Attributed To:Compare ONESIMOS by UNKNOWN Perhaps EUPHRONIOS by SIGNATURE
Decoration: A: CENTAUROMACHY, WARRIORS, ONE FALLEN, AND CENTAURS, ONE FALLEN I: WARRIOR WITH SCALP
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 86.AE.311
Previous Collections:
Greenwich (CT), private, M. and W. Bareiss: 408
Malibu (CA), The J. Paul Getty Museum: S.80.AE.313
Publication Record: Classical Antiquity: 22 (2003) FIG.1 AT 54 (I) Corpus Vasorum Antiquorum: MALIBU, J. PAUL GETTY MUSEUM 8, 31-32, PL.(1694) 417.1-2 Getty Research Journal: 4 (2012) 7, FIG.6 (I) Greek Vases in the J.Paul Getty Museum: 5 (1991), 47, FIGS.7A-B (I, A) Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 473, FIG.347 (A) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 (I, A)
CAVI Lemma: FR. OF RF CUP. ONESIMOS (BOTHMER). EUPHRONIOS, POTTER. FIRST QUARTER FIFTH.
CA. 500-490 (BOTHMER).
CAVI Subject: INT.: HEAD, SHOULDER, AND PART OF THE SHIELD OF A BEARDED WARRIOR WEARING A
SCALP ON TOP OF HIS HELMET. A: CENTAUROMACHY.
CAVI Inscriptions: INT.: TO LEFT OF THE WARRIOR'S HEAD AND ENDING ABOVE IT: [Ευφρονι]ος
εποιεσεν{1}.
CAVI Footnotes: {1} SO BOTHMER AND WILLIAMS.
CAVI Comments: EX MALIBU S.80.AE.313. EX BAREISS 408. SCALPING WAS A SCYTHIAN CUSTOM, KNOWN
TO THE GREEKS AS αποσκυθιαζειν. WILLIAMS (N. 37) NOTES IT MAY HAVE BEEN BROUGHT
BACK FROM THE CHERSONNESE BY MILTIADES, WHOSE PICTURE THIS MAY BE.
CAVI Number: 5024
AVI Bibliography: J. PAUL GETTY MUSEUM (1983), 81/178 (NOT ILL.). — D. WILLIAMS (1991), 47 AND
N. 36, FIGS. 7,A-B.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
