Attributed To: TIMIADES P by BOTHMER TYRRHENIAN GROUP by HOLWERDA
Decoration: A,B2-3: ANIMAL FRIEZES, SIRENS, PANTHERS, RAMS, GOAT, YOUTH RUNNING A1: FIGHT, ILIOUPERSIS, ACHILLES AND HEKTOR FIGHTING OVER BODY OF TROILOS, HERMES IN NEBRIS, AINEIAS (ALL NAMED), ALTAR (NAMED), WARRIORS, ONE NAMED, BOEOTIAN SHIELD, DEVICE, BULL HEAD B1: SPHINXES BETWEEN SWANS Neck A: SPHINXES Neck B: PANTHER AND RAM
Last Recorded Collection: Munich, Antikensammlungen: 1426
Previous Collections:
Canino, Lucien Bonaparte, Prince of Canino
Munich, Antikensammlungen: J124
Publication Record: Acta Hyperborea, Danish Studies in Classical Archaeology: 9 (2002) 44, FIG.3 (PART OF A1) Aktseli, D., Altäre in der archaischen und klassischen Kunst, Untersuchungen zu Typologie und Ikonographie, Int. Archäologie 28 (Espelkamp, 1996): PL.8.3 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 95.5 Beazley, J.D., Paralipomena (Oxford, 1971): 36 Bol, P. (ed.), Zum Verhältnis von Raum und Zeit in der griechischen Kunst (2003): PL.56, FIG.114 (PART OF A1) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 64 (1989) 101, FIG.1A (DRAWING OF PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 25 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 7, 11,12,13, BEILAGE A1, PLS.(1525,1526,1527) 311.1-2, 312.1-2, 313.3 View Whole CVA Plates Dialogues d'Histoire Ancienne: 10 (1984) 220, FIG.14 (A) Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): III, PL.223 (COLOUR DRAWING OF A, DRAWINGS OF A AND B) Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.51 (A) Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.30 (A) Jufresa, M. et al. (eds.), Ouranos-Gaia, L'espai a Grecia III, anomenar l'espai (Tarragona, 2013): 106, FIG.3 (A1) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 500, FIG.32.27.1 (COLOUR OF PART OF A1) Knauss, F.S., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 46 TOP, 260, FIG.17.18 (COLOUR OF A AND A1) Knittlmayer, B., Die Attische Demokratie und ihre Helden, Darstellungen des trojanischen Sagenkreises im 6. und frühen 5. Jh.v.Chr. (Heidelberg, 1997): PL.22.1 (A1) Kuhnen, H-P. (ed.), Morituri, Menschenopfer, Todgeweihte, Strafgerichte (Trier, 2000): 59, FIG.6 (COLOUR OF A) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.799, SPHINX 81 (PART OF A) Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 117, FIG.66 (A) Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 96, FIG.44 (COLOUR OF A1) [IMAGE REVERSED] Pallas, Revue d'etudes antiques: 93 (2013) 95, FIG.9 (PART OF A1) Petit, T., Oedipe et le Cherubin, Les sphinx levantins, cypriotes et grecs comme gardiens d'Immortalite (Fribourg, 2011): FIG.117 (NA AND PART OF A) Schefold, K., Götter- und Heldensagen der Griechen in der Früh- und Hocharchaischen Kunst (Munich, 1993): 308, FIG.339 (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 76, FIG.9.8B, 84, FIG.10.5
CAVI Lemma: BF Tyrrhenian neck amphora. From Vulci. Timiades Painter (Bothmer). Second
quarter sixth. 560-550. Early period (Kluiver).
CAVI Subject: A: Achilles and Hector fighting over the body of Troilos. B: sphinxes between
swans.
CAVI Inscriptions: A: to right of the thigh: hερμες. To left of the leg: Αχιλ[λ]ευς, retr. Over
Troilos' body: Τροιλος, retr., the last letter beneath the sixth. Above the
shield: hεκτορ. Between his legs, to right of the mound: βομος. Between shield
and leg: Αινεας, retr. To left of a warrior's leg: Δειθυνος, retr.{1}. Jahn is
said in CVA 13 to have seen traces of an inscription for the figure at the
farthest right, which is no longer visible. [[Addenda:]] C] A: hερμες.
Αχιλ[λ]ευς, retr. Τρο̅ίλος, retr. hεκτορ, retr. βομος. Αινεας, retr. Δειθ̣υνος,
retr.{1}. [...].(2)
CAVI Footnotes: {1} Deiphobos, Kretschmer, assuming a non-Attic shape of beta. The dr. in
Thiersch shows Δειθυμος, but on p. 18 he correctly reads Δειθυνος, which is
clear in CVA. Thiersch' dr. is accurate except for the mu in the last extant
inscription. Kretschmer's Δειφ(ο)(β)ος (with non-Attic beta) is misprinted in K.
R. apud K. also reads Δειθ̣υνος, retr., but says the name is strange and may not
be what the painter intended. {2} not explained in K.; no doubt th inscription
seen by Jahn.
CAVI Comments: Note that the inscriptions all face, or are closely related to, the persons
they depict. Attic alphabet; three-stoke sigma reversed (correct only in retr.)
CAVI Number: 5154
AVI Bibliography: Colored photo (postcard). — Jahn (1854), 37. — Kretschmer (1894), 95. —
Thiersch (1899), 18, pl. 1 (A, main picture, dr.). — Bothmer (1944), A 1. — ABV
(1956), 95/5. — E. Kunze-Götte, CVA Munich 7, Germany 32 (1970), pls. 311-12,
313,3, p. 12 (facs.). — Para. (1971), 36. — Add.[2] (1989), 25. — AttScr (1990),
no. 173. — Kluiver (1995), 67/37 and 72/37 (inscriptions done by C.J. Ruijgh)
(not ill.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
