8508, ATHENIAN, Christchurch (N.Z.), University of Canterbury, J. Logie Memorial Collection, Melbourne, private, G. Geddes, London, market, Sotheby's, 177.94
Decoration: A: MAN SEATED PLAYING LYRE, DRAPED YOUTHS, ONE SINGING, ONE LEANING ON STAFF, SHELF OR TABLET (?) SUSPENDED B: DRAPED YOUTHS
Last Recorded Collection: Christchurch (N.Z.), University of Canterbury, J. Logie Memorial Collection: 177.94
Previous Collections:
London, market, Sotheby's
Melbourne, private, G. Geddes
Publication Record: Antike Kunst: 56 (2013) PL.11.1-2 (COLOUR OF A) Badenas de la Pena, P. et al. (eds.), Homenaje a Ricardo Olmos, Per speculum in aenigmate. Miradas sobre la Antiguedad (Madrid, 2015): 123, FIG.2 (A) Cohen, B. and Shapiro, H.A., Mother City and Colony, Classical Athenian and South Italian Vases in New Zealand and Australia (Christchurch, 1995): 16-17, NO.9 (A, B) Green, J.R., A Catalogue of the James Logie Memorial Collection of Classical Antiquities at the University of Canterbury, Christchurch (Canterbury, 2009): 108-111, NO.37 (COLOUR OF A, B AND PARTS OF A) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 Sotheby, sale catalogue: 12-13.12.1983, 130, NO.411 (A)
CAVI Collection: Christchurch, N.Z., University of Canterbury 177/94.
CAVI Lemma: RF bell krater. Kadmos Painter. Last quarter fifth. 410-400 (Davies).
CAVI Subject: A: music lesson: in the center, a bearded man with a lyre, seated (music
master); at left, a youth leaning on his stick; at right, a draped youth,
singing; above the scene, in the center, a narrow reserved object,
unidentified(1), hung up at three points which divide it into four sections. The
three figures are wreathed. B: three draped youths.
CAVI Inscriptions: A: on the `object', in BG, widely spaced: κ^α^λο^ς.
CAVI Footnotes: {1} Davies suggests a furled canopy.
