201654, ATHENIAN, Rome, private, Feoli, Würzburg, Universität, Martin von Wagner Museum, Würzburg, Universität, Martin von Wagner Museum, Würzburg, Universität, Martin von Wagner Museum, Würzburg, Universität, Martin von Wagner Museum, L507
Attributed To: KLEOPHRADES P by BEAZLEY KLEOPHRADES P by HARTWIG
Decoration: A: WARRIOR DEPARTING (EXTISPICY ?), WARRIOR IN PATTERNED SUIT, YOUTH WITH OBJECT (LIVER ?), WOMAN WITH PHIALE, DOG, NONSENSE INSCRIPTIONS B: KOMOS, MEN, ONE WITH POINTED AMPHORA AND CUP, ONE WITH LYRE AND SKYPHOS, NAKED WOMAN WITH PIPES, NONSENSE INSCRIPTIONS Lid: CHARIOT RACE, POST, HORSE
Last Recorded Collection: Würzburg, Universität, Martin von Wagner Museum: HA120
Previous Collections:
Rome, private, Feoli
Würzburg, Universität, Martin von Wagner Museum: L507
Würzburg, Universität, Martin von Wagner Museum: L297
Würzburg, Universität, Martin von Wagner Museum: 297
Publication Record: Ancient Civilizations from Scythia to Siberia, An International Journal of Comparative Studies in History and Archaeology: 12 (2006) 215, FIG.8 (DRAWING OF A) Antike Welt: 1988, SONDERNUMMER, 51, FIG.78 (PART OF B) Archiv für Geschichte der Medizin: III, FIG.6 (B) Archäologischer Anzeiger: 1981, 563, FIGS.1-3 (A, DRAWINGS OF PART OF A) Arts (online journal): 9.1 (2020) 14, FIG.16 (DRAWING OF A) Bazant, J., Les citoyens sur les vases atheniens, Rocnik 95 (1985) 2: 11, FIG.2 (DRAWING OF A) Beazley, J.D, Der Kleophrades Maler (Berlin, 1933): 23 Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 405.1 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 181.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 120.1 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 69.1 Beazley, J.D., Paralipomena (Oxford, 1971): 340 Belloni, L., Bonandini, A., Ierano, G., and Moretti, G. (eds.), Le Immagini nel Testo, il Testo nelle Immagini, Rapporti fra parola e visualita nella tradizione greco-latina (Trento, 2010): 66, 74, FIGS.8, 19 (B, COLOUR OF A AND B) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.129 (A,B) Bulletin of the American Schools of Oriental Research: 228 (1977) 43, FIG.14 (A,B) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 117, FIG.70 (B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 93 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 186 Corpus Vasorum Antiquorum: WURZBURG, MARTIN VON WAGNER MUSEUM 2, 17-20, FIGS.7, 8, PLS.(2209-2212) 8.1-2, 9.1-2, 10.1-2, 11.1-8 View Whole CVA Plates Crouwel, J.H., Chariots and other Wheeled Vehicles in Iron Age Greece, Allard Pierson Series 9 (Amsterdam, 1992): PL.14.1 (DRAWING) Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): 268, FIG.179 (A) Evans Grubbs, J., and Parkin, T. (eds.), The Oxford Handbook of Childhood and Education in the Classical World (Oxford, 2013): 156, FIG.7.5 (A) Froning, H., Hölscher, T., and Mielsch, H. (eds.), Kotinos, Festschrift für Erika Simon (Mainz, 1992): PL.28.5 (B) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.103 (A, B), II, 222, 226 Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 751, FIG.213 (A) Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): IV, PL.267 (COLOUR DRAWINGS OF A AND LD, DRAWING OF B) Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 220, FIG.14 (COLOUR OF B) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 88, FIG.18 (PART OF B) Hephaistos: 1 (1979) 98, FIG.11, PL.3.2 (A) Hesperia, The Journal of the American School of Classical Studies at Athens: 83.3 (2014), 480, FIG.13 (COLOUR OF A) Himmelmann, N., Archäologisches zum Problem der Sklaverei (Mainz, 1971): 25, FIG.34 (A) Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): PL.12 Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.146, R309 (B) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 491, FIG.32.9 (PART OF A) Langlotz, E., Martin von Wagner-Museum der Universität Würzburg, Bildkatalog I. Griechische Vasen (München, 1932): PL.175 Lissarrague, F. et al., La Cite des Images, Religion et Societe en Grece Antique (Lausanne, 1984): 44, FIG.68 (A) Lissarrague, F., L'Autre Guerrier, Archers, Peltastes, Cavaliers dans l'Imagerie Attique (Paris-Rome, 1990): 63, FIG.33 (DRAWING OF A) Moon, W.G. and Berge, L., (eds.), Greek Vase Painting in Midwestern Collections (Chicago, 1979): 136, FIG.9.9 (PART OF A) Neils, J. and Oakley, J.H. (eds.), Coming of Age in Ancient Greece, Images of Childhood from the Classical Past (New Haven, 2003): 159, FIG.23 (A) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 237, FIG.10 (B) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 345, 348, FIGS.2, 10 (PARTS OF A AND B) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.76 (B) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.377 (B) Rebay-Salisbury, K. et al. (eds.), Body Parts and Bodies Whole, Changing Relations and Meanings (Oxford, 2010): 108, FIG.10.7 (A) Rivista di Archeologia: 20 (1996) BRUSINI FIG.10 (DRAWING OF B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 57, FIG.45 (A) Ruhfel, H., Das Kind in der Griechischen Kunst (Mainz, 1984): 86, FIG.50 (A) Schmitz, B. and Steffgen, U. (eds.), Waren sie nur schön? Frauen im Spiegel der Jartausende (Mainz, 1989): 184, FIG.77 (A) Settis, S. (ed.), I Greci, Storia Cultura Arte Societa 2, Una storia greca, 1.Formazione (Turin, 1996): 698, FIG.7 (A) Smith, T.J. and Plantzos, D. (eds.), A Companion to Greek Art (Malden, 2012): II, 474, FIG.23.4 (A) Swindler, M.H., Ancient painting, from the earliest times to the period of Christian art (New Haven, 1929): FIG.305 (A) Thesaurus Cultus et Rituum Antiquorum: III, PL.1.GR27B (A) van Straten, F.T., Hiera Kala, Images of Animal Sacrifice in Archaic and Classical Greece (Leiden, 1995): FIG.165 (DRAWING OF A)
CAVI Lemma: RF amphora with lid. From Vulci. Kleophrades Painter{1}. Ca. 500. Very early:
before 500 (Beazley). Ca. 500 (Hölscher).
CAVI Subject: A: a young warrior leaving home (extispicy), with a `Scythian' and a young
woman looking on. B: komos of two bearded men with a hetaera.
CAVI Inscriptions: Nonsense(?): A: to the Scythian's lower right: τλετυ. To left of the
warrior's face: ιτεισ. Above the dog: ειοσ. Above the woman: ισλει. B: above the
left komast: ιυι. To right of the amphora: εισ, retr. To left of the hetaera's
head: ισυτ. On her right, similar: ισε{2}. Under the foot, Gr.: ϝΙ, retr. Under
the lid, Gr.: ϝΙ, the same as that under the foot. ==>> Information given me at
a luncheon in Berlin at the time of the Euphronios colloquium 1991 by Dr. Martin
Boss at the request of Erika Simon: B: the inscriptions are not senseless: the
hetaera is Ανυτε. The middle komast is [--]ες. The left komast is: [--]εμο[--].
[This seems odd, for the nonsense on both A and B would be typical early
Kleophrades Painter nonsense.] [Anyte of Tegea was a Hellenistic poetess (Pal.
Anth.). Pape has no other person by the name; LGPN ii does not have it. Nothing
was said about A.]
CAVI Footnotes: {1} attributed to Euthymides by F. Hauser. {2} could be one inscription:
ισυτισε(?). But see now the information from Boss, above. {3} Listed in CAVI
6963 as Vatican without number and as having χαιρε as well as a nonsense
inscription.
CAVI Comments: = U III 318. = HA 120. The vase is now very fragmentary and some letters are
now missing. The inscriptions are Euthymidean and the style of lettering is more
regular than later. Hölscher thinks it strange that the inscriptions should be
meaningless, as the Kleophrades Painter could write, cf. Vatican 16,573(3) and
Munich 2305. For ΕΙΟΣ as a dog's name, see Mentz. The two inscriptions by the
hetaera (ισυτ and εσι in CVA) on B can be read as [Α]νυτινε (G. Neumann apud
CVA); but see above. On the writing skills of the Kleophrades Painter, see also
Boardman (1976), 15 and n. 56. Note that reading Anytine presupposes reading the
sigmas as nu's which is possible.
CAVI Number: 8122
AVI Bibliography: FR (1904–32), ii, 222-26, pl. 103. — Langlotz (1932), 100/507, 175 (facs. of
Gr.), pl. 175. — Cf. Mentz (1933), .... — Beazley (1933a), no. 1 (and p. 11; not
ill.). — Blösch (1951), 32/D. — ARV[2] (1963), 181/1 (much bibl.). — Para.
(1971), 340. — F. Hölscher, CVA Würzburg 2, Germany 46 (1980), pls. 8,1-2,
9,1-2, 10,1-2, 11,1-8, figs. 7-8 (profile); pp. 18 and 20, facss. of Grr.; p.
19, facs.of Dipp. (vast bibl.). — Add.[2] (1989), 186 (much bibl.). — AttScr
(1990), no. 487.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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