Decoration: GIGANTOMACHY, ATHENA AND ENKELADOS (BOTH NAMED), SHIELD DEVICE, SATYR
Last Recorded Collection: Paris, Musée du Louvre: CA3662
Publication Record: Antike Kunst: 22 (1979) PL.13.3,5 (I, PART OF RIM) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 12.11 Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 167, FIG.11 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 72 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 152 Lexicon Iconographicum Mythologiae Classicae: PL.147, GIGANTES 342 (I) Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 241, FIG.13 (COLOUR OF I)
CAVI Lemma: RF stemmed dish. Unattributed{1}. 530-520. Very early RF (Beazley).
CAVI Subject: Int.: Athena and a giant.
CAVI Inscriptions: Int.: from Athena's head: [Α](θ)εναας. From the giant's head: Ενκελαδος. The
inscriptions reserved and facing out.
CAVI Footnotes: {1} "The potter work makes one think of early Nikosthenes; the drawing, in
some points, of early Psiax." (ARV[2]). Mertens attributes the vase to the
circle of Psiax, but not to self.
CAVI Comments: The outward facing of both inscriptions may be caused by the desire to avoid
retr. Theta lacks the dot.
