Decoration: A: SAPPHO (NAMED) WITH LYRE B: WOMAN IN SAKKOS
Last Recorded Collection: Wuppertal, Von de Heydt-Museum: 49
Previous Collections:
Wuppertal, private, Funcke
Bochum, Ruhr-Universität, Kunstsammlungen: S508
Publication Record: Corpus Vasorum Antiquorum: BOCHUM, KUNSTSAMMLUNGEN DER RUHR-UNIVERSITAT 2, 24, FIGS.6A, 6B, BEILAGE 4.2, PLS.(4170,4174) 18.1-4, 22.2 View Whole CVA Plates Koloski-Ostrow, A.O., and Lyons, C.L., Naked Truths, Women, Sexuality and Gender in Classical Art and Archaeology (London, 1997): 112, FIG.15 (A) Korzus, B. (ed.), Griechische Vasen aus Westfälischen Sammlungen (Münster, 1984): 122, NO.43 (A, B) Yatromanolakis, D., Sappho in the Making, The Early Reception (Cambridge and London, 2007): 89-90, 105, FIGS.4A-B, 7 (A, B, PART OF A) Zeitschrift für Papyrologie und Epigraphik: 152 (2005) 16-30
CAVI Collection: BOCHUM, RUHR UNIVERSITäT, KUNSTSAMMLUNGEN S 508.
CAVI Lemma: RF CALYX KRATER. TITHONOS PAINTER (NOT BY BEAZLEY). FIRST QUARTER FIFTH.
CAVI Subject: A: WOMAN WITH LYRE TO RIGHT, LOOKS BACK (SAPPHO?). B: WOMAN TO RIGHT LOOKS
BACK.
CAVI Inscriptions: A: "VOM KOPF DER MUSIKANTIN GEHT RüCKLäUFIG EINE INSCHRIFT AUS, DIE DEN NAMEN
SAPPHO ZU ENTHALTEN SCHEINT" (STäHLER). THE SAME STATEMENT IN `SYMPOSION' WITH
THE FF. ADDITION: "OB DIE DICHTERIN SELBST DARGESTELLT IST ODER DIE INSCHRIFT
NUR EINE ANRUFUNG DER SAPPHO AUSDRüCKEN SOLL, MUSS OFFEN BLEIBEN."{1}.
CAVI Footnotes: {1} THE PH. IN `SYMP.' SHOWS THE INSCRIPTION OBSCURELY: Σαφ[φ]ος, RETR., WITH
SIGMAS FACING TO RIGHT. UNCERTAIN READING. [I THINK THIS IS NOT IN THREATTE
(1980).] [IF THE LAST LETTER IS RIGHT, AND IT IS GEN., THEN IT SHOULD BE THE
NAME OF THE GIRL. IS THE INSCRIPTION ANCIENT?]
CAVI Comments: EX WUPPERTAL, FUNCKE. THE WOMAN ON B IS PROBABLY LISTENING TO THE MUSICIAN ON
A.
