Decoration: A: COURTING, MEN, ONE WITH DEER, YOUTH WITH WREATH B: FRONTAL CHARIOT, BIRD Shoulder A and B: ATHLETES WRESTLING BETWEEN YOUTHS WITH STAFFS
Last Recorded Collection: Munich, Antikensammlungen: 1468
Previous Collections:
Munich, Antikensammlungen: J1336
Publication Record: BEAZLEY NOTEBOOK: 124, 20.5 BEAZLEY NOTEBOOK: 80, 93.4 Barringer, J.M., The Hunt in ancient Greece (Baltimore and London, 2001): 75, FIG.34 (A, SA) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 315.3, 326.5 Beazley, J.D., Paralipomena (Oxford, 1971): 136 Bothmer, D. von, The Amasis Painter and his World (Malibu, 1985): 51, FIG.49 (BD, PART OF S) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 85 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 7, 48-49, BEILAGE D4, PLS.(1557-1558) 343.2, 344.1-3 View Whole CVA Plates Dozio, E. et al. (eds.), Gli atleti di Zeus, Lo sport nell'antichita (Milan, 2009): 110, NO.56 (COLOUR OF A, B AND SB) Frasca, R. (ed.), La multimedialita della comunicazione educativa in Grecia e a Roma, Scenario, Percorsi (Bari, 1996): 54, BOTTOM LEFT (A) Jackson, D. A., East Greek Influence on Attic Vases, Supplementary Paper 13 (London, 1976): 21, FIG.14 Lear, A. and Cantarella, E., Images of ancient Greek pederasty, Boys were their gods (London and New York, 2008): 30, FIG.0.4 (A, SA) Reinsberg, C., Ehe, Hetärentum und Knabenliebe im antiken Griechenland (Munich, 1989): 169, FIG.92 (BD) Sanchez, C., Kunst und Erotik in der Antike (Berlin, 2013): 117, FIG.47 (A) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.13.1 (BD) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 332, PL.24D (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 145, 154, FIGS.21.8, 24.5 (A, S) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 154, FIG.17.13, 257, FIG.25.19, 478, NO.56 (A, B, COLOUR OF SHA AND A)
CAVI Lemma: BF NECK AMPHORA. FROM VULCI. PAINTER OF CAMBRIDGE 47{1}. THIRD QUARTER SIXTH.
CA. 540 OR A BIT LATER (KUNZE-GöTTE).
CAVI Subject: SHOULDER: A: WRESTLERS BETWEEN YOUTHS. B: SIMILAR. BODY: A: A MAN AND A BOY
(EROTIC), BETWEEN TWO BEARDED MEN DANCING (THAT ON THE RIGHT CARRIES A FAWN AS A
PRESENT). B: A FRONTAL CHARIOT.
CAVI Inscriptions: BODY: A: NONSENSE: PARTLY IMITATION LETTERS: TO LEFT OF THE LEFT DANCER'S
LEG: (.)[.](.)τε(.), RETR. TO RIGHT OF HIS BODY: 6 LETTERS, PROBABLY INCLUDING A
TAU AND AN EPSILON, RETR. ABOVE THE LOVERS: 7 LETTERS. BETWEEN THEIR LEGS: 7
LETTERS. UNDER THE RIGHT DANCER'S RAISED LEG: 4 LETTERS, INCLUDING ONE DIGAMMA.
