Attributed To: PARIS GIGANTOMACHY, P OF THE by BEAZLEY
Decoration: A: DIONYSOS WITH GRAPEVINE AND DRINKING HORN, BETWEEN SATYRS AND MAENADS, DANCING B: MAENADS DANCING, WITH SNAKES AND THYRSOI, SATYRS I: MAENADS DANCING, WITH SNAKES
Last Recorded Collection: Basel, Antikenmuseum und Sammlung Ludwig: BS1906.276
Previous Collections:
Basel, Collection Unknown
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 418.16 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 234 Corpus Vasorum Antiquorum: BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG 2, 36-37, BEILAGE 4.4, PLS.(269,273,274,291,295) 13.4, 17.3-4, 18.1-2, 35.4.8, 39.6 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 172, FIG.148 (A, B) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.532, MAINADES 39 (A, B) Revue des Etudes Anciennes: 94 (1992) 152, FIG.17 (A, B)
CAVI Lemma: RF cup. Painter of Paris Gigantomachy. Brygos, potter. First quarter fifth.
Ca. 480 (CVA).
CAVI Subject: Int.: two maenads, that at right holding two snakes; at left, a rock. A, B,
each: satyrs and maenads.
CAVI Inscriptions: Int.: to left of the right maenad's face, letters scattered in a roughly
circular arrangement: καλε. Under the foot, Gr.: (.)Α{1}.
CAVI Footnotes: {1} the first letter unclear. Not in Johnston (1979).
CAVI Comments: Blösch (1940), 88 attributes the shape to the later workshop of the Brygos
Painter; in a lecture, to the later potter Brygos himself; see CVA.
CAVI Number: 2010
AVI Bibliography: ARV[2] (1963), 418/16. — M. Schmidt (1967), 150. — V. Slehoferova, CVA Basel
2, Switzerland 6 (1984), pls. 13,4, 17,3-4, 18,1-2, 35,4,8, 39,6, Beilage 4,4,
pp. 36-37 (facss.). — Add.[2] (1989), 234.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
