Decoration: A: WARRIOR (YOUTH, NAMED) ARMING BETWEEN ARCHERS IN PERSIAN CAPS AND PATTERNED SUITS WITH AXE, BOWS AND SHIELD, DEVICE, SATYR B: ATHLETES, DISKOBOLOS, TRAINER, NAMED
Last Recorded Collection: Munich, Antikensammlungen: 2308
Previous Collections:
Munich, Antikensammlungen: J374
Publication Record: Ancient Civilizations from Scythia to Siberia, An International Journal of Comparative Studies in History and Archaeology: 12 (2006) 211, FIG.5 (DRAWING OF A) Antike Welt: 32 (2001) 187, FIG.7 (B) Archäologischer Anzeiger: 1977, 38, FIG.1 (PART OF A) BEAZLEY NOTEBOOK: 77, 22.2 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 26.2, 1620 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 25.4 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 63.4 Beck, F., Album of Greek Education (Sydney, 1975): PL.34.188 (B) Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 73, FIG.18 (A, B) Bollettino d'Arte: 115 (2001) 17, FIG.37 (DRAWING OF B) Brijder, H.A.G., Ancient Greek and Related Pottery, Proceedings of Vase Symposium (Amsterdam, 1984): 169, FIGS.7, 8, 12 (PARTS OF A,B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 75 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 156 Chiarini, S., The so-called Nonsense Inscriptions on Ancient Greek Vases, Between Paideia and Paidiá (Leiden, 2018): 153, FIG.30 (COLOUR OF A) Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 4, 15,16,17, PLS.(547-550,566) 169.1-2, 170.1-2, 171.1-2, 172. 2-4, 188.6 View Whole CVA Plates Eulimene, Mesogeiake Archaiologike Hetaira Rethymno: 2 (2001) 92, FIG.8 (A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 373, FIG.223 (B) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.81 (A, B) Gardiner, N., Athletics of the Ancient World (Oxford, 1930): FIG.124 (B) Grimm, G., Von der Liebe zur Antiken Welt, Zaberns Bildbände zur Archäologie (Mainz, 2005): 97, FIG.7 (B) Harlow, M. (ed.), A Cultural History of Dress and Fashion in Antiquity (London, 2017): 60, FIG.3.10 (A) Hesperia, The Journal of the American School of Classical Studies at Athens: 83.3 (2014), 459, FIG.3 (COLOUR OF A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 435 Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): PL.2 Hoppin, J.C., Euthymides, a study in Attic vase painting (Leipzig, 1896): PLS.1-2 Jahrbuch des Deutschen Archäologischen Instituts: 23 (1908) 99 Jahrbuch des Deutschen Archäologischen Instituts: 31 (1916) 130 Jüthner, J., Die athletischen Leibesübungen der Griechen, II (Vienna, 1968): PL.56B (B) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 445, FIG.30.26 (COLOUR OF B) Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.1 Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 111, FIG.4.15 (A) Lissarrague, F., L'Autre Guerrier, Archers, Peltastes, Cavaliers dans l'Imagerie Attique (Paris-Rome, 1990): 48, FIG.18 (DRAWING OF A) Martins, J.P., A Arte e os Jogos Gregos na Antiguidade, As Representacoes das Actividades Fisico-Atleticas na Ceramica Classica Grega nos Periodos das Figureas Negras e Vermelhas (Coimbra, 2009): 95, FIG.26 (B) Ohly-Dumm, M., Attische Vasenbilder der Antikensammlungen München, I (Munich, 1975): 19-21, PLS.6-7 (DRAWINGS OF A & B) Paleothodoros, D., Epictetos (Leuven, 2004): PL.52, FIG.3 (A) Patrucco, R., Lo Sport nella Grecia antica (Florence, 1972): 70, FIG.6 (B) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.366 (B) Pfuhl, E., Masterpieces of Greek drawing and painting (London, 1926): FIG.40 Platt, V. and Squire, M. (eds.), The Frame in Classical Art, A Cultural History (Cambridge, 2017): 62-63, FIGS.1.17A-B (A, B) Prospettiva Rivista dell' arti antica e moderna (Siena): 98-99 (APRIL-JULY 2000) 17, FIG.38 (PART OF B) Robertson, C., History of Greek Art (Cambridge, 1975): PLS.72D, 74C (PART OF A,B) Schiltz, V., Les Scythes et les nomades des steppes, VIIIe siecle avant J.-C.- Ier siecle apres J.-C. (1994): 393, FIG.317 (COLOUR OF PART OF A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 206-207, FIGS.9.8-9.9 (A, B) Tölle-Kastenbein, R., Pfeil und Bogen im antiken Griechenland (Bochum, 1980): 123, PL.32 (A), 163, PL.53A (PART OF A) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 121, FIG.14.7, 213, FIGS.23.1A-B, 215, FIG.23.5, 253, FIG.25.22, 301, FIG.28.11, 475, NO.36 (COLOUR OF A, B AND PARTS OF B, A, B)
CAVI Lemma: RF amphora. From Vulci. Euthymides. Last quarter sixth. 510-500.
CAVI Subject: A: arming similar to Munich 2307 (A), but not mythological. B: two young
athletes and a bearded trainer.
CAVI Inscriptions: A: to right of the left archer: Μαε[-4-]γ[.] vac. To right of his legs:
χυχοσπι. To lower left of the arming youth, not facing: Θορ̣υκιον{1}. To his
lower right, vertically, non-stoich.: h[ο Πολ[λ]ι]ο ε[γρα]φσεν Ευθυμιδες{ες}.
I.e., Ευθυμιδες{ες} | ε[γρα]φσεν | h[ο Πολ[λ]ι]ο. To left of the right archer's
face: Ευθυβο[λος]{2}. B: to lower right of the left youth: Πενταθλ[ο]ς{3}. To
right of the second youth's middle: Φαϋλ[λ]ος{4}. To left of the trainer's face:
Ορσιμενες, retr.{5}. On his lower left, non-stoich. two-liner: Ευθυμι(δ)ες(6) .
. . . . . . . . hο Πολ[λ]ιο. . ... . . Both lines are retr.
CAVI Footnotes: {1} Cf. PA 7419-21. {2} see Pape. Perhaps punning on Ευθυβουλος, which may
occur in Attica: see Immerwahr (1971), 56/3. {3} see Pape, but here also
punning; not in PA, but listed (here only) in LGPN ii. {4} see CB ii. {5} PA
11,492 (4 B.C.); see also LGPN ii. {6} the delta is D-shaped.
CAVI Comments: See the comments on Munich 2307. Neumann reads χυχοσπι: χ[α]λχασπι[ς], citing
Kretschmer (1894), 185 for the omission of final sigma; he refers it not to the
archer but to an object. ΜΑΕ is unexplained: a proper name or the beginning of
spoken words beginning with μά? Thorykion and Euthybolos [-boulos?] are real
names, here appropriate. Lissarrague notes the pertinence of the inscriptions:
Thorykion puts on his corslet; the right archer is Euthybolos. The archer at
left is called Chalchaspis by Neumann - and he holds a shield. But Neumann did
not refer the word he read to the archer and his reading is fanciful. I believe
the word to be nonsense.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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