'S LEFT: Αθ̣[εν]αια, RETR. TO
DIONYSUS' LEFT: (Δ)[ι]ονυσος, RETR. TO RIGHT AND ABOVE ARIADNE: Αρια[δ]νε{1}.
CAVI Footnotes: {1} Αρια[γ]νε, Αρια[ν]νε?
CAVI Comments: INSCRIPTIONS FROM FURTW.'S TEXT. THREE- AND FOUR-STROKE SIGMAS.
