Decoration: Body: ATHENA MOUNTING CHARIOT, HERAKLES, HERMES, GODDESS Shoulder: GIGANTOMACHY, GIANT BETWEEN ATHENA AND WARRIORS (ARES ?) IN CHARIOTS TURNING
Last Recorded Collection: Madison (WI), Elvehjem Museum of Art: 68.14.1
Publication Record: Beazley, J.D., Paralipomena (Oxford, 1971): 146.26BIS Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 90 De Puma, R.D. and Penny Small, J. (eds.), Murlo and the Etruscans, Art and Society in Ancient Etruria (Madison, 1994): 109, FIG.11.13 (BD) Lexicon Iconographicum Mythologiae Classicae: V, PL.117, HERAKLES 2889 (BD) Stansbury-O'Donnell, M.D., Looking at Greek Art (Cambridge, 2011): 105, FIG.43 (BD, S)
CAVI Collection: MADISON, UNIVERSITY OF WISCONSIN, ELVEHJEM MUSEUM 68.14.1.
CAVI Lemma: BF HYDRIA. PRIAM PAINTER{1}. LAST QUARTER SIXTH. CA. 510 (MOON).
CAVI Subject: SHOULDER: GIGANTOMACHY: THE CHARIOT OF ATHENA AND ANOTHER CHARIOT CONVERGING
ON AN ARMED GIANT. BODY: HERACLES' DEPARTURE FOR OLYMPUS: ATHENA MOUNTING A
CHARIOT, BEHIND WHICH STANDS HERACLES.
CAVI Inscriptions: SHOULDER: NONSENSE: AT THE BOTTOM OF THE SCENE, BETWEEN THE LEGS OF THE LEFT
CHARIOT: υοσ. SIMILAR, UNDER THE RIGHT CHARIOT: κυσ>{2}.
CAVI Footnotes: {1} MOON NAMES THE POTTER `THE POTTER OF THE HEAVY HYDRIAI.' {2} AUKTION 26
SHOWS THE INSCRIPTION: SMALL LETTERS AT THE BOTTOM OF THE SCENE: (.)οσ. THE
FIRST LETTER IS QUITE UNCLEAR. ALSO κυσ>. I READ κυλσ IN A PHOTO, APPARENTLY
WRONGLY.
CAVI Comments: EX AMERICA, PRIVATE.
CAVI Number: 4874
AVI Bibliography: M&M-AUCTION (1963), 57/110, PL. 35. — PARA. (1971), 146/26 BIS. — MOON
(1979), 116/66. — ADD.[2] (1989), 90.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
