Decoration: A: PELIAS WITH STAFF, RAM ON TRIPOD OVER FIRE BETWEEN WOMEN B: PELIAS WITH STAFF SEATED ON BLOCK, WOMEN (DAUGHTERS OF PELIAS ?)
Last Recorded Collection: Munich, Antikensammlungen: J343
Previous Collections:
Canino, Lucien Bonaparte, Prince of Canino
Munich, Antikensammlungen: 2408
Publication Record: Agones kai Athlimata stin Archaia Thessalia, Ypourgeio Politismoy Archaiologiko Mouseio Volou (Athens, 2004): 25, FIG.7 (COLOUR OF PART OF A) Antike Kunst: 21 (1978) PL.30.4-5 (A,B) BEAZLEY NOTEBOOK: 76, 90.3-91.1 BEAZLEY NOTEBOOK: 77, 27.5 BEAZLEY NOTEBOOK: 78, 8.4, 16.2-17 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 257.8, 258, 1640 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 193.8 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 157.9 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 101 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 204 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 5, 34-35, PLS.(959-960) 244.1-2, 245.7 View Whole CVA Plates Dialogues d'Histoire Ancienne: 233, FIG.25 Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): III, PL.157.3-4 (COLOUR DRAWING OF A, DRAWING OF B) Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 839, NOS.225-226 (PARTS OF A AND B) Lexicon Iconographicum Mythologiae Classicae: VII, PL.215, PELIAS 12 (A, B) Meyer, H., Medeia und die Peliaden (Rome, 1980): PLS.8.2-3, 9.1 (A,B, DRAWING OF A) Salvadori, M. and Baggio, M. (eds.), Gesto-immagine, tra antico e moderno, riflessioni sulla comunicazione non-verbale, giornata di studi, Isernia, 18 Aprile 2007 (Rome, 2009): 65, FIG.3 (A, B) Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 37, FIG.20 (A) Tsaknis, N., Trophies of the Argonauts (Volos, 2004): 58 (COLOUR OF PART OF B)
CAVI Subject: A: MEDEA'S `WIDDERZAUBER': IN THE CENTER THE RAM EMERGES FROM THE CAULDRON;
ON ITS LEFT AND RIGHT, A FEMALE FIGURE; AT THE FAR LEFT, A FIGURE WITH A STAFF
WHOM LULLIES IDENTIFIES AS A BEARDLESS MALE{1}. B: A BEARDED MAN (PELIAS),
SEATED; AT LEFT, TWO WOMEN FACING EACH OTHER; AT RIGHT, A WOMAN FACING
PELIAS{2}.
CAVI Inscriptions: A: ABOVE THE OUTSTRETCHED ARM OF THE WOMAN AT RIGHT: καλος. BELOW HER ARM:
ναιχι. B: BETWEEN THE TWO PELIADS AT LEFT: ναιχι. BETWEEN PELIAS AND THE RIGHT
PELIAD: καλος.
CAVI Footnotes: {1} THAT SHOULD BE PELIAS EXCEPT FOR THE ABSENCE OF THE BEARD. BEAZLEY SAYS:
A: PELIAS AND HIS DAUGHTERS. [SOME THINK THE FIGURE TO THE RIGHT OF THE CAULDRON
IS MEDEA.] SIMON (1954), 207 AND N. 26 IDENTIFIES THE MALE AT LEFT AS JASON. {2}
BEAZLEY: B: PELIAS SEATED, AND HIS DAUGHTERS.
CAVI Comments: = JAHN 343. COARSE LETTERING.
CAVI Number: 5278
AVI Bibliography: RE 15 (1931), 60, S.V. MEDEIA 5 (LESKY). — R. LULLIES, CVA MUNICH 5, GERMANY
20 (1961), PLS. 244,1-2 AND 245,7; PP. 34-35, FACS. OF DIPP. (BIBL.). — ARV[2]
(1963), 257/8, 248, 1640. — ADD.[2] (1989), 204.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
