Attributed To: EUKLEO CLASS by BLOESCH LEAGROS GROUP by BEAZLEY
Decoration: A: HERAKLES AND IOLAOS IN CHARIOT, ATHENA, HERMES, DEVICE, IVY WREATH (ALL NAMED) B: KOMOS, MEN, ONE PLAYING LYRE, ONE WITH KITHARA, ONE DANCING WITH KROTALA, ONE PLAYING PIPES (ALL NAMED)
Last Recorded Collection: Munich, Antikensammlungen: J379
Previous Collections:
Munich, Antikensammlungen: 1416
Publication Record: BEAZLEY NOTEBOOK: 76, 108.3 BEAZLEY NOTEBOOK: 80, 73.3 Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 367.90, 391 Beazley, J.D., Paralipomena (Oxford, 1971): 162 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 98 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 1, 33-34, PLS.(144-145,146) 50.1, 51.1-2, 52.1.7 View Whole CVA Plates Jurriaans-Helle, G., Composition in Athenian Black-Figure Vase-Painting, The Chariot in Profile Type Scene. Babesch Supplementa 41 (Leuven, Paris, and Bristol, 2021): 160, 280, FIG.65 (A) Lexicon Iconographicum Mythologiae Classicae: V, PL.459, IOLAOS 9 (A) Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 156, FIG.2 (B) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 319, PL.15C (B) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 245, FIG.39.10, 294, FIG.48.2 (B) Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 295, FIG.52.2, 415, CAT.162 (A, B, COLOUR OF A) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 236, FIG.24.21 (COLOUR OF B) Yatromanolakis, D. (ed.), An Archaeology of Representations, Ancient Greek Vase-Painting and contemporary Methodologies (Athens, 2009): 288, FIG.2 (B)
CAVI Lemma: BF AMPHORA. FROM VULCI. LEAGROS GROUP. LAST QUARTER SIXTH. 510-500.
CAVI Subject: A: HERACLES AND IOLAOS IN A CHARIOT, WITH ATHENA. B: FIVE BEARDED KOMASTS
MAKING MUSIC.
CAVI Inscriptions: A: IN FRONT OF THE HEROES' FACES: Ιολεος. IN FRONT OF THEIR LOWER BODIES:
Hερακλες. UNDER THE HORSES' BELLIES: Αθεναια. TO LEFT OF THE HORSES' NECKS, NEAR
ATHENA: Hερ[μ]ες(1)(?). TO LEFT OF HERMES' FACE: κ(α)λος. B: ABOVE THE LEFTMOST
KOMAST'S HEAD: Μιλιχος, FOR Μειλιχος{2}. BY THE SECOND: Τελοκλες. NEAR THE THIRD
KOMAST'S FACE: Μοσαον{3}. BEHIND THE BACK OF THE FOURTH: Διοδορος. TO LOWER
RIGHT OF THE FIFTH: Χρεμες. UNDER THE FOOT, GR.: SEE CVA. JOHNSTON (1979),
90/2B,40 READS IT QUITE DIFFERENTLY: ΑV [[LIG.]] (ΑN OR ΑΥ) PLUS REVERSED ATTIC
LAMBDA.
CAVI Footnotes: {1} SO CVA IN THE INDEX; BUT THE DR. AND PHOTO SHOW: (.)ιο[.](ε)ς. THE
INSCRIPTION IS MUCH DISTURBED BY BREAKS. THE FIRST LETTER RESEMBLES A SMEARED
REVERSED SIGMA, THE FIFTH, A FOUR-STROKE SIGMA, THE LAST A REVERSED SIGMA. {2}
LGPN II, S.V. Μειλιχος. {3} PERHAPS FOR Μουσαιος, WITH THE LAST LETTER A SIGMA
PLACED SIDEWAYS, ALTHOUGH IT LOOKS LIKE A CLEAR NU.
CAVI Comments: A AND B ARE CLEARLY WRITTEN BY DIFFERENT HANDS: SEE ATTSCR (1990), 75 AND
171.
CAVI Number: 5152
AVI Bibliography: CIG 4 (1855–77), NO. 7634. — KRETSCHMER (1894), 101, NN. 4 AND 8. — R.
LULLIES, CVA MUNICH 1, GERMANY 3 (1939), PLS. 50-51, P. 34 (FACS. OF
ISCRIPTIONS). — ABV (1956), 367/90, 391. — PARA. (1971), 162. — ADD.[2] (1989),
98. — ATTSCR (1990), NO. 441. — VIERNEISEL–KAESER (1990), FIG. 39.10 (B).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
