Attributed To:Circle of BRYGOS P by LULLIES BRYGOS P by BEAZLEY BRYGOS P by FURTWÄNGLER DOKIMASIA P by ROBERTSON
Decoration: A: DRAPED MAN AND WOMAN, BOTH PLAYING LYRES (SAPPHO AND ALKAIOS, NAMED) B: DIONYSOS WITH KANTHAROS AND SPRIGS WITH GRAPEVINE, WOMAN (MAENAD ?) WITH OINOCHOE AND SPRIG
Last Recorded Collection: Munich, Antikensammlungen: 2416
Previous Collections:
Private, Panitteri
Munich, Antikensammlungen: J753
Publication Record: Annali del Seminario di Studi del Mondo Classico: 5 (1983) FIG.5.1 (DRAWING OF A) Antike Kunst: 4 (1961) 27.3 Antike Welt: 8 (1977) SONDERNUMMER 79, FIG.92 (A) BEAZLEY NOTEBOOK: 77, 7.1 BEAZLEY NOTEBOOK: 78, 14 BEAZLEY NOTEBOOK: 80, 75.4 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1573 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 385.228, 1649 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 260.27 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 184.1 Beazley, J.D., Paralipomena (Oxford, 1971): 367 Beck, F., Album of Greek Education (Sydney, 1975): PL.83.401 (A) Berti, F. and Restani, D. (eds.), Lo specchio della musica, iconografia nella ceramica attica di Spina (Bologna, 1988): 38, FIG.9 (A) Bieber, M., The History of the Greek and Roman Theater (Princeton, 1939): FIG.3 (A) Bieber, M., The History of the Greek and Roman Theater, 2nd ed. (Princeton, 1961): 4, FIGS.6-7 (A) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.261 (A) Braccesi, L. et al., Veder Greco, le necropoli di Agrigento, mostra internazionale, Agrigento, 2. maggio - 31. luglio 1988 (Rome, 1988): 120-121, NO.17 (A, B, PARTS) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 113 Cambiano, G. et al., Lo spazio letterario della Grecia Antica (Salerno, 1992): FIG.6 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 228 Chris, W., Geschichte der griechischen Literatur (Munich, 1920-24): IV, FIG.6 Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN EHEMALS MUSEUM ANTIKER KLEINKUNST 21, 138-145, FIGS.47A, 47B, 47C, 47D, 47E, 47F, 47G, 47H, 47I, BEILAGE 30.2, 31.3, PLS.(5530-5532) 82.1-4, 83.1-4, 84.1-6 View Whole CVA Plates Dubois-Maisonneuve, A., Introduction a l'etude des vases antiques ... (Paris, 1817): PL.81 Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 7, FIG.17 (A) Froning, H., Hölscher, T., and Mielsch, H. (eds.), Kotinos, Festschrift für Erika Simon (Mainz, 1992): PL.34.5 (A) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): II, 22, FIGS.9-10, PL.64 (INCLUDING PROFILE) Günther, L-M. (ed.), Tryphe und Kultritual im archaischen Kleinasien - ex oriente luxuria? (Wiesbaden, 2012): 37, FIG.1 (A) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 56, FIG.29 (PART OF B) Keay, S. and Moser, S. (eds.), Greek Art in View, Studies in honour of Brian Sparkes (Oxford, 2004): 9, FIG.1.12 (A) Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 177, FIG.12.16 (COLOUR OF B) Knauss, F.S., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 200-201 (COLOUR OF A AND B) Koloski-Ostrow, A.O., and Lyons, C.L., Naked Truths, Women, Sexuality and Gender in Classical Art and Archaeology (London, 1997): 111, FIG.14 (A) Lau, T., Brunn, H., and Krell, P., Die griechischen Vasen (Leipzig, 1877): PL.30.1 Leoussi, L., 2000 B.C.E. to 2000 C.E. The History of Greek Music (River Vale, NJ, 2013): 18 (COLOUR OF A) Lyons, C.L. et al. (eds.), Sicily, Art and invention between Greece and Rome (Los Angeles CA, 2013): 99, FIG.54 (COLOUR OF A) Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 136, FIG.15 (A) Millingen, J., Ancient Unedited Monuments, Painted Greek Vases (London, 1822): I, PL.33-4 Münchner Jahrbuch der Bildenden Kunst: 41 (1990) 13, FIGS.4A-B (DRAWINGS OF A, PARTS OF A AND B) Nagy, G., Homer the Preclassic (Berkeley and Los Angeles, 2010): 252, FIG.3A-B (DRAWING OF A AND B) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 350, FIG.14 (PART OF A) Ohly, D., Geleitwort fur den Besucher (Munich, 1968): PL.37 (A) Ohly-Dumm, M., Attische Vasenbilder der Antikensammlungen München, I (Munich, 1975): 51, PL.22 (DRAWING OF A) Padgett, J.M. (ed.), The Berlin Painter and His World, Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 167, FIG.14 (COLOUR OF A) Panofka, T., Bilder antiken Lebens (Berlin, 1843): PL.4.7 Panofka, T., Die griechischen Eigennamen mit Kalos im Zusammenhang mit dem Bilderschmuck auf bemalten Gefässen (Berlin, 1850): PL.1.11 Paquette, D., L'Instrument de musique dans la ceramique de la grece antique (Paris, 1984): 177, B1 (PART OF A) Pavese, C.O., L'Auriga di Mozia (Rome, 1996): PL.3 (A) Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, PL.15 (A) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.772 Revue Archeologique: 1977, 31, FIG.4 (A) Richter, G. & Milne, M., Shapes and Names of Athenian Vases (New York, 1935): FIG.90 (A) Rivista di Archeologia: 20 (1996) FIG.4 (A) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 100, FIG.95 (A) Schaal, H., Griechische Vasen II, Rotfigurig (Bielefeld, 1928): FIGS.28-29 Schmidt, S. and Stähli, A. (eds.), Vasenbilder im Kulturtransfer, Zirkulation und Rezeption griechischer Keramik im Mittelmeerraum, Beiheft zum Corpus Vasorum Antiquorum Deutschland V (Munich, 2012): 90, FIGS.9-10 (A, B) Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.150 (A) Specht, E., Schön zu sein und gut zu sein, Mädchenbildung und Frauensozialisation im antiken Griechenland, Frauenforschung 9 (Vienna, 1989): 18, FIG.1 (PART OF A) Taplin, O. (ed.), Literature in the Greek and Roman Worlds, A New Perspective (Oxford, 2000): 76, FIG.8 (A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 153, FIG.129 (COLOUR OF A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 244, 269, 438, FIGS.39.9, 42.9, 79.6 (A, B) Wegner, M., Brygosmaler (Berlin, 1973): PLS.28C, 37D (PARTS OF A) Welcker, F., Alte Denkmäler (Gottingen, 1849-64): II, PL.12.21-22 West, M.L., Ancient Greek Music (Oxford, 1992): PL.19 (A) Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 24, FIG.2.8 (COLOUR OF A) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 239, FIG.24.27 (COLOUR OF A) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 33, FIG.20 (A) Yatromanolakis, D., Sappho in the Making, The Early Reception (Cambridge and London, 2007): 74-75, FIGS.3A-B (A, B) Zanker, P., Die Maske des Sokrates, Das Bild des Intellektuellen in der antiken Kunst (Munich, 1995): 33, FIG.14 (A)
CAVI Lemma: RF kalathos{1}. From Agrigento. Brygos Painter. 480-470. Very late (see
ARV[2]).
CAVI Subject: A: Sappho and Alcaeus. B: Dionysus and a maenad.
CAVI Inscriptions: A: above and to right of Alcaeus' head: Αλκαιος. From his open mouth: οοο
οο{2}. Between the lower parts of the figures: Δαμα[ς] κα(λ)ος. To right of
(behind) Sappho's head: Σαφο, i.e., Σαφ[φ]ο. B: to right of Dionysus' mouth:
καλος{3}. To left of the maenad's mouth: καλος, retr.{3}.
CAVI Footnotes: {1} "kalathoid vase with spout," ARV[2]. {2} five small circles in two
groups: they represent the sounds of singing, not letters. {3} in position as if
spoken, although they are not.
CAVI Comments: Furtwängler attributed the vase to the Brygos Painter and Beazley finally
agreed; it would be very late; Robertson 118 wonders whether the Dokimasia
Painter is possible. On the ancient sources for the legends see FR ii.
CAVI Number: 5283
AVI Bibliography: FR (1904–32), ii, 20-23, cf. 335, pl. 64 (dr.). — [[Lullies–Hirmer (1953),
pls. 94–6 (pl. 94 Αλκαιος quite cl., οοο οο quite cl., pl. 95 Σαφο uncl., rest
invis.)]]. — ARV[2] (1963), 385/228, 1649. — Para. (1971), 367. — Ohly-Dumm
(1975), pl. 22 (A) (from FR ii). — Add.[2] (1989), 228. — AttScr (1990), no.
550. — Lissarrague (1990a), 125-26, fig. 95 (sketch of A, with inscriptions). —
Robertson (1992), 100, fig. 95 (A) and 118.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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