Attributed To: KACHRYLION by SIGNATURE OLTOS by BEAZLEY
Decoration: A: CENTAUROMACHY, KAINEUS BETWEEN CENTAURS WITH ROCKS, SHIELD DEVICE, BIRD (WITH SNAKE ?) B: MAENAD BETWEEN SATYRS, ONE WITH DRINKING HORN I: POSEIDON
Last Recorded Collection: Copenhagen, National Museum: 13407
Publication Record: Antike Welt: 1988, SONDERNUMMER, 24, FIG.38 (B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 59.57, 1622 Beazley, J.D., Paralipomena (Oxford, 1971): 326 Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.330 (I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.59 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 80 Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.61 (I) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 164 Corpus Vasorum Antiquorum: COPENHAGEN, NATIONAL MUSEUM 8, 260-261, PLS.(337,338) 334.1A, 334.1B, 335.1A, 335.1B, 335.1C View Whole CVA Plates Huf, L., Frauen jenseits der Konvention, Alterszüge, Tätowierungen und afrikanische Physiognomien im Frauenbild attischer Vasen des 5. Jahrhunderts v. Chr. (Munich, 2018): 89, FIG.31 (A) Laufer, E., Kaineus, Studien zur Ikonographie, RdA Supp.1 (Rome, 1985): PL.7, FIG.20 (A) Lexicon Iconographicum Mythologiae Classicae: V, PL.569, KAINEUS 33 (A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.364, POSEIDON 142 (I) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 227, NO.51 (B) Lund, J. and Rasmussen, B.B., Guides to the National Museum, The Collection of Near Eastern and Classical Antiquities (Copenhagen, 1995): 59 (COLOUR OF I) Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 434, FIG.316 (A) Reschke, E., Die Ringer des Euthymides (Stuttgart, 1990): PL.5.1 (I) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.207 (A) Shepherd, G., From Corinth to Campania, Studies on Greek Vase-Painting in Honour of Ian McPhee (Nicosia, 2025): 216, FIG.5 (COLOUR OF I) Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997): 188, FIG.121 (B)
CAVI Inscriptions: INT.: STARTING TO LEFT OF POSEIDON'S FACE, ALONG MARGIN, COUNTER-CLOCKWISE:
Χαχρυ^λ[ι]^ον ^ εποιε{1}.
CAVI Footnotes: {1} "THERE MAY OR NOT HAVE BEEN AN IOTA AFTER THE LAST EPSILON," BEAZLEY. THE
FIRST IOTA DOES NOT SHOW IN THE PH.; IT MAY BE BEFORE OR AFTER THE RIGHT FOOT.
THERE MAY INDEED BE A TRACE OF A FINAL IOTA. THE TRIDENT AND SOME FEET
INTERVENE. - OLTOS HAS εποιε ONLY HERE, IF THREATTE IS RIGHT (BUT HE CITES
BEAZLEY TOO!); SEE THREATTE (1996), 511; OTHERWISE εποιει (IBID., 512).
