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46009, ATHENIAN, Tolmeta, Musée

  • Vase Number: 46009
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, PANATHENAIC PRIZE
  • Provenance: LIBYA, BARKE
  • Date: -525 to -475
  • Attributed To: KLEOPHRADES P by MAFFRE
  • Decoration: A: ATHENA BETWEEN COLUMNS SURMOUNTED BY COCKS, SHIELD DEVICE, PEGASOS
    B: ATHLETE, YOUTH DISKOBOLOS, BETWEEN DRAPED MEN, ONE PLAYING PIPES, ONE WITH STAFF (TRAINER)
  • Last Recorded Collection: Tolmeta, Musée
  • Publication Record: Archaeological Reports: 17 (1970-71), 39, FIG.14 (A, B)
    Archaeological Reports: 18 (1971-72), 39, FIG.14 (A, B)
    Bentz, M., Panathenäische Preisamphoren, Eine athenische Vasengattung und ihre Funktion vom 6.-4. Jahrhundert v. Chr. 18. Beih. zur Antiken Kunst (Basel, 1998): PL.52 (A, B, PART OF B)
    Quaderni di archeologia della Libia: 8 (1976), 261, FIG.30 (B)
    Revue Archeologique: 1993, 92-93, FIGS.1-4 (A,B PARTS OF A AND B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=7998
  • AVI Record Number: 7714
  • CAVI Collection: Tolmeta.
  • CAVI Lemma: BF Panathenaic prize amphora. From Aslaia near Barca (Cyrenaica), a tomb. Manner of Kleophrades Painter. 480-470 (Maffre–Ali Mohammed). 500-490 (Vickers–Bazama).
  • CAVI Subject: A: Athena; device, pegasus. B: pentathlon: in the center, a discobolus between a bearded flautist and a trainer.
  • CAVI Inscriptions: A: τον Αθενεθεν αθλον.
  • CAVI Comments: Tolmeta is ancient Ptolemais. The tomb is dated ca. 425, the vase 50 years earlier. Found 1969. The earliest Panathenaic found in Cyrenaica. Vickers and Bazama date it to 500-490 and assign the vase to the Kleophrades Painter himself. Maffre and Ali Mohammed date it 480-470 and assign it to the workshop of the Kleophrades Painter, following Matheson (1989), 111-12, and Kunze-Götte (1992), 84-85. Shapiro (1992), 56 and n. 24 mentions that there are only two prize Panathenaics with a flautist on B, one of which must be this vase; the other: Tarentum 115,474.- The lettering is typical of the Kleophrades Painter, but the spacing is unusual: there is a good-sized vacat both before and after the inscription, which makes it look centered. Usually, the Kleophrades Painter fills the whole space, or nearly so. It is unclear whether this forbids ascribing the amphora to his hand.
  • CAVI Number: 7714
  • AVI Bibliography: Vickers–Bazama (1971), 74-75, pls. 27-28. — Vickers–Reynolds (1971–2), 38, figs. 14,a-b (A, B). — Neils (1992), 196 n. 34. — Maffre–Ali Mohammed (1993), 91-94, figs. 1-4 (A and part, B and part).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/373750
  • Coordinates: 32.4996533333,20.8717433333
  • Pleiades Coordinates: 32.4996533333,20.8717433333

Last updated 20/07/2024 15:47:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/38A13CA6-40A7-4756-975A-D0AA87BECD22

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