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216937, ATHENIAN, Berlin, lost, Berlin, Antikensammlung, F2471

  • Vase Number: 216937
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: LEKYTHOS, SQUAT
  • Provenance: GREECE, ATTICA, TRACHONES
  • Date: -450 to -400
  • Inscriptions: Kalos/Kale: KISSO KALE
    Named: SILENOS, ANTHEIA, MAKARIA, PERIKLYMENE, PHANOPE, NYMPHE, NAIA, DIONYSOS, KOMOS, CHORO, CHRYSIS, KISSO
  • Attributed To: ERETRIA P by FURTWÄNGLER
  • Decoration: Body: DIONYSOS SEATED WITH THYRSOS, SATYRS, ONE SEATED WITH THYRSOS, MAENADS, ONE SEATED SUPPORTED, SOME RECLINING, SOME SEATED, ONE PLAYING TYMPANON, ALL NAMED
  • Last Recorded Collection: Berlin, lost
  • Previous Collections:
    • Berlin, Antikensammlung: F2471
  • Publication Record: Archäologischer Anzeiger: (2012) 21, FIG.10 (PART OF BD)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1247.1
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 429.4
    Beazley, J.D., Paralipomena (Oxford, 1971): 469
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.229 (DRAWING)
    Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.40A (DRAWING)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 353
    Cook, R.M., Greek Painted Pottery (London, 1966): PL.47 (PART OF BD)
    Cook, R.M., Greek Painted Pottery 3rd ed. (London, 1997): PL.47 (PART OF BD)
    Corpus Vasorum Antiquorum: BERLIN, ANTIKENSAMMLUNG 16, 117, BEILAGE 22.2, 22.3, 22.4, 23.1, 23.2, 23.3, 23.4, 23.5, PL.() View Whole CVA Plates
    Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 289, FIG.232 (BD)
    Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 77, FIG.15 (PART OF BD)
    Furtwängler, A., La Collection Sabouroff (Berlin, 1883-87): PL.55
    Hahland, W., Vasen um Meidias (Berlin, 1930): PL.21A-B (PARTS)
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 76-77, 180, 501, FIGS.23, 111, 346 (DRAWING OF BD, PART OF BD)
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 200, FIG.105 (DRAWING OF BD)
    Lexicon Iconographicum Mythologiae Classicae: V, PL.602, KALE 1 (DRAWING)
    Lezzi-Hafter, A., Der Eretria-Maler, Werke und Weggefährten (Mainz, 1988): PLS.143D, 144-5, NO.234
    Ostraka: 8 (1999) 1, 115, FIG.21 (DRAWING)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.560
    Philipp, M. et al., Dionysos, Rausch und Ekstase (Munich, 2013): 59, FIG.5 (COLOUR OF PART)
    Scheibler, I., Griechische Malerei der Antike (Munich, 1994): 115, FIG.49 (PART)
    Schlesier, R. and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 31, 49, FIGS.2, 7 (PART OF BD, COLOUR DRAWING OF BD)
    Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 171, FIG.131 (PART)
    Staatliche Museen zu Berlin, Antikensammlung, Dokumentation der Verluste, V.1, Skulpturen, Vasen, Elfenbein und Knochen, Goldschmuck, Gemmen und Kameen (Berlin, 2005): 129, F2471 (PART)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=2527
  • AVI Record Number: 2382
  • LIMC ID: 9259
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7426d43e64944-c
  • CAVI Collection: Once Berlin 2471.
  • CAVI Lemma: RF squat lekythos. From Trachones (Attica). Eretria Painter. Third quarter fifth. Ca. 430. Ca. 425 (Lezzi-Hafter).
  • CAVI Subject: Dionysus with two satyrs and ten maenads.
  • CAVI Inscriptions: The inscriptions are above the figures and horizontal (except the retr. inscription is to the left of a head facing left): Σιλενος. Ανθε[ι]α{1}. Μακαρια. Περικλυμενε. Φανοπε. Nυμφε. Nαια{2}. Διονυσος. Κο(μ)ος, retr. (see below){3}. Χορω{4}. Χρυσις. Κισσο. καλε (a nymph).
  • CAVI Footnotes: {1} Ανθεια, L.-H. {2} for the name in the circle of Dionysus, see E. Simon, LIMC iii, s.v. Dione, p. 411. G. Neumann apud K.-D. wonders if to be completed as Nαια[ς]. {3} the picture (dr.?), pl. 144,d seems to show the first letter as a nu: Nομος, retr.? But Komos is no doubt correct. Miswritten? Furtw. prints Komos retr., except for the kappa; he gives the mu as an archaic-looking nu. {4} L.-H.: Χορω. But the picture in pl. 144,d shows an omicron open at the bottom and a bottom stroke at the right side, giving the illusion of a reversed omega, but the stroke looks to me like a flaw. However, there are instances of omega lacking the feet. However, there are instances of omega lacking the feet.
  • CAVI Comments: ARV[2], Add.[2], and Robertson give the present location as Berlin 2471, but Para. says: `believed lost,' K.-D. concurring. (The information comes from Greifenhagen.) Done from Beschr., which has no facsimiles and from L.-H. I have checked readings in K.-D. The vase is gilded. The inscriptions were originally reddish-white. - Shapiro 172 thinks Makaria may be an invention of the Eretria Painter who is otherwise known as an innovator in personifications. For the choice of names and the qu. of personifications see also L.-H. Makaria is not here the daughter of Heracles; it is the earliest instance of this personification; Reading 52.3.2 is later. L.-H. 227 speculates that Nymphe may also mean `bride' and that the vase may commemorate a dead person who has joined the Dionysiac thiasos. - It seems to me that many of the dancers are exhausted and that the vase celebrates the end of the dance. - Hedreen discusses the names Nymphe and Naia.
  • CAVI Number: 2382
  • AVI Bibliography: Furtwängler (1883–7), pl. 55 (dr. shows inscriptions). — Furtwängler (1885), no. 2471. — C. Fränkel (1912), 70, 98/α. — ARV[2] (1963), 1247/1. — Para. (1971), 469. — Ebert (1980), 47 (F 2471 unter den Verlusten des 2. Weltkrieges (A. Greifenhagen)). — LIMC iii (1986), Choro II/1; Chrysis III/1. — Lezzi-Hafter (1988), 226-27, 342/234, pls. 143,d, 144,d. — Add.[2] (1989), 353. — Boardman (1989), fig. 229 (after Furtw., Sabouroff, pl. 55; shows location of inscriptions, small). — AttScr (1990), no. 793. — Kossatz-Deissmann (1991), 158 (Komos 11, bibl.). — Robertson (1992), 231 and n. 55. — Shapiro (1993), 256/112, 171, fig. 131 (detail). — Hedreen (1994), 53.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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