Menu
Search
Main Site Gandhara ConnectionsVase Corpus (CVA Online)
Search

202471, ATHENIAN, London, British Museum, London, British Museum, 1867,0508.1142

  • Vase Number: 202471
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: AMPHORA, BELLY, TYPE B
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -500 TO -450
  • Inscriptions: Named: PHRASYKLEIDES, ANTIMENON, DIOGENES
  • Attributed To: DIOGENES P by BEAZLEY
  • Decoration: A: YOUTHS, ONE WITH WREATH
    B: DIONYSOS WITH VINE AND KANTHAROS BETWEEN SATYRS WITH WINESKINS
  • Last Recorded Collection: London, British Museum: E261
  • Previous Collections:
  • Publication Record: Antike Kunst: 13 (1970) PL.10.2 (DRAWING OF PART OF B)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 248.2, 1573
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 163.2
    Beazley, J.D., Attic red-figured Vases in American Museums (Cambridge, 1918): 52 (PART OF A)
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 111.1
    Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.194 (A)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 100
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 202
    Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 3, III.Ic.4, PL.(169) 4.2A-B View Whole CVA Plates
    Gazette archeologique: 1 (1875) PLS.3-4
    Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): IV, PL.273 (COLOUR DRAWINGS AND DRAWINGS OF A AND B)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 123, FIG.125 (A)
  • AVI Web: HTTPS://WWW.AVI.UNIBAS.CH/DB/SEARCHFORM.HTML?ID=4714
  • AVI Record Number: 4542
  • British Museum Link: HTTPS://WWW.BRITISHMUSEUM.ORG/COLLECTION/OBJECT/G_1867-0508-1142
  • CAVI Collection: LONDON E 261.
  • CAVI Lemma: RF AMPHORA. FROM VULCI. DIOGENES PAINTER. FIRST QUARTER FIFTH.
  • CAVI Subject: A: THREE DRAPED YOUTHS CONVERSING WITH A DRAPED BOY (THE THIRD FIGURE FROM THE LEFT), OFFERING HIM A FLOWER AND A WREATH. B: DIONYSUS BETWEEN TWO SATYRS.
  • CAVI Inscriptions: A: TO LEFT OF THE LEFT-HAND FIGURE: Αντιμενον, RETR. TO LEFT OF THE SECOND FIGURE FROM THE LEFT: Θρασυκλειδες, RETR. TO LEFT OF THE BOY: Διογενες, RETR. ABOVE THE HEAD OF THE RIGHT-HAND FIGURE: καλος. B: ONE SATYR IS INSCRIBED: καλος. UNDER THE FOOT, GLAZE DIP.: ΟΣ WITH THREE-STROKE SIGMA. GR.: = ALPHA WITH VERTICAL BOTTOM STROKE.
  • CAVI Comments: DIOGENES IS CONSIDERED BY ROBERTSON A KALOS-NAME REFERRING TO THE BOY DEPICTED (TAG-KALOS); THE OTHER INSTANCES OF THIS KALOS-NAME ARE LISTED BY HIM. THIS VASE SEEMS THE EARLIEST OCCURRENCE OF THE NAME, A FACT CONSISTENT WITH HIS DEPICTION AS A BOY. DIFFERENTLY, BEAZLEY: "DIOGENES SEEMS TO BE THE BOY, AND THE KALOS MAY GO WITH THE DIOGENES" (ARV[2] 248; ON P. 1574 DESCRIBED AS TAG-KALOS). I RATHER THINK EACH FIGURE IS INSCRIBED, THE FOURTH HAVING THE KALOS.
  • CAVI Number: 4542
  • AVI Bibliography: CIG 4 (1855–77), NO. 7475B. — HARTWIG (1893), 385. — C.H. SMITH IN BM CAT. E (1896), 147. — HACKL (1909), 66. — H.B. WALTERS, CVA LONDON 3, GREAT BRITAIN 4 (1927), III I C, PL. 4,2A-B. — ARV[2] (1963), 248/2, 1574. — JOHNSTON (1979), 80/21A 26, 179/SUPPL. LIST 2/26. — ADD.[2] (1989), 202. — ROBERTSON (1992), 122, FIG. 125 (A).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: HTTPS://PLEIADES.STOA.ORG/PLACES/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
Image Image Image Image Image Image

Last updated 26/07/2024 18:19:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2026 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/3E718142-79E9-47BE-973F-230D7C1D7252

My photograph albums
Site map Copyright Accessibility Privacy statement Contact us
Gandhara Connections
Gandhara Connections on Facebook
Gandhara Connections on Twitter
Back to top