Decoration: A: PELEUS AND THETIS, LION, NEREIDS (ALL NAMED), SOME WITH FISH B: KOMOS, YOUTHS AND MEN AT COLUMN KRATER, WITH LYRE, DRINKING HORN, SKYPHOS, WINESKIN I: SATYR WITH WINESKIN FILLING COLUMN KRATER Under handle: POINTED AMPHORA, ALTAR
Last Recorded Collection: Munich, Antikensammlungen: J331
Previous Collections:
Munich, Antikensammlungen: 2119A
Munich, Antikensammlungen: 2619A
Publication Record: BEAZLEY NOTEBOOK: 76, 33.2-35.1 BEAZLEY NOTEBOOK: 79, 18-19.1 Barringer, J.M., Divine Escorts, Nereids in Archaic and Classical Greek Art (Ann Arbor, 1995): PL.77 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 146.2, 1610, 1575.2, 1576,1, 1587.1, 1628 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 107.1 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 48.1, 468 Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 61, FIG.2 (COLOUR OF A, B AND I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.106 (I) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 82, FIG.50 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 179 Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN EHEMALS MUSEUM ANTIKER KLEINKUNST 18, 117,118,119,120,121,122,123,124, FIGS.77-79, BEILAGE 8.1, PLS.(4882,4883,4884,4902) 63.1-4, 64.1-7, 68.1-11, 83.18 View Whole CVA Plates Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.155 (A, B, I) Griesbach, J. and Knauß, F.S. (eds.), Wein & Sinnlichkeit, Der Fotograf Johann Willsberger entdeckt das griechische Symposion, 11.07.2024 - 20.10.2024, Staatliche Antikensammlungen (Munich, 2024): 24, FIG.2.16 (COLOUR OF I) Immerwahr, H., A Corpus of Attic Vase Inscriptions, Preliminary Edition (1998): III, NO.5321 Lang-Auinger, C. and Trinkl, E. (eds.), Griechische Vasen als Medium für Kommunikation. Ausgewählte Aspekte. Akten des internationalen Symposiums im Kunsthistorischen Museum Wien, 5.-7. Oktober 2017. CVA Österreich, Beiheft 3 (Vienna, 2021): 194, FIG.3 (I) Lexicon Iconographicum Mythologiae Classicae: III, PL.220, CHORO I 1 (A), PL.592, ERATO III 1 (PART OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.613, TERPON I 2 (I) Licht, H., Sittengeschichte Griechenlands (Dresden, 1925-28): III, 147 (I) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 144, FIG.118 (DRAWING OF I) Marcade, J., Eros Kalos (Geneva, 1962): 67 (I) Murray, O. (ed.), Sympotica, A Symposium on the Symposium (Oxford, 1990): PLS.19B, 22C (B, I) Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 8, 18-20, FIGS.5-7 (COLOUR OF I, A, B AND PART OF B) Pallas, Revue d'etudes antiques: 85 (2011) 128, FIG.1 (B) Revue des Etudes Grecques: 126 (2013) 41, FIG.8 (DRAWING OF A,B) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.256 (A) Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 188, FIG.7 (COLOUR OF A) Valavanis, P. and Manakidou, E., Egraphsen kai epoiesen. Essays on Greek Pottery and Iconography in Honour of Professor Michalis Tiverios (Thessaloniki, 2014): 200, FIG.6 (DRAWING OF I) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 277, 300, 413, FIGS.44.4, 49.4, 74.6 (A, I, PART OF I)
CAVI Lemma: RF cup. From Vulci. Epeleios Painter. Last quarter sixth. Ca. 510 (FR).
CAVI Subject: Int.: satyr pouring from a wineskin into a large krater (smelling the wine).
A: Peleus and Thetis. B: komos (three couples of a boy and a man, plus a single
figure).
CAVI Inscriptions: Int.: to right of the satyr's face, in two curved lines: Σιλανος Τερπον.
hεδυς hοινος{1}. Under his feet: Επελειος, and to left of his back: καλος, retr.
A: Nereids, by heads: (Γ)αλυκ(ο), for Γλαυκο{2}. Χορο. Θετις, retr. Πελευς.
Ερατο. Ιρισια, retr.{3}. Κυματοθ(α)(ι){4}. B: by the heads of several figures
(spread out): [Δ]ο̣[ρ]οθ̣εος̣ | [κα]λος | ναι(χ)ι. Ισ(ρ)αχος | καλος (for
Ισαρχος){5}. Επελ[ε]ιος | καλος, retr.{6}. In two lines, non-stoich.: Θεοδο(ρ)ος
| καλος. κα(λ)ος̣(7), | ναιχι.
CAVI Footnotes: {1} [the satyr's] name is Τερπων; he says that the wine is sweet (Buschor).
{2} Kretschmer 202 and CIG read Καλυκα "Knospe", which should be emended to
Καλυκο, because the last letter is a triangular omicron. This might be
preferable to Buschor's Γλαυκο. {3} see Kretschmer 202. {4} see Kretschmer 201.
Buschor corrects into Κυματοθοα, but it should be -θοε. {5} the omicron is
omitted in Reichhold's dr. {6} for the sp. see Threatte (1980), 191/3. {7}
uncertain reading: κ(α)(π)(ο)(.), Reichhold, alpha near S 2, lambda = pi,
Omicron = delta, sigma a blob. {7} uncertain reading: κ(α)(π)(ο)(.), Reichhold,
alpha near delta, lambda = pi, Omicron = delta, sigma a blob.
CAVI Comments: Beazley says that the name is no doubt Επιλεως [for Επιλαος] but it is nearly
always spelled Επελειος. Cf. Threatte (1980), 137-41 (e for i) and 147-59, esp.
154-55 (ei for e before vowels). The form here should be Επελειος. Τερπον: also
known as a human name; as a satyr name it occurs also on London E 65, Tarquinia
RC 6848 and Louvre G 34. Many letters are miswritten, some smeared or
disjointed.
CAVI Number: 5321
AVI Bibliography: CIG 4 (1855–77), no. 7398. — Kretschmer (1894), 180 and 200 ff. — FR
(1904–32), iii, 242-43, pl. 155 (dr.). — C. Fränkel (1912), 30, 88/W. — Blösch
(1940), 50, bottom. — ARV[2] (1963), 146/2, 1628. — F.W. Hamdorf (1976), 29-33,
pls. 11-13 (from FR iii). — Add.[2] (1989), 179. — AttScr (1990), no. 1029. —
Vierneisel–Kaeser (1990), figs. 44.4 (A, detail), 49.4 (A) and 74.6 (Int.). —
Lissarrague (1990a), 32, 38-39, figs. 19 (B) and 20 (Int.; both sketches with
inscriptions indicated). — Lissarrague (1990b), 200, 201 n. 28 and 203 n. 46
(both notes mention the inscriptions), pls. 22c (Int., shows inscriptions) and
19b (dr. of B). — Kossatz-Deissmann (1991), 174 (Terpon 3).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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