Attributed To:Akin to ERETRIA P by BEAZLEY Compare CODRUS P by LEZZI-HAFTER Manner of CODRUS P by AVRAMIDOU
Decoration: Body: SATYR (NAMED) ATTACKING MAENAD (NAMED), WITH THYRSOS, SLEEPING ON ROCK WITH IVY AND PANTHER SKIN
Last Recorded Collection: Oxford, Ashmolean Museum: V534
Previous Collections:
Oxford, Ashmolean Museum: G284
Publication Record: Avramidou, A., The Codrus Painter, Iconography and reception of Athenian vases in the age of Pericles (Madison, 2011): 18, FIGS.3.1-3.2 (BD, PART OF BD) BEAZLEY NOTEBOOK: 23, 21 BEAZLEY NOTEBOOK: 25, 12.4 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1258.1 Beazley, J.D., Attic red-figured Vases in American Museums (Cambridge, 1918): 178, FIG.109 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 430.2 Bulletin of the Walters Art Gallery: 52/53 (1994/95) 83, FIG.7 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 210 Corpus Vasorum Antiquorum: OXFORD, ASHMOLEAN MUSEUM 1, 34, PLS.(135,131) 43.2, 39.3-4 View Whole CVA Plates Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 476, FIG.319 (BD) Journal of Hellenic Studies: 25 (1905) PL.1.2 Kraus, C., Goldhill, S., Foley, H.P., and Elsner, J. (eds.), Visualizing the Tragic, Drama, Myth, and Ritual in Greek Art and Literature (Oxford, 2007): 232, FIG.10.4 (BD) Lexicon Iconographicum Mythologiae Classicae: VI, PL.33, KISSOS I 4 (PART) Lezzi-Hafter, A., Der Eretria-Maler, Werke und Weggefährten (Mainz, 1988): 192, FIG.61B, PL.195A, NO.211 (INCLUDING PROFILE) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 253, NO.162 (BD) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 50, FIG.25 (DRAWING OF BD) Moraw, S., Die Mänade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.22.55 (PART OF BD) Nicole, G., Meidias et le style fleuri (Geneva, 1908): 115 Schmidt, S., Rhetorische Bilder auf attischen Vasen, Visuelle Kommunikation im 5. Jahrhundert v. Chr. (Berlin, 2005): 189, FIG.97 (BD) Storey, I.C. and Allan, A. (eds.), A Guide to Ancient Greek Drama. Second Edition (Chichester, West Sussex, 2014): 166, FIG.3.3 (A)
CAVI Lemma: RF OINOCHOE (CHOUS). AKIN TO ERETRIA PAINTER{1}; CLASS OF FERRARA T 108A
(GREEN). THIRD QUARTER FIFTH. CA. 430 (BEAZLEY).
CAVI Subject: A SATYR ATTACKING A MAENAD SLEEPING ON A ROCK.
CAVI Inscriptions: THE MAENAD: Τραγωιδια. THE SATYR: Κισσος{2}.
CAVI Footnotes: {1} "MORE OR LESS," BEAZLEY. L.-H. ATTRIBUTES TO THE KODROS PAINTER [[CODRUS
PAINTER]]; CERTAINLY NOT BY THE ERETRIA PAINTER: "ICH KANN MICH NICHT MEHR VON
DER VORSTELLUNG BEFREIEN, DASS DIE BEMALUNG ... VOM KODROS-MALER STAMMT." {2}
THE READING Κισσος IS FROM CVA, GB 3, P. 34.
CAVI Comments: = G 284. FOR THE SUBJECT SEE SCHAAL AND VON MERCKLIN, IN RM 38-39, 102-103;
C. FRäNKEL (1912), 62 AND 110/ε. BEAZLEY GIVES PARALLELS IN CVA. TRAGOIDIA AS A
MAENAD OCCURS ALSO ON A FR. IN FLORENCE (CAMPANA) AND A VASE IN COMPIèGNE (CVA,
PLS. 18,1 AND 191).
CAVI Number: 5918
AVI Bibliography: C. FRäNKEL (1912), 62, 100/ε (TRAGODIA ONLY). — SCHAAL (1922), 18-26, PL. 7A.
— J.D. BEAZLEY, CVA OXFORD 1, GREAT BRITAIN 3 (1927), PLS. 39,3-4 AND 43,2. — RE
VI A/2 (1937), S.V. TRAGODIA 1 (HERTER). — HOORN (1951), 163/783. — ARV[2]
(1963), 1258/1. — GREEN (1971), 199,4. — LEZZI-HAFTER (1988), 191, 203-204, 207,
338/211, PL. 195,A. — ADD.[2] (1989), 355. — KOSSATZ-DEISSMANN (1991), 157
(KISSOS 6), 191 (TRAGODIA 4).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
