Last Recorded Collection: Brussels, Musées Royaux d'Art et d'Histoire: R322
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 402.17 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 187.9 Brouwers, J., Henchmen of Ares, Warriors and warfare in early Greece (Rotterdam, 2013): 110 (COLOUR OF I) Bulletin de Correspondance Hellenique: 110 (1986) 216, FIG.21 (A) Bulletin des Musées Royaux d'Art et d'Histoire, Bruxelles: 1908, 82 (I) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 231 Corpus Vasorum Antiquorum: BRUSSELS, MUSEES ROYAUX DU CINQUANTENAIRE 1, III.I.C.2, PL.(030) 3.1A.1B.1C.1D View Whole CVA Plates Knauer, E.R., A Red-Figure Kylix by the Foundry Painter, Observations on a Greek Realist, Indiana University Art Museum, Occ. Papers (1987): 9, FIG.14 (PART OF B)
Notes: Colour images copyright Royal Museums of Art and History, Brussels (CC BY-SA.4)
CAVI Collection: Brussels, Musées Royaux R 322.
CAVI Lemma: RF cup. From Orvieto. Foundry Painter. First quarter fifth.
CAVI Subject: Arming: Int.: young warrior between two bases; on the left, his helmet. A:
young hoplite; trumpeter; a third. B: three hoplites exercising.
CAVI Inscriptions: Nonsense: Int.: behind the warrior's back: four or more letters. To right of
his head: eleven letters. A: behind the first hoplite's back: υγ. Between the
heads of two on the right: nine letters. To right of (behind) the head of the
central figure: (ν)λ(λ)ο[--]{1}. B: at least three nonsense inscriptions.
CAVI Footnotes: {1} the nu is reversed.
CAVI Comments: Careless, almost imitation, letters.
CAVI Number: 2935
AVI Bibliography: F. Mayence, CVA Brussels 1, Belgium 1 (1926), III I c, pl. 3,1. — ARV[2]
(1963), 402/17. — Add.[2] (1989), 231.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
