216789, ATHENIAN, Chiusi, Museo Archeologico Nazionale, Chiusi, Museo Archeologico Nazionale, Chiusi, Museo Archeologico Nazionale, 63.564
- Vase Number: 216789
- Fabric: ATHENIAN
- Technique: RED-FIGURE
- Shape Name: SKYPHOS
- Provenance: ITALY, CHIUSI
- Date: -450 to -400
- Inscriptions: Named: OLYSSEUS, ANTIPHATA, EUMAIOS
Named: TELEMACHOS, PENELOPE - Attributed To: PENELOPE P by HAUSER
- Decoration: A: PENELOPE (NAMED) SEATED ON STOOL, TELEMACHOS WITH SPEARS, LOOM WITH CLOTH WITH PEGASOI, MEDUSA (?) AND GRIFFIN
B: ODYSSEUS IN PILOS WITH STAFF AND VESSEL AND OLD WOMAN (EURYKLEIA, NAMED) KNEELING AT BASIN, DRAPED MAN - Current Collection: Chiusi, Museo Archeologico Nazionale: 1831
- Previous Collections:
- Chiusi, Museo Archeologico Nazionale: 63.564
- Chiusi, Museo Archeologico Nazionale: 62705
- Publication Record: Albersmeier, S. (ed.), Heroes, Mortals and Myths in ancient Greece (Baltimore, 2009): 64, FIG.30 (DRAWING OF B)
Andreae, B. et al., Ulisse, il mito e la memoria (Rome, 1996): 387, 440, FIG. 6.13 (COLOUR OF A AND B, DRAWING OF A)
Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 108, FIG.1 (A)
Antike Kunst: 58 (2015) 62, FIG.2 (DRAWING OF A) (WRONG ATTRIBUTION)
Archeo, Attualita di Passato: 158 (APRIL 1998) 84 (COLOUR OF A)
Archeo, Attualita di Passato: 97 (MARCH 1993) 48-9 (COLOUR OF B)
Archivo Espanol de Arqueologia: 56 (1983), 64, FIG.10 (PART OF A)
Arethusa: 18 (1985) 115, FIG.1 (DRAWING OF A)
Arrigoni, G., Atalanta e le altre. Series Antiqua (Bergamo, 2019): 214, 217, FIGS.1-2 (A, B)
Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact: Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 377-378, FIGS.2-3 (A, B)
Batino, S., Lo skyphos attico dall'iconografia alla funzione (Naples, 2002): 472, FIGS.51.1-2 (A, B)
Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1300.2 , 1689
Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 366.1
Beazley, J.D., Paralipomena (Oxford, 1971): 475
Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): D, PL.12.2
Bisconti, F. (ed.), L'ipogeo degli Aureli in viale Manzoni, Restauri, tutela, valorizzazione e aggiornamenti interpretativi (Vatican City, 2011): 176, FIG.3 (COLOUR OF A)
Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.247 (DRAWINGS OF A & B)
Boardman, J., Greek Art, 4th edition (London, 1996): 205, FIG.203 (DRAWING OF A)
Brule, P., Women of Ancient Greece (Edinburgh, 2003): 65 (A)
Burke, B., From Minos to Midas, Ancient Cloth Production in the Aegean and in Anatolia (Oxford, 2010): 4, FIG.3 (A, DRAWING OF A)
Buxton, R., La grece de l'imaginaire, les contextes de la mythologie (Paris, 1996): PL.12 (DRAWING OF A)
Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.347 (A,B)
Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 360
Cavalier, O. (ed.), Silence et Fureur, La femme et le marriage en Grece, Les antiquites grecques du Musee Calvet (Avignon, ca.1997): 281, FIG.104 (DRAWING OF A)
Cid Lopez, R.M. (ed.), Madres y maternidades, Construcciones culturales in la civilizacion clasica (Oviedo, 2009): 66, FIG.2 (DRAWING OF A)
Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 157, FIG.7 (A)
Colpo, I. and Ghedini, F. (eds.), Il gran poema delle passioni e delle meraviglie, Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Atti del convegno (Padova, 15-17 settembre 2011) (Padova, 2012): 196, FIG.1 (DRAWING OF A)
Corpus Vasorum Antiquorum: CHIUSI, MUSEO ARCHEOLOGICO NAZIONALE 2, 16-17, PLS.(2676,2677,2678) 34.4, 35.1-2, 36.1-4 View Whole CVA Plates
Della Fina, G.M. (ed.), La fortuna degli etruschi nella construzione dell'Italia unita, Atti del XVIII Convegno Internazionale di Studi sulla Storia e l'Archeologia dell'Etruria (Rome, 2011): 358, FIGS.26-27 (A, B)
Distler, S.A., Bauern und Banausen: Darstellungen des Handwerks und der Landwirtschaft in der griechischen Vasenmalerei (Wiesbaden, 2022): PL.33.4-5 (A)
Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): III, 124, FIG.57, PL.142 (A, B)
Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 7, 13 (A)
Giner, C.A., Tejido y cesteria en la Peninsula Iberica, Historia de su tecnia e industrias desde la prehistoria hasta la romanizacion (Madrid, 1984): 98, FIG.69 (DRAWING OF A)
Gymnasium: 100 (1993) 395, FIG.1 (DRAWING OF A)
Hesperia: The Journal of the American School of Classical Studies at Athens: 77 (2008) 295, FIG.5 (A)
Jahrbuch des Deutschen Archäologischen Instituts: 105 (1990), 36, FIG.4 (DRAWING OF A)
Kader, I. (ed.), Penelope rekonstruiert, Geschichte und Deutung einer Frauenfigur, Sonderausstellung des Museums für Abgüsse Klassischer Bildwerke München 9. Oktober bis 15. Januar 2007 (Munich, 2007): 28, FIG.2.1, 46, FIGS.2.1, 2.22, 98, FIG.4.1 (COLOUR OF A AND B, DRAWING OF A)
Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 411, FIG.72 (A)
Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 847, NO.350 (PART OF B)
Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 55, FIG.37 (B)
Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Österreich, Band 2 (Vienna, 2015): 272, FIG.1 (DRAWING OF B)
Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 144, FIG.2, 433, NO.192 (COLOUR OF A AND B)
Lexicon Iconographicum Mythologiae Classicae: VII, PL.227, PENELOPE 16 (A, PART OF A); PL.589, TELEMACHOS 1 (PART OF A)
Lipkin, S., Textile-Making in Central Tyrrhenian Italy from the Final Bronze Age to the Republican Period (Oxford, 2012): 69, FIG.29 (DRAWING OF A)
Losfeld, G., Essai sur le costume Grec (Paris, n.d.): PL.1, NO.1 (DRAWING OF A)
Matheson, S.B. and Pollitt, J.J., Old Age in Greek and Roman Art (Yale, 2022): 247, APP.182 (COLOUR OF PART OF B)
Meyer, M. and von den Hoff, R. (eds.), Helden wie sie. Übermensch, Vorbild, Kultfigur in der griechischen Antike (Vienna, 2010): 109, FIG.1 (A)
Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): IX, PL.42
Morford, M. et al., Classical Mythology, International Ninth Edition (Oxford, 2011): 536 (B)
Münchner Jahrbuch der Bildenden Kunst: 65 (2014) 14, FIG.10 (DRAWING OF A)
Olmos, R. (ed.), Coloquio sobre el Puteal de la Moncloa, Estudios de Iconografia II (Madrid, 1986): 173, FIG.58 (DRAWING OF A)
Opuscula Atheniensia: Acta Instituti Atheniensis Regni Sueciae: 20 (1994) 167, FIG.7 (B)
Ostraka: 7 (1998) 59, FIG.4 (DRAWING OF A)
Pfisterer-Haas, S., Darstellungen alter Frauen in der griechischen Kunst (Frankfurt, 1989): 168, FIG.9 (A)
Powell, B. Homer's Iliad and Odyssey. The Essential Books (Oxford, 2015): 430, 481, FIGS.19.2, 24.2 (PART OF B, A)
Rastrelli, A., Museo Archeologico di Chiusi (Rome, 1991): PL.11 (COLOUR OF A)
Rivista di Archeologia: 19 (1995) GHEDINI FIG.9 (PART OF A)
Salcedo, F., Africa, Iconografia de una Provincia Romana (Rome/Madrid, 1996): PL.8D (PART OF A)
Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 319, FIG.278; 320, FIG.279 (A,B)
Schmidt, S. and Stähli, A. (eds.), Vasenbilder im Kulturtransfer, Zirkulation und Rezeption griechischer Keramik im Mittelmeerraum, Beiheft zum Corpus Vasorum Antiquorum Deutschland V (Munich, 2012): 73, FIGS.10-11 (A, B)
Schulze, H., Ammen und Pädagogen, Sklavinnen und Sklaven in der antiken Kunst und Gesellschaft (Mainz, 1998): PL.55.1-2 (A, B)
Specht, E., Schön zu sein und gut zu sein, Mädchenbildung und Frauensozialisation im antiken Griechenland, Frauenforschung 9 (Vienna, 1989): 39, FIG.4 (DRAWING OF A)
Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 118, FIG.5.19 (COLOUR OF A)
Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 221, FIG.9.9 (COLOUR OF B)
Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 183, FIG.165 (COLOUR OF A)
Whittaker, H. (ed.), In Memoriam, Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World (Newcastle, 2011): 12, FIG.1.3 (DRAWING OF A)
Wünsche, R., Der Torso, Ruhm und Rätsel (Munich, 1998): 105, FIGS.158-159 (DRAWINGS OF A AND B)
Zachari, V. et al. (eds.), La cite des regards: Autour de Francois Lissarrague (Rennes, 2019): 233, FIG.3 (A) - AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3337
- AVI Record Number: 3166
- LIMC ID: 8542
- LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-741c9f10031d2-0
- CAVI Collection: Chiusi, Museo Arch. Nazionale 1831.
- CAVI Lemma: RF skyphos. From Chiusi. Penelope Painter. Third quarter fifth. Ca. 440 (FR).
- CAVI Subject: A: Foot-washing of Odysseus. B: Penelope at her loom, with Telemachus.
- CAVI Inscriptions: Inscriptions in white, above heads. A: Ολισσευς{1}. The servant: Αντιφατ[τ]α,
retr. [Ε]υμα[ι]ος. B: [Τ]ε[λ]εμ[α]χος. Πενελοπε{2}.
- CAVI Footnotes: {1} so Reichhold's dr. and Buschor's text in FR. {2} B: Telemachos is above
his head, at the rim, the end written between interstices of the loom:
[Τ]ε[λ]ε^μ^[α]χ^ο^ς. Penelope is written, roughly horizontally, under her feet
and below the bottom maeander: Π vv.ε v.νελοπε. Irregular spacing (2 vacats
after the first letter, one after the first epsilon).
- CAVI Comments: The inscriptions after FR. Given by CVA in Latin characters; a poor
publication. Mixed alphabet with Ionic lambda and four-stroke sigma.
- CAVI Number: 3166
- AVI Bibliography: Kretschmer (1894), 147.14. — FR (1904–32), iii, 124-31, pl. 142 (dr.), 124,
fig. 57 (photo). — ARV[2] (1963), 1300/2, 1689. — Para. (1971), 475. — A.
Rastrelli, CVA Chiusi 2, Italy 60 (1982), pls. 35,1-2 and 36,1-2 (much bibl.). —
Add.[2] (1989), 360 (much bibl.). — Boardman (1989), fig. 247 (A). — AttScr
(1990), no. 1138. — Barber (1992), 104, fig. 63 (B, dr., after FR).
- CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
- Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
- Pleiades URI: https://pleiades.stoa.org/places/413096
- Coordinates: 43.016948,11.948318
- Pleiades Coordinates: 43.016367,11.9487025
Link to this record using the address https://www.beazley.ox.ac.uk/record/F322BAD4-652B-4E56-AFE7-E51A636F2E81