Decoration: A: SYMPOSIUM, HERAKLES WITH KANTHAROS, MAN, SATYR WITH POINTED AMPHORA B: SYMPOSIUM, HERAKLES AND DIONYSOS WITH KANTHAROI, SATYR WITH OINOCHOE I: KOMOS (?), MAN RUNNING WITH CUPS, STAFF
Last Recorded Collection: Madrid, Museo Arqueologico Nacional: L153
Previous Collections:
Madrid, Salamanca Collection
Madrid, Museo Arqueologico Nacional: 11676
Madrid, Museo Arqueologico Nacional: 11266
Publication Record: Antike Kunst: 38 (1995) 1, PL.24.3 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 390.5 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 225.5 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 151 Corpus Vasorum Antiquorum: MADRID, MUSEO ARQUEOLOGICO NACIONAL 2, IIIIC.3, PLS.(58,59-60) 1.2A-B, 2.3, 3.1-2 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 63, FIG.44 (A, B) Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 785, FIG.302 (A, B) Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 91, PL.56 Lexicon Iconographicum Mythologiae Classicae: IV, PL.545, HERAKLES 1504 (A) Ossorio, F., Vasos griegos, etruscos e italo-griegos que se conservan en el Museo arqueologico nacional (Madrid, 1910): PL.8.2 Wolf, S.R., Herakles beim Gelage, eine motiv- und bedeutungsgeschichtliche Untersuchung des Bildes in der archaisch-frühklassischen Vasenmalerei (Köln, 1993): FIGS.72-73 (A, B)
CAVI Lemma: RF cup. Painter of London E 2{1}. Early fifth.
CAVI Subject: Int.: a bearded komast with a cup; at right, his stick. Ext.: symposium. A:
Heracles and a man (Iolaus?) waited on by a satyr. B: similar.
CAVI Inscriptions: Int.: nonsense: at left: χοχπο. At right: χσ^(ο)χ(λ)σ{2}. B: on a pointed
amphora, in BG, nonsense(?): οχ(μ)ιονοσ.(3)
CAVI Footnotes: {1} a BF artist, doubtless a member of the Leagros Group, akin to the
Nikoxenos Painter. {2} a cup intervenes; the omicron ia triangular; the lambda
smeared and uncertain. {3} the mu could be an Attic gamma; complete at end,
probably not at the beginning.
CAVI Comments: Leroux has: A: satyr dancing with large amphora before two reclining
symposiasts (whom he does not identify). B: similar but the satyr carries an
oinochoe. Printed letters only: Int.: ΧΟΧΠΟ ΧN ΔΧΔN (with Attic pi). A: NΟΧNΧ
NΧΟNΟNΟ NΟNΟΛΟ ΛΟΔΕΟ. On the amphora: ΗΟ ΟΧΔΙΟNΟΛ. B: NΧΔΟ NΟΧΟΚNΙ NΟN NΟNΟ
NΟ.ΟΔ.
CAVI Number: 4902
AVI Bibliography: Photos. — Leroux (1912), 80/153 (not ill.; printed letters) (no bibl.). — ABV
(1956), 390/5. — ARV[2] (1963), 225/5. — Wolf (1993), figs. 72-73.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
