Decoration: AB1: CHARIOT BETWEEN DORIC COLUMNS (POSTS ?) AB2: INSCRIPTION BETWEEN SPHINXES I, zone around: NEREIDS DANCING I: HERAKLES AND TRITON
Last Recorded Collection: Tarquinia, Museo Nazionale Tarquiniese: RC4194
Publication Record: Ahlberg-Cornell, G., Herakles and the Sea-Monster in Attic Black-Figure Vase-Painting (Stockholm, 1984): 115, NO.IV 3 (I) Archaiologikon Deltion: 41 (1986) 2, PL.83B (I) Archeo, Attualita di Passato: 80 (1991) 72 (COLOUR OF I AND IZ) Archeo, Attualita di Passato: 80 (OCTOBER 1991) 71 TOP (COLOUR OF A) Arias, P. and Hirmer, M., A History of Greek Vase Painting (London, 1962): PLS.49, XIV (COLOUR OF I, A, B) Barringer, J.M., Divine Escorts, Nereids in Archaic and Classical Greek Art (Ann Arbor, 1995): PL.104 (I) Böhm, S., Sphingen und Sirenen im archaischen Griechenland, Symbole der Ambivalenz in Bildszenen und Tierfriesen (Regensburg, 2020): 159, FIGS.33A-B (COLOUR OF A AND AH) Castoldi, M. (ed.), Koina, Miscellanei di studi archeologici in onore di Piero Orlandini (Milan, 1999): 232, FIG.3 (DRAWING OF PART OF A1) Corpus Vasorum Antiquorum: TARQUINIA, MUSEO NAZIONALE 2, III.H.3, PL.(1170) 21.5,6 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 140, FIG.111 (I) Dotzler, G., Ornament als Zeichen, Methodologische Probleme der archäologischen Interpretation, Arbeiten zur Urgeschichte 8 (Frankfurt, 1984): PL.9, FIG.39 (I) Haspels, C.H.E., Attic Black-figured Lekythoi (Paris, 1936): 17, NOTE 1 Journal of Hellenic Studies: 52 (1932) 181, FIG.14 (I) Laser, S., Sport und Spiel, Archeologia Homerica (Göttingen, 1987): 31, FIG.4 (DRAWING OF PART OF A) Lawler, L., Dance in Ancient Greece (London, 1964): FRONTISPIECE (DRAWING OF I) Lexicon Iconographicum Mythologiae Classicae: VI, PL.490, NEREIDES 264 (I, IZ) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): XI, PL.41 (DRAWINGS OF I, A, B) Rnjak, D., Anticki Teatar na tlu Jugoslavije, Antique Theater in the territory of Yugoslavia (Novi Sad, 1979): AT 178, FIG.13 (I) Romanelli, P., Tarquinia (Rome, 1940): 115-116, FIGS.65-66 (I, A) Schefold, K., Gods and Heroes in Late Archaic Greek Art. English translation by A. Griffiths (Cambridge, 1992): FIG.165 Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): 129, FIG.165 Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.XXI (COLOUR OF I) Sonnabend, H. (ed.), Mensch und Landschaft, Lexikon der Historischen Geographie (Stuttgart and Weimar, 1999): 540, FIG.91 (I) Stansbury-O'Donnell, M.D., Vase Painting, Gender, and Social Identity in Archaic Athens (Cambridge, 2006): 91, FIG.20 (IZ, I) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 76-77, FIGS.35-36 (COLOUR OF I AND PART OF A)
CAVI Collection: TARQUINIA, MUSEO NAZIONALE RC 4194.
CAVI Lemma: BF LIP CUP. FROM TARQUINIA. UNATTRIBUTED; [[XENOKLES PAINTER (A.–H.–S.)]].
THIRD QUARTER SIXTH.
CAVI Subject: INT.: TONDO: HERACLES AND TRITON; FIVE FISH. INTERIOR FRIEZE: A ZONE WITH 17
DANCING NEREIDS HOLDING HANDS, IN A COMPLETE CIRCLE. EXT.: LIP: A, B, EACH: A
CHARIOT BETWEEN TWO COLUMNS; AT THE HANDLES, SPHINXES.
CAVI Inscriptions: INT.: UNDER THE ARMPIT OF EACH NEREID, ALONG THE BODY: NONSENSE: A ROW OF
CLOSELY PLACED TINY DOTS (17 ROWS IN ALL). A, B, EACH: HANDLE ZONE: χαιρε και
πιει ευ{1}.
CAVI Footnotes: {1} IN A WAVY LINE (A). B IS NOT ILLUSTRATED.
CAVI Comments: = RC 1773 (THE NUMBER IS GIVEN BY BEAZLEY IN JHS). A LARGE CUP OF HIGH
QUALITY.@@[[DIAMETER: 320.]]
CAVI Number: 7640
AVI Bibliography: BADB 397 (MUCH BIBL.). — BEAZLEY (1932), 178, FIG. 14 (INT.). — G. JACOPI,
CVA TARQUINIA 2, ITALY 26 (1956), III H, PL. 21,5-6 (BIBL.) [[ONE SIDE, SM.]]. —
ARIAS–HIRMER–SHEFTON (1962), PLS. 49 AND XIV (ALL) [[BUT ONLY ONE SIDE]].
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
