Decoration: A: HERAKLES AND THE ARGONAUTS OR IN THE UNDERWORLD OR WARRIORS AT MARATHON (?), WARRIORS, ONE LYING, ATHENA, DRAPED MAN IN PETASOS WITH HORSE, YOUTH SEATED, DEVICES, WHEEL, SNAKE (RECOVERY OF THESEUS ? ODYSSEUS IN THE UNDERWORLD ?) B: DEATH OF NIOBIDS, SOME FLEEING, APOLLO AND ARTEMIS, TREE
Last Recorded Collection: Paris, Musée du Louvre: G341
Publication Record: 128, PL.12.2 (PART OF A) Acton, P., Poiesis, Manufacturing in Classical Athens (Oxford, 2014): 76, FIG.3.1 (A) Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 114, FIG.69 (A) Albersmeier, S. (ed.), The Art of Ancient Greece, The Walters Art Museum (Baltimore, 2008): 187, FIG.17 (COLOUR OF PART OF B) Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 84, FIG.7 (DRAWING OF A) Arrington, N.T., Ashes, Images and Memories, The Presence of the War Dead in Fifth-Century Athens (Oxford, 2015): 164, FIG.4.20 (PART OF B) Barringer, J.M., The Art and Archaeology of Ancient Greece (Cambridge, 2014): 220, FIG.4.27A-B (COLOUR OF A AND B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 601.22, 1661 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 338.9 Beazley, J.D., Paralipomena (Oxford, 1971): 395 Bintliff, J., The Complete Archaeology of Greece, from Hunter-Gatherers to the 20th Century AD (Malden, 2012): 256, FIG.10.4 (A) Boardman, J. (ed.), La ceramica antica (Milan, 1984): 222 (A) Boardman, J. (ed.), The Oxford History of Classical Art (Oxford, 1993): 106, FIG.96 (DRAWING OF B) Boardman, J. with Charleston, R.J., Cook, R.M., and Hennessy, J.B., Die Keramik der Antike, Mesopotamien, Agypten, Griechenland, Italien (Freiburg, Basel, and Wien, 1985): 222 (COLOUR OF A) Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.4.1-2 (DRAWING AND PART OF A, B) Boardman, J., Greek Art, 4th edition (London, 1996): 200, FIG.197 (COLOUR OF A) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 272, FIG.300 (A) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 93, FIG.125 (DRAWING OF B) Bol, P. (ed.), Zum Verhältnis von Raum und Zeit in der griechischen Kunst (2003): PL.1, FIG.1 (DRAWING OF A) Bonacasa, N. (ed.), Lo Stile Severo in Grecia e in Occidente, Aspetti e problemi, Studi e Materiali 9 (Rome, 1995): PLS.4.6, 5.5 (DRAWINGS OF A AND PART OF A) Bulletin Antieke Beschaving: 74 (1999) 66, FIGS.1-2 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 130 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 189 (A) Cain, H-U., Gabelmann, H., and Salzmann, D. (eds.), Festschrift für Nikolaus Himmelmann (Bonn, 1989): PL.31.2 (PART OF A) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIGS.71, 125 (A, B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 266 Carratelli, G.P. (ed.), I Greci in Occidente (1996): 95 (COLOUR OF B) Carratelli, G.P. (ed.), The Greek World, Art and Civilization in Magna Graecia and Sicily (New York and Milan, 1996): 95 (COLOUR OF B) Clark, A.J. and Gaunt, J. (eds.), Essays in Honor of Dietrich von Bothmer, Allard Pierson Series 14 (Amsterdam, 2002): PLS.32-33 (A, B, AH) Cook, R.M., Greek Painted Pottery (London, 1966): 175, FIG.32 (DRAWING OF PART OF B) Corpus Vasorum Antiquorum: PARIS, LOUVRE 2, III.Id.3, PLS.(95-98) 1.1-4, 2.1-4, 3.1-5, 4.1 View Whole CVA Plates Denoyelle, M., La cratere des Niobides (Paris, 1997): 5, 11-12, 14, 18-22, 31, 35 Dietrich, N., Das Attribut als Problem, Eine bildwissenschaftliche Untersuchung zur griechischen Kunst (Berlin, Munich, and Boston, 2018): 150, FIG.3.5 (A) Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 232-233, FIG.197 (A, B, DRAWING OF PART OF A) Dreyfus R. and Schraudolph, E., Pergamon, The Telephos Frieze from the Great Altar I (San Francisco, 1996): 41, FIG.1 (DRAWING OF B) Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 9, FIG.1 (A) Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.214 (A) Frank, S., Attische Kelchkratere, eine Untersuchung zum Zusammenspiel von Gefässform und Bemalung (Frankfurt, 1990): PL.11 (A, B) Fullerton, M.D., Greek Art (Cambridge, 2000): 121, FIG.88 (COLOUR OF A) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): II, 244, 251, III, 144, FIG.187, PLS.108, 165 (A, B) Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.55 (B) Girard, T., L'oblique dans le monde grec (Oxford, 2015): 66, FIG.26 (A) Hafner, G., Jason, Frauen angenehm, RdA Suppl. 16 (Rome, 1995): PL.4 (DRAWING OF A) Hesperia, The Journal of the American School of Classical Studies at Athens: 60 (1991) PL.124C (PART OF BD) Hesperia, The Journal of the American School of Classical Studies at Athens: 86.2 (2017) 318, FIG.36 (COLOUR OF B) Heurgon, J., Scripta varia, Latomus V.191 (1986): PL.16, FIG.8 (PART OF A) Hocker, C. and Schneider, L., Phidias (Hamburg, 1993): 42-43 (DRAWING OF A) Huf, L., Frauen jenseits der Konvention, Alterszüge, Tätowierungen und afrikanische Physiognomien im Frauenbild attischer Vasen des 5. Jahrhunderts v. Chr. (Munich, 2018): 24, FIG.5.4 (PART OF COLOUR OF B) Journal of Hellenic Studies: 109 (1989) PL.3A-C (DRAWINGS OF A AND PART OF A) Laing, J&J, Ancient Art, The Challenge to modern Thought (Dublin, 1993): 172, FIG.136 (B) Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.34 (A) Lefkowitz, M., Greek Gods, Human Lives (New Haven and London, 2003): 222 (A) Lexicon Iconographicum Mythologiae Classicae: III, PL.475, DIOSKOUROI 219 (PART OF A) Lexicon Iconographicum Mythologiae Classicae: V, PL.161, HERAKLES 3520 (A) Lexicon Iconographicum Mythologiae Classicae: VI, PL.255, MENESTHEUS 4 (PART OF A) Martens, D., Une esthetique de la transgression, le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 20, FIG.3 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): XI, PLS.38-40 Monuments grecs: 1895-97, 19-23 Morard, T., Horizontalite et Verticalite, Le bandeau humain et le bandeau divin chez le Peintre de Darius (Mainz, 2009): PL.77.1 (B) Moreno, P., La pittura Greca dalle origini ad Apelle, Archeo Dossier 34: 30 (COLOUR OF B) Morford, M. et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 218 (A) Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 118, FIG.6 (B) Neils, J., The Parthenon Frieze (Cambridge, 2001): 97, FIG.68 (A) Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 165-166, FIGS.90-91 (COLOUR OF A AND B) Pallas, Revue d'etudes antiques: 92 (2013) 26, FIG.3 (B) Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 230, FIGS.7.34-35 (A, B) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.492 (A) Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 185, FIG.341 (COLOUR OF B) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.136 Prange, M., Der Niobidenmaler und seine Werkstatt, Untersuchungen zu einer Vasenwerkstatt frühklassischer Zeit (Frankfurt, 1989): PL.7.N25 (DRAWING OF A) Revue du Louvre: 3 (1989) 143, FIG.19 (B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 181, FIGS.191-192 (A, B) Scheibler, I., Griechische Malerei der Antike (Munich, 1994): 144, FIG.68 (DRAWING OF A) Schmidt, S. and Stähli, A. (eds.), Vasenbilder im Kulturtransfer, Zirkulation und Rezeption griechischer Keramik im Mittelmeerraum, Beiheft zum Corpus Vasorum Antiquorum Deutschland V (Munich, 2012): 116, FIG.7 (PART OF A) Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 172, FIG.74 (PART OF A) Siracusano, A., Arte greca, un'interpretazione (Messina, 2009): 112, FIG.10 (A) Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 18-19, FIGS.8-9 (A, B) Sonnabend, H. (ed.), Mensch und Landschaft, Lexikon der Historischen Geographie (Stuttgart and Weimar, 1999): 559, FIG.98 (A) Spivey, N. and Rasmussen, T. (eds.) Looking at Greek Vases (Cambridge, 1991): 113, FIG.46 (A) Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 238, FIG.10.22 (COLOUR OF A) Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 179, PL.60 (B) Techne: 48 (2019) 56, FIG.3 (A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 168, FIG.149 (COLOUR OF B) Tsiphaki, D. et al., AtticPOT, Attic painted pottery in ancient Thrace (6th – 4th century BC). New approaches and digital tools (Xanthi, 2022): 24, FIG.7 (A) VELEIA. Revista de Prehistoria, Historia Antigua, Arqueologia y Filologia Clasicas: 20 (2003) 280, FIG.3. (PART OF B) Walter-Karydi, E. (ed.), Myths, Texts, Images, Homeric epics and ancient Greek art, Proceedings of the 11th International Symposium on the Odyssey, Ithaca, September 15-19, 2009 (Ithaca, 2010): 231, FIG.13 (DRAWING OF A) Webster, T.B.L., Bilder Griechischer Vasen, Der Niobidernmaler (Leipzig, 1935): PLS.2-5 (A, B, PARTS OF A) Whitley, J., The Archaeology of Ancient Greece (Cambridge, 2001): 288, FIG.11.13 (B) Woodford, S., An Introduction to Greek Art. Sculpture and Vase Painting in the Archaic and Classical Periods. 2nd edition (London, 2015): 105, FIG.149 (COLOUR OF A)
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