303085, ATHENIAN, Trade Arts Investment, Inc., New York (N.Y.), Metropolitan Museum, New York (N.Y.), Callimanopoulos, Northampton, Castle Ashby, L1982.102.3
Decoration: A: ATHENA BETWEEN COLUMNS SURMOUNTED BY COCKS, DEVICE, GORGONEION B: ATHLETES, MEN RUNNING, ONE OLD, POST
Last Recorded Collection: Trade Arts Investment, Inc.
Previous Collections:
Northampton, Castle Ashby
New York (N.Y.), Metropolitan Museum: L1982.102.3
New York (N.Y.), Callimanopoulos
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 408.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 144.210 Beazley, J.D., Greek Vases in Poland (Oxford, 1928): PL.1.2 (A) Bentz, M., Panathenäische Preisamphoren, Eine athenische Vasengattung und ihre Funktion vom 6.-4. Jahrhundert v. Chr. 18. Beih. zur Antiken Kunst (Basel, 1998): PL.68.5079 (B) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): FIG.75 (B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 106 Corpus Vasorum Antiquorum: NORTHAMPTON, CASTLE ASHBY, 9-10, PLS.(672,673,716) 17.1-3, 18.1-2, 61.13 View Whole CVA Plates Decker, W., Sport in der griechischen Antike, Vom minoischen Wettkampf bis zu den Olympischen Spielen (Munich, 1995): 72, FIG.23 (DRAWING OF B) Kurtz, D.C., The Berlin Painter, Drawings by Sir John Beazley (Oxford, 1983): PLS.35, 62 (BEAZLEY DRAWING OF PART OF B, A, B) Laser, S., Sport und Spiel, Archeologia Homerica (Göttingen, 1987): 35, FIG.7 (DRAWING OF B) Martins, J.P., A Arte e os Jogos Gregos na Antiguidade, As Representacoes das Actividades Fisico-Atleticas na Ceramica Classica Grega nos Periodos das Figureas Negras e Vermelhas (Coimbra, 2009): 84, FIG.8 (PART OF B) Matheson, S.B. and Pollitt, J.J., Old Age in Greek and Roman Art (Yale, 2022): 120, FIG.71 (COLOUR OF B) Micali, G., Storia degli antichi popoli italiani (Florence, 1849): PL.88.3-4 Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): I, PL.22.7 (B) Padgett, J.M. (ed.), The Berlin Painter and His World, Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 135, FIG.2, 353-354, NO.76 (COLOUR OF A, B AND PART OF B) Papers of the British School at Rome: 11 (1929) 14, PL.10.1-2 Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 149, FIG.2 (PART OF A) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 199, FIG.208 (B) Ton Atheneten Athlon, The Games at Athens, American School of Classical Studies at Athens, Excavations of the Athenian Agora Picture Books 25 (Athens, 2003): FIG.12 (COLOUR OF B) Vanhove, D. (ed.), El deporte en la Grecia antigua, la genesis del olimpismo, May 10 - August 9, 1992 (Barcelona, 1992): 127, FIG.3 (DRAWING OF B) Vanhove, D. (ed.), Le Sport dans la Grece Antique, Du Jeu a la Competition, 23 Janvier- 19 Avril 1992 (Gent, 1992): 127, FIG.3 (DRAWING OF B) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 89, FIG.11.16 (B)
CAVI Collection: New York, Gregory Callimanopoulos.
CAVI Lemma: BF Panathenaic prize amphora. From Vulci. Berlin Painter{1}. 480-470 (Neils).
Latest period (after 480) (Beazley).
CAVI Subject: A: Athena (device: gorgoneion). B: long-distance race (dolichodromos): four
bearded runners approaching a terma.
CAVI Inscriptions: A: to right of the left column: τον Αθενεθεν αθλον vac. 1. The inscription is
almost parallel to the column. The hand-writing on the Goluchow vase (see note
2, below) is clearly the same, but there is no vacat at the end.
CAVI Footnotes: {1} so Neils. Robertson thinks school of Berlin Painter, as late as Achilles
Painter. He considers it to be from the workshop of the Berlin Painter, perhaps
in the 450's and thus contemporary with the Achilles Painter's prize vases with
gorgoneion. {2} Late but earlier than the Goluchow vase (Beazley; prize
Panathenaic, ABV 408/2). The inscriptions on the two vases may be compared in
V.Pol. (1928), pl. 1,1 and 2. CVA: Ca. 480-470 [Robertson in Robertson (1992),
would put it later.]
CAVI Comments: Ex Castle Ashby. On loan to NY: L.1982.102.3 (Robertson). The earliest
Panathenaic by the Berlin Painter{2}.
CAVI Number: 5749
AVI Bibliography: Photo (A). — Beazley (1930), 21/2. — Beazley (1943a), 449. — ABV (1956),
408/1. — Beazley (1974), 14/210. — J. Boardman and M. Robertson, CVA
Northampton, Castle Ashby, Great Britain 15 (1979), no. 13, pls. 17,1-3, 18,1-2
and 61 (dr. of one figure on B) (much bibl.). — Christies (1980), 136-39, no. 87
(A, B, parts). — Add.[2] (1989), 106. — Beazley (1989), 75, n. 31. — Robertson
(1992), 198 and fig. 208 (B). — Neils (1992a), 159/24, figs. on p. 159 (A) and
colored fig. on p. 84 (B).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)