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5969, ATHENIAN, Bremen, Zimmermann (Antikenmuseum im Schnoor), Helgoland, private, Kropatscheck, 32

  • Vase Number: 5969
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Date: -500 to -450
  • Inscriptions: Inscription: HO PAIS
    Inscription: KALOS
  • Attributed To: Manner of TARQUINIA P by BOTHMER
    ONESIMOS by HOFFMANN
  • Decoration: A: EROTIC, SATYR ATTACKING (?) NAKED MAENAD RECLINING ON ROCK, THYRSOS, CLOTH SUSPENDED
    B: SYMPOSIUM, SATYR WITH RHYTON AND NAKED MAENAD RECLINING ON CUSHIONS, OBJECTS SUSPENDED
    I: SHEPHERD, YOUTH IN FUR CAP WITH STICK, SHEEP
  • Last Recorded Collection: Bremen, Zimmermann (Antikenmuseum im Schnoor): 32
  • Previous Collections:
    • Helgoland, private, Kropatscheck
  • Publication Record: Antike Welt: 40.2 (2009) 81, FIG.4 (COLOUR OF I)
    Boulter, C. (ed.), Greek Art, Archaic into Classical (Leiden, 1985): PLS.26-27 (I, A, B)
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 169, FIG.6.6 (I)
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 204-205, FIGS.8.1-2 (A, B)
    Distler, S.A., Bauern und Banausen: Darstellungen des Handwerks und der Landwirtschaft in der griechischen Vasenmalerei (Wiesbaden, 2022): PL.30.1 (I)
    Ephemeris Archaiologike: 127 (1988) 108, FIG.1B (DRAWING OF I)
    Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 202, FIGS.70A-B (A, B)
    Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 211, FIGS.3A-B (COLOUR OF A AND B)
    Greek Vases in the J.Paul Getty Museum: 4 (1989), 89, FIG.2 (A, B)
    Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 411, FIG.273 (A AND B)
    Hildebrandt, F., Antike Bilderwelten: Was griechische Vasen erzahlen (Mainz, 2017): 54, 106, FIGS.50, 103 (COLOUR OF I, A AND B)
    Himmelmann-Wildschütz, N., Über das Hirten-Genre in der antiken Kunst (1980): PL.11 (I)
    Hoffmann, H., Sexual and Asexual Pursuit (1977): PL.8.5 (B)
    Hornbostel, W. et al., Aus Grabern und Heiligtumern: Die Antikensammlung Walter Kropatscheck (Mainz, 1980): 124, 125, NO.72 (I, A, B)
    Kunst der Antike, Schätze aus norddeutschem Privatbesitz, Hamburg, Museum für Kunst und Gewerbe (Mainz, 1977): 307, 308, NO.263 (I, A, B)
    Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 225, NO.42A-B (A, B)
    Moraw, S., Die Mänade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.11.30A-B (A, B)
    Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): PL.17 (COLOUR OF I)
    Opuscula Atheniensia: Acta Instituti Atheniensis Regni Sueciae: 20 (1994) 176, FIG.19 (I)
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 9 (I, Body, A, B)
    Philipp, M. et al., Dionysos, Rausch und Ekstase (Munich, 2013): 49, FIGS.1-2 (COLOUR OF A AND B)
    Schöne, A., Der Thiasos, Eine ikonographische Untersuchung über das Gefolge des Dionysos i.d. att. Vasenmalerei des 6.u.5. Jhs.v.Chr. (Goteborg,1987): PL.20 (A, B)
    Siftar, L., Das Phänomen der unvollständigen Gestalt in der griechischen Kunst: Unterschiedliche Facetten eines besonderen Darstellungsmittels (Heidelberg, 2018): 229, FIG.12.3 (I)
    Steinhart, M., Töpferkunst und Meisterzeichnung, Attische Wein- und Ölgefässe aus der Sammlung Zimmermann (Mainz, 1996): 99-101, NO.20, COLOUR PLS.11, 13 (A, B, I)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4010
  • AVI Record Number: 3814i
  • CAVI Collection: Germany, Private.
  • CAVI Lemma: RF cup. Onesimos (P). First quarter fifth. 490-480 (Hoffmann).
  • CAVI Subject: Int.: a shepherd driving his shorn sheep home. A: satyr approaching a sleeping naked maenad; clothes hung above; at left, her thyrsus. B: symposium: satyr and a naked hetaera; above, a nautilus cup hung up; at left, a small wineskin hung up.
  • CAVI Inscriptions: A, B, each: hο παις and καλος.
  • CAVI Comments: Done from the text as the photos. do not show the inscriptions. Given by H. in common Greek caps, without heta. E. Simon by letter suggests that the Int. gives the time of day when the activities on the outside take place; sheep were shorn in the spring, hence the reference might be to the Dionysiac festival.
  • CAVI Number: 3808
  • AVI Bibliography: Hoffmann (1977), 307/263 (all).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/0681ECEA-ACE5-4719-8A23-714A7C8ACEFE

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