13689, ATHENIAN, Naples, Soprintendenza Archeologica, Rome, Mus. Naz. Etrusco di Villa Giulia, Malibu (CA), The J. Paul Getty Museum, Malibu (CA), The J. Paul Getty Museum, 82.AE.33
Attributed To:Manner of MUNICH 2335, P OF by GREEN
Decoration: A: YOUTH WITH HELMET AND SPEAR DEPARTING BETWEEN WOMAN AND DRAPED MAN WITH STAFF B: THEATRICAL, MAN IN PATTERNED CHITON WITH DEER, CHARIOT, PEGASOI PLAYING PIPES BETWEEN ACTORS IN BIRD COSTUMES (BIRDS) AND PHALLOS TRUNKS
Last Recorded Collection: Naples, Soprintendenza Archeologica
Previous Collections:
Malibu (CA), The J. Paul Getty Museum: 82.AE.33
Malibu (CA), The J. Paul Getty Museum: 82.AE.83
Rome, Mus. Naz. Etrusco di Villa Giulia
Publication Record: Antike Kunst: 41 (1998) PL.4.1 (B) Archontidou, A. et al., Geschenk van de Muzen, Muziek en dans in het oude Griekenland. Μοuson Dora. Μοusikoi kai choreutikoi apoikoi apo tin archaia Εllada (Athens, 2003): 47, FIG.8 (B) Boardman, J. (ed.), Cambridge Ancient History, Plates to Volumes 5 & 6 (Cambridge, 1995): 161, FIG.172 (A) Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.314 (A) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 176, FIG.101 (B) Cambiano, G. et al., Lo spazio letterario della Grecia Antica (Salerno, 1992): FIGS.100-11 (A, PART OF A) Chiesa, G.S. (ed.), Vasi immagini collezionismo, La collezione di vasi Intesa Sanpaolo e i nuovi indirizzi di ricerca sulla ceramica greca e magnogreca, Milano, 7-8 novembre 2007 (Milan, 2008): 371, FIG.6 (B) Classical Antiquity: 21 (2002) 259, FIG.2 (B) Csapo, E. and Slater, W.J., The Context of Ancient Drama (Ann Arbor, 1995): PL.5 (A) Csapo, E., Actors and Icons of the Ancient Theater (Malden, 2010): 9, FIG.1.4 (B) Easterling, P.A. (ed.), The Cambridge Companion to Greek Tragedy (Cambridge, 1997): 12, FIG.2 (B) Godart, L. and De Caro, S. (eds.), Nostoi, Capolavori Ritrovati, Roma, Palazzo del Quirinale, Galleria di Alessandro VII, 21 dicembre 2007 - 2 marzo 2008 (Rome, 2007): 127 (COLOUR OF B) Greek Vases in the J.Paul Getty Museum: 2 (1985), 96-98, FIGS.1-3, 113, FIG.22 (A, B, PARTS) Greek, Roman and Byzantine Studies: 32 (1991), PL.4 AT P.32 (A) Green, J.R., Theatre in ancient Greek society (London, 1995): 30, FIG.2.9 (A) Griffith, M., Greek Satyr Play, Five Studies. California Classical Studies 3 (Berkeley, 2015): FIG.2 (DRAWING OF A) Hephaistos: 15 (1997) 63, FIG.22 (A) Himmelmann, N., Realistische Themen in der griechischen Kunst der archaischen und klassischen Zeit, JdI Erganzungsheft 28 (Berlin, 1994): 124, FIG.55 (A) Krumeich, R., Pechstein, N., and Seidensticker, B. (eds.), Das griechische Satyrspiel (Darmstadt, 1999): PL.2B (A) Minerva, International Review of Ancient Art and Archaeology: 18.6 (NOVEMBER/DECEMBER 2007) 20, FIG.4 (COLOUR OF B) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 304, FIG.8 (B) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 (A, B) Papanastasiou, A., Relations Between Redfigured and Black-glazed Vases in Athens of the 4th Century B.C., BAR International Series 1297 (Oxford, 2004): PL.26.1 (B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 251, FIG.256 (A) Sinclair, R. (ed.), Past, Present and Future, Ancient World Studies in Australia, Commemorative Volume of Antichthon (Maryborough, 1990): 45 (A) Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 45, FIG.22 (B) Taplin, O., Comic Angels, and other Approaches to Greek Drama through Vase-Painting (Oxford, 1993): PL.24, NO.28 (A)
