Decoration: AB2: SYMPOSIUM, MAN AND YOUTH, PLAYING PIPES, BOTH RECLINING ON KLINE, MEN, SOME DRAPED, ONE WITH SPEAR, ONE DANCING, TABLE WITH CUP AND FOOD, STOOLS I: EAGLE AND HARE
Last Recorded Collection: Taranto, Museo Archeologico Nazionale: 110339
Publication Record: Beazley, J.D., Paralipomena (Oxford, 1971): 27.13BIS Brijder, H.A.G., Siana Cups II, The Heidelberg Painter, Allard Pierson Series 8 (Amsterdam, 1991): PLS.120C-E, 121A, 169 (INCLUDING PROFILE) D'Amicis, A. et al., Catalogo del Museo Nazionale Archeologico di Taranto I.3, Atleti e Guerrieri, Tradizioni aristocratiche (Taranto, ca. 1994): 68, 70-71, 156-157, NO.11.7 (A, B, I, PARTS) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 136, FIG.23 (A) Hesperia, The Journal of the American School of Classical Studies at Athens: 78.1 (2009) 31, FIG.13 (A) Lippolis, E. (ed.), I Greci in Occidente, Arte e artigianato in Magna Grecia (Naples, 1996): 311, FIG.299.2.2 (A) Ostraka: 6 (1997) 2, 365, FIG.4 (A) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.10.2-3 (A, B) Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 833, FIG.48 (A) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 314, PL.12B (A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 55, FIGS.4.1-4.2 (A, B) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 77, FIG.3 (A)
