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547, ATHENIAN, Florence, Museo Archeologico Etrusco, 3897

  • Vase Number: 547
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: CUP, LITTLE MASTER LIP
  • Date: -575 to -525
  • Decoration: A: CULT, MEN CARRYING MAN ON PHALLOS POLE
    B: CULT, MEN CARRYING YOUTH WITH DRINKING HORN RIDING SATYR ON PHALLOS POLE, IVY
  • Last Recorded Collection: Florence, Museo Archeologico Etrusco: 3897
  • Publication Record: Archäologischer Anzeiger: 1974, 212, FIG.21 (A)
    Boardman, J., Griffin, J. and Murray, O., Oxford History of the Classical World (Oxford, 1986): 265 (B)
    Boardman, J., and LaRocca, E., Eros in Greece (London, 1978): 40 (A)
    Bulletin of the John Rylands Library, Manchester: 36 (1954), FIG.2 AT 584 (A)
    Carpenter, T.H., Dionysian Imagery in Archaic Greek Art (Oxford, 1986): PL.22 (A, B)
    Csapo, E. and Slater, W.J., The Context of Ancient Drama (Ann Arbor, 1995): PL.19 (A, B)
    Deubner, L., Attische Feste (Berlin, 1932): PL.22 (DRAWINGS OF A, B)
    Dieterich, A., Mutter Erde, 3rd ed. (Leipzig, 1925): 107-108 (DRAWINGS OF A, B)
    Ephemeris Archaiologike: 127 (1988) 133, FIG.14 (DRAWING OF A)
    Estienne, S. et al. (eds.), Figures de dieux. Construire le divin en images (Rennes, 2014): PL.28 (COLOUR OF A AND B)
    Feichtinger, B. and Kreuz, G. (eds.), Gender Studies in den Altertumswissenschaften, Aspekte von Macht und Erotik in der Antike (Trier, 2010): 88, FIG.2 (B)
    Ghiron-Bistagne, P., Recherches sur les Acteurs dans la Grece Antique (Paris, 1976): 210-211, FIGS.65-66 (A, B)
    Journal of Hellenic Studies: 124 (2004) PL.7A (A)
    Journal of Hellenic Studies: 78 (1958), 8, FIG.4 (DRAWING OF A)
    Kerenyi, K., Dionysos (London, 1976): FIG.87 (A, B)
    Keuls, E., The Reign of the Phallus (New York, 1985): 81, FIG.71 (B)
    Lexicon Iconographicum Mythologiae Classicae: VIII, PL.766, SILENOI 120 (A, B)
    Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 215, FIGS.175-176 (COLOUR OF A AND B)
    Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 193, FIG.163 (DRAWING OF A AND B)
    Morais, R., Leao, D., and Rodriguez Perez, D. (eds.), Greek Art in Motion, Studies in Honour of Sir John Boardman on the Occasion of his 90th Birthday (Oxford, 2019): 124, FIG.11 (COLOUR OF A)
    Nilsson, M., Geschichte der griechischen Religion (Munich, 1941-50): PL.35.2-3 (DRAWINGS OF A, B)
    Parker, R., Polytheism and Society at Athens (Oxford, 2005): 320, FIG.22A-B (A, B)
    Pickard-Cambridge, A., Dithyramb, Tragedy and Comedy, 2nd ed. (Oxford, 1962): PL.4 (A, B)
    Revermann, M. (ed.), The Cambridge Companion to Greek Comedy (Cambridge, 2014): 99, FIG.5.3 (B)
    Sanchez, C., Kunst und Erotik in der Antike (Berlin, 2013): 79, FIG.34 (B)
    Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): II, 576, FIG.29.5 (A, B)
    Stampolidis, N.C. and Tassoulas, Y. (eds.), Eros: from Hesiod’s Theogony to Late Antiquity, Museum of Cycladic Art, Athens, 10th December 2009-11th April 2010 (Athens, 2009): 254, 260-262 (COLOUR OF A AND B)
    Steinhart, M., Das Motiv des Auges in der griechischen Bildkunst (Mainz, 1995): PL.35.2-3 (DRAWINGS OF A AND B)
    Thesaurus Cultus et Rituum Antiquorum: V, PL.54.931 (B)
    Wachsmann, S., The Gurob ship-cart model and its Mediterranean context (College Station TX, 2013): 54-55, FIG.2.23 (A, B, DRAWINGS OF A AND B)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/2D2A3E6F-E695-4F7E-9977-FEE5A52E7C49

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