7043, ATHENIAN, Rome, Mus. Naz. Etrusco di Villa Giulia, Private, Collection unknown, New York (N.Y.), market, Sotheby's, Texas, Hunt Collection, Malibu (CA), The J. Paul Getty Museum, 5

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Vase Number: 7043
Fabric: ATHENIAN
Technique: RED-FIGURE
Shape Name: CUP B
Date: -525 to -475
Inscriptions: EUPHRONIOS
Named: HYPNOS, SARPEDON, THANATOS, AKAMAS
Signature: EUPHRONIOS EGRAPH[SEN] (EG)
Attributed To: EUPHRONIOS by SIGNATURE
Decoration: A: HYPNOS AND THANATOS WITH SARPEDON, AKAMAS (ALL NAMED)
B: PYRRHIC, YOUTH PLAYING PIPES, YOUTH AND WOMAN
I: FLORAL COMPLEX, PALMETTES
Current Collection: Rome, Mus. Naz. Etrusco di Villa Giulia
Previous Collections:
- Texas, Hunt Collection: 5
- Malibu (CA), The J. Paul Getty Museum: LOAN7043
- New York (N.Y.), market, Sotheby's
- Private, Collection unknown
Publication Record: Antike Kunst: 45 (2002) PL.1.3 (A)
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 404
Ceccarelli, P., La pirrica nell'antichita greco romana, studi sulla danza armata (Pisa, 1998): PL.7.1-2 (A, B)
Cygielmann, M. et al. (eds.), Euphronios, Atti del Seminario Internazionale di Studi, Arezzo 27-28 Maggio 1990 (Florence, 1992): PL.56 (A, B)
Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 69, FIG.13A-C (A, B)
Enciclopedia dell'Arte Antica: SUPP. II.2, 608, FIG.689 (A)
J. Paul Getty Museum Journal: 9 (1981) 24-26, FIGS.1-6 (I, A, B)
Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 311, FIGS.249A-B (A, B)
Lexicon Iconographicum Mythologiae Classicae: VII, PL.520, SARPEDON 3 (A)
Metropolitan Museum Journal: 22 (1987) 7, FIG.2-3, 10, FIG.6 (A,PART OF A)
Metropolitan Museum Journal: 22 (1987) 10, FIG.6 (PART OF A)
PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 10 (A, B, PARTS OF A AND B, FT)
Pasquier, A., Euphronios: genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 16 (COLOUR OF A AND B)
Recke, M., Gewalt und Leid, Das Bild des Krieges bei den Athenern im 6. und 5. Jh. v. Chr. (Istanbul, 2002): PL.42A (A)
Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 22, FIG.15-16 (I, PART OF A)
Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 134, FIG.87 (A)
Silver, V., The Lost Chalice, The Real-Life Chase for One of the World's Rarest Masterpieces, a Priceless 2,500-Year-Old Artifact Depicting the Fall of Troy (New York, 2009): FRONT COVER, PLS. AT 184 (A, B, F, COLOUR OF A, B, AND I, PARTS)
Sotheby's, The Nelson Bunker Hunt Collection, New York, 19.6.1990 (New York, 1990): NO.6 (A, B, I, PARTS)
Spivey, N., The Sarpedon Krater: The Life and Afterlife of a Greek Vase (Chicago, 2018): FIGS.37-38 (COLOUR OF A AND B)
Stansbury-O'Donnell, M.D, Pictorial Narrative in Ancient Greek Art (Cambridge, 1999): 104, FIG.43 (A)
Studi Etruschi: 77 (2014) PL.6C (A)
Wealth of the Ancient World, the Hunt Collections (Fort Worth, 1983): 54-57, NO.5, FRONTISPIECE (I, A, B, PARTS)
Willinghofer, H., Thanatos: Die Darstellung des Todes in der griechischen Kunst der archaischen und klassischen Zeit (Marburg, 1996): FIG.1 (A)
AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3521
AVI Record Number: 3345
LIMC ID: 9750
LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-742db4aa02069-2
CAVI Collection: Once Dallas, TX, Nelson Bunker Hunt 5.
CAVI Lemma: RF cup. Euphronios. Last quarter sixth. 520-510. (Very early). 520-515 (`Euphronios').
CAVI Subject: Thanatos and Hypnos carry the body of Sarpedon, in the presence of Akamas. B: pyrrhiche: woman, piper, warrior dancing.
CAVI Inscriptions: Inscriptions reserved. A: Behind Hypnos, not facing: hυπν[ο]ς. Above the dead body: Σα(ρ)πεδον, retr. Before Thanatos' head: (Θ)ανατος. To right of Akamas' shield, along the curve: Ακαμας. On the reserved foot profile, in BG: Ευφρονιος εγραφ[σεν].
CAVI Comments: Once loaned to Malibu. Robertson lists as now in the Market. The theta lacks the dot. Rho D-shaped and reversed. Note the typical N, with the first bar truly vertical, the third bearing outward.
CAVI Number: 3345
AVI Bibliography: BADB 7043 (bibl.). — Robertson (1981a), 23-26, figs. 1-6. — Cody (1983), 54-57, no. 5 and frontispiece. — Add.[2] (1989), 404. — AttScr (1990), no. 365. — Robertson (1990), 168/34 (ill.: p. 32, fig. 7, p. 169: show inscriptions). — Sotheby (1990a), no. 6. — Cygielman et al. (1991), L. 56 (A, B). — Robertson (1992), 22, fig. 16; 298 n. 8 (bibl.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)

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