Attributed To: HIERON by SIGNATURE MAKRON by BEAZLEY
Decoration: A,B: SYMPOSIUM, MEN RECLINING, WITH SKYPHOS AND CUPS, WOMEN, SOME NAKED, PLAYING KOTTABOS, DRAPED YOUTH PLAYING PIPES, LAMPSTAND WITH LADLES, TABLES, KROTALA SUSPENDED I: SATYR PLAYING PIPES, MAENAD WITH THYRSOS Under handle: COLUMN KRATER, YOUTH WITH OINOCHOE AND STRAINER
Last Recorded Collection: New York (N.Y.), Metropolitan Museum: 20.246
Publication Record: American Journal of Archaeology: 103 (1999) 245, FIG.22 (A) American Journal of Archaeology: 110 (2006) 378, FIG.13D (PART) American Journal of Archaeology: 27 (1923) 274-6 Antike Welt: 1988, SONDERNUMMER, 54, FIG.85 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1616 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 467.118, 481, 1654 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 216.72 Beazley, J.D., Paralipomena (Oxford, 1971): 378 Bulletin of the Metropolitan Museum of Art, New York: 18 (1923) 253 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 245 Chrzanovski, L. (ed.), Le Luminaire antique, Lychnological Acts 3, Actes du 3e Congres International d'etudes de l'ILA, Universite d'Heidelberg, 21-26.IX.2009 (Montagnac, 2012): 335, FIG.10 (A) Classical Antiquity: 17 (1998) 1, FIG.8 AT P.95 (A) Fantham, E. et al., Women in the Classical World, Image and Text (New York, 1994): 117, FIG.3.25 (A) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 245, FIG.106 (A) Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.146, R622.2 (PART OF A) Kunisch, N., Makron (Mainz, 1997): 36, 69, FIGS.19, 32.377, PL.130.377 Lissarrague, F., The Aesthetics of the Greek Banquet, Images of Wine and Ritual (Princeton, 1990): 21, FIG.9 (DRAWING OF A AND B) Mertens, J., How to read Greek vases (New York, 2010): COVER, 116-120 (COLOUR OF A, B, UH, I AND PARTS) Metropolitan Museum Journal: 26 (1991) 72-73, FIGS.38-39 (DRAWING) Murray, O. (ed.), Sympotica, A Symposium on the Symposium (Oxford, 1990): PL.16A (A) Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 39, FIG.2.7 (A, SIGNATURE) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.36 (A, B) Reinsberg, C., Ehe, Hetärentum und Knabenliebe im antiken Griechenland (Munich, 1989): 91, FIG.32 (A) Rotroff, S.I., The Missing Krater and the Hellenistic Symposium, Drinking in the Age of Alexander the Great (Christchurch, 1996): 9, FIG.6 (DRAWING OF A) Schmitt Pantel, P., Aithra et Pandora, Femmes, Genre et Cite dans la Grece antique (Paris, 2009): 160, FIG.9 (A, B) Schmitt Pantel, P., La cite au banquet, Histoire des repas publics dans la cites grecques (Rome, 1992): FIG.25 (DRAWINGS OF A AND B) Seidel, Y., Kunstliches Licht im individuellen, familiaren und offentlichen Lebensbereich (Vienna, 2009): 66, FIG.35 (DRAWING OF A) Stansbury-O'Donnell, M.D., Looking at Greek Art (Cambridge, 2011): 149, FIG.59 (A)
CAVI Lemma: RF CUP. FROM VULCI (PROBABLY). MAKRON. HIERON, POTTER. FIRST QUARTER FIFTH.
HAUPTWERK II (KUNISCH).
CAVI Subject: INT.: A SATYR PLAYING THE FLUTES; A MAENAD DANCING. A-B: SYMPOSIUM: MEN AND
HETAERAE ON COUCHES.
CAVI Inscriptions: INT.: IN A CURVE AROUND THE SATYR: Ροδο[π]ις [κα]λε{1}. ON HANDLE B/A, IN BG
AREA OF RIGHT HASTA, GR.: Hιερον εποεσεν{2}.
CAVI Footnotes: {1} KUNISCH'S SKETCH ON P. 201 HAS: κ[α]λε. {2} CF. KUNISCH, N. 37; THE IOTA
OMITTED ALSO ON BERLIN 2290+, ARV[2] 462/48. {3} POINTED RHO IN SKETCH, KUNISCH,
P. 201.
CAVI Comments: TYPE B. RICHTER (IN RICHTER–HALL) SAYS THAT VASE IS PERHAPS IDENTICAL WITH
MUSéE ETRUSQUE DE CANINO, P. 10, NO. 1988, WHICH ALSO HAS εποεσεν; SHE CITES
OTHER BIBL. DERIVED FROM THAT REFERENCE. [NO DOUBT THIS IS WHY BEAZLEY IN PARA.
SAYS THAT THE VASE IS `PROBABLY' FROM VULCI.] - FOR RHODOPIS SEE HDT 2.134,
ATHEN. 13.596B-C, BF HYDRIAE LONDON B 329 AND NAPLES RC 187 (SEE ABV 678).
KUNISCH, P. 20 N. 88 LISTS RHODOPIS AS A KALE-NAME. - PI VERY MUCH PINCHED
IN(WHICH IS CHARACTERISTIC OF HIERON SIGNATURES); RENDERED ERRONEOUSLY AS A RHO
IN HALL'S DR. THE RHO IS TAILED IN RHODOPIS BUT NOT IN THE SIGNATURE{3}.
THREE-STROKE SIGMA.
CAVI Number: 5619
AVI Bibliography: RICHTER (1923), 273-77, FIGS. 12-14. — RICHTER (1923A), 256, FIG. 1. — CB
(1931–63), III, 34/A 4. — RICHTER–HALL (1936), I, 75/53, PLS. 50, 53-5 AND 180.
— ARV[2] (1963), 467/118, 481, 1654. — PARA. (1971), 378. — MERTENS (1976), 74,
FIG. 7 (A, B, DRS.). — R. SUTTON (1981), 99 AND 138/A 86. — SCHMITT–SCHNAPP
(1982), 70, FIG. 11 (A, B). — ADD.[2] (1989), 245 (BIBL.). — COHEN (1991), 70,
FIGS. 38-39 (DR.; PH. OF SIG.). — KUNISCH (1997), 7, 8 N. 37, 20 N. 88, 201/377,
FIG. 19 (DETAIL), PL. 130 (SHOWS TRACES OF SIGNATURE) (MUCH BIBL.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
