Decoration: A,B: SYMPOSIUM, NAKED MAENAD WITH SKYPHOS, KROTALA, BETWEEN SATYRS WITH DRINKING HORN Frieze below: BOOTS, DRINKING HORNS, SKYPHOS, CUP, OINOCHOE I: SYMPOSIUM, DIONYSOS RECLINING WITH PHIALE, SATYR
Last Recorded Collection: Florence, Museo Archeologico Etrusco: 73749
Publication Record: Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact, Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 305, FIG.6 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1592 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 355.39 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 227.6 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 228.14 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 221 Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 3, III.I.7, PLS.(1348,1380) 84.1-3, 116.9 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 59, FIG.39 (A, B) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 200-201, FIGS.69A-B (A, I) Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.82 (COLOUR OF PARTS OF A AND B) Lexicon Iconographicum Mythologiae Classicae: III, PL.338, DIONYSOS 365 (I) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 232, NO.68A-B (A, B) Lissarrague, F., Greek Vases, The Athenians and their Images (2001): 209-210, FIGS.168-169 (COLOUR OF I, DRAWING OF A) Marconi, C. (ed.), Greek Vases, Images, Contexts and Controversies (Leiden and Boston, 2004): FIGS.1.1-3 (A, B, I) Revue des Etudes Anciennes: 90 (1988) 1-2, 62, FIG.15 (A, B, I) Revue des Etudes Anciennes: 94 (1992) 153-154, FIGS.19A-C (I, A, B) Stampolidis, N.C. and Tassoulas, Y. (eds.), Eros, from Hesiod’s Theogony to Late Antiquity, Museum of Cycladic Art, Athens, 10th December 2009-11th April 2010 (Athens, 2009): 243-244, NO.215 (COLOUR OF A, B AND I)
CAVI Lemma: RF CUP. FROM ORVIETO. COLMAR PAINTER. EUPHRONIOS, POTTER. FIRST QUARTER
FIFTH.
CAVI Subject: MYTHICAL SYMPOSIUM: INT.: DIONYSUS RECLINING, WITH A SATYR. A: A NAKED MAENAD
RECLINING BETWEEN, AT LEFT, A RECLINING SATYR AND, AT RIGHT, A SATYR MOVING
TOWARD HER. B: SIMILAR.
CAVI Inscriptions: INT.: ABOVE THE SATYR'S HEAD: Λεαγρος, RETR. IN THE EXERGUE, AT LEFT AND NOT
CENTERED, IN BG: καλος. A: ABOVE THE RECLINING SATYR'S HEAD, NEAR THE LIP:
Λεαγρος. B: INSCRIPTION IN A SIMILAR POSITION. Λεαγρος.
CAVI Number: 3590
AVI Bibliography: KLEIN (1898), 76/22. — MILANI (1912), 10. — BLöSCH (1940), 75/23. — A. MAGI,
CVA, ITALY 30, FLORENCE 3 (1959), PLS. 84,1-3 AND 116,9. — ARV[2] (1963),
355/39. — ADD.[2] (1989), 221.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
