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205070, ATHENIAN, Rome, Mus. Naz. Etrusco di Villa Giulia, Vienna, Österreichisches Museum, Vienna, Kunsthistorisches Museum, 325

  • Vase Number: 205070
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP B
  • Provenance: ITALY, ETRURIA, CERVETERI
  • Date: -500 to -450
  • Inscriptions: CHAIRESTRATOS
    DOURIS
    Kalos/Kale: CHAIRESTRATOSKALOS
    Signature: DORISEGRAPHSEN
  • Attributed To: DOURIS by SIGNATURE
    PYTHON by SIGNATURE
  • Decoration: A,B: THE ARMS OF ACHILLES, DRAPED MAN BETWEEN WARRIORS (AJAX, ODYSSEUS), MEN , SOME DRAPED, AT BLOCK, VOTING, ATHENA BETWEEN DRAPED MEN
    I: DRAPED YOUTH (NEOPTOLEMOS) AND DRAPED MAN (ODYSSEUS) WITH ARMS OF ACHILLES, BOEOTIAN SHIELD, DEVICE, LION ATTACKING DEER, STARS
  • Last Recorded Collection: Vienna, Kunsthistorisches Museum: 3695
  • Previous Collections:
    • Rome, Mus. Naz. Etrusco di Villa Giulia
    • Vienna, Österreichisches Museum: 325
  • Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 113, FIG.66 (I)
    Aloni, A., and Ornaghi, M. (eds.), Tra panellenismo e tradizioni locali, Nuovi contributi (Messina, 2011): 78, FIG.6 (A)
    American Journal of Archaeology: 93 (1989) 82, FIG.1 (B)
    Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 33, NO.1.10, 66-67, FIGS.20-22 (I, A, B, COLOUR OF I, A, B)
    Antike Kunst: 23 (1980), 139, FIG.1, PL.35.3 (INCLUDING DRAWING)
    Apollo: 138 (JULY 1993) 7, FIG.6 (A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1569
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 429.26, 1653
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 201.20
    Beazley, J.D., Paralipomena (Oxford, 1971): 374
    Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): VI, PL.1
    Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PLS.26, 143.NO.42 (I, A, B)
    Bulletin of the Institute of Classical Studies: 38 (1991-1993) PL.3 (I)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 116
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 236
    Carter, J.B. and Morris, S.P. (eds.), The Ages of Homer: A Tribute to Emily Townsend Vermeule (Austin, 1995): 442-443, FIGS.27.8-10 (A, B, I)
    Christiansen, J. and Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 398, FIG.7 (I)
    Classical Antiquity: 8 (1989) PL.7 AT 115 (I)
    Corpus Vasorum Antiquorum: WIEN, KUNSTHISTORISCHES MUSEUM 1, 15-16, PLS.(11,12,13) 11.1-2, 12.1-2, 13.1-2 View Whole CVA Plates
    Ephemeris Archaiologike: 138 (1999) 21, FIGS.2-3 (A, B)
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.54 (A, B, I)
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIGS.62-64 (I, A, B)
    Greek Vases in the J.Paul Getty Museum: 4 (1989) 123, FIG.4 (I)
    Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIGS.25A-B (A, B)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 268
    JOIN/JOINS: WILLIAMS
    Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.21 (I)
    Laser, S., Sport und Spiel, Archeologia Homerica (Göttingen, 1987): 180, FIG.58B (DRAWING OF B)
    Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 391-392, NO.134 (COLOUR OF A, B AND I)
    Lexicon Iconographicum Mythologiae Classicae: VI, PL.451, NEOPTOLEMOS 15 (I)
    Lucken, G. von, Griechische Vasenbilder (Berlin, 1921): PLS.102-3
    Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 8, PL.41
    Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 143, FIG.62 (PART)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIGS.463, 459-460
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 90, FIGS.80-81 (A, B)
    Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 259-260, 268, FIGS 235-236, 240 (I, A, B)
    Seidensticker, B. and Vöhler, M. (eds.), Gewalt und Ästhetik, Zur Gewalt und ihrer Darstellung in der griechischen Klassik (Berlin, New York, 2006): 238, FIG.6 (DRAWING OF A AND B)
    The Athenian Agora, Results of Excavations conducted by the American School of Classical Studies at Athens: 28, PL.23 (A)
    The Athenian Agora, Results of Excavations conducted by the American School of Classical Studies at Athens: XXVIII, PL.23 (A)
    The Birth of Democracy, An Exhibition celebrating the 2500th Anniversary of Democracy at the National Archives, Washington, D.C. (Athens, 1993): 94, FIG.13.4 (COLOUR OF B)
    Walter-Karydi, E. (ed.), Myths, Texts, Images, Homeric epics and ancient Greek art, Proceedings of the 11th International Symposium on the Odyssey, Ithaca, September 15-19, 2009 (Ithaca, 2010): 195, FIG.3, PL.4A (I, COLOUR OF I)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=8243
  • AVI Record Number: 7951
  • LIMC ID: 13629
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7464c301beae0-3
  • CAVI Collection: Vienna, Kunsthistorisches Museum 3695.+
  • CAVI Lemma: RF cup. From Cerveteri. Douris. Python, potter. First quarter fifth. 500-490. Ca. 490 (Eichler).
  • CAVI Subject: The Armor of Achilles: Int.: Neoptolemus and Odysseus. A: Ajax and Achilles quarreling. B: the vote, with Athena in the center.
  • CAVI Inscriptions: Int.: along the left half of margin: Δορις εγρ(α)φ(σ)εν{1}. A: below the top margin: κο (for hο) παις καλος. B: below the top margin: Χαιρεστεατος (for Χαιρεστρατος) καλος{2}. On the reserved foot profile: Πυθον{3}.
  • CAVI Footnotes: {1} alpha without cross bar; the sigma nearly a line. {2} Reichhold leaves the space for τος vacant; Masner dots ο̣ς̣; Beazley gives all letters. {3} B.-O. gives all inscriptions complete and without any errors. {4} the text in Buitron gives a dotted delta.
  • CAVI Comments: Ex Oest. Mus. 325. + fr. in Villa Giulia (added to B by D. Williams). Unusually sloppy writing for Douris, but the writing on his early vases tends to be sloppy; it becomes neat in the middle period (see AttScr). On the subject of the awarding of the arms of Achilles, see B.-O. 13-14. Attic alphabet with four-stroke sigma. Delta normal{4}. Rho with and without tail. The letter forms taken from FR.
  • CAVI Number: 7951
  • AVI Bibliography: Masner (1892), 44-45 (not ill.). — FR (1904–32), i, 272-75, pl. 54 (dr.; photo of Int.). — Dinsmoor (1946), 106 and 116 (mentions; much bibl.). — F. Eichler, CVA Vienna 1, Austria 1 (1951), pls. 11-12 and 13,1-2 (bibl.). — ARV[2] (1963), 429/26 (much bibl.), 425, 1653. — Para. (1971), 374. — Add.[2] (1989), 236 (much bibl.). — Robertson (1992), 87ff., figs. 80-81 (A, B). — Buitron-Oliver (1995), 13-14, 75/42, pls. 26 and 143. — Buitron-Oliver (1995a), 440ff., figs. 27.8-10.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI: https://pleiades.stoa.org/places/422859
  • Coordinates: 41.992798,12.092428
  • Pleiades Coordinates: 42.0047755,12.10281885
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Link to this record using the address https://www.beazley.ox.ac.uk/record/92F160A5-9B31-4113-8401-9BB69829B11F

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