Decoration: A: PELOPS AND HIPPODAMEIA, IN CHARIOT, TREES, BIRD, DOLPHIN B: WOMEN FLEEING (?) TO DRAPED MAN WITH STAFF
Last Recorded Collection: Arezzo, Museo Archeologico Nazionale Gaio Cilnio Mecenate: 1460
Publication Record: Archäologischer Anzeiger: 1977, 218, FIG.30 (DRAWING OF B) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1157.25 , 1685 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 464.57 Beazley, J.D., Paralipomena (Oxford, 1971): 458 Brinkmann, V. and Wünsche, R. (eds.), Bunte Götter, Die Farbigkeit Antiker Skulptur (Munich, 2004): 125, FIG.210 (PART OF A) Bulletin de Correspondance Hellenique: 138.1 (2014) 436, FIG.9 (A) Buschor, E., Griechische Vasenmalerei (Munich, 1914): 208 Buxton, R., La grece de l'imaginaire, les contextes de la mythologie (Paris, 1996): PL.16 (DRAWING OF PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 337 Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 278, FIG.226 (A) Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 103, FIG.21 (A) Eirene, Studia Graeca et Latina: 41 (2005) 229, FIG.1 (DRAWING OF PART OF A) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): II, 35, FIG.16, PL.67 (A, DRAWING OF NB) Hahland, W., Vasen um Meidias (Berlin, 1930): PL.8A (PART OF A) Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 127-29, NO.23 (COLOUR OF A AND PART OF A) Kampen, N.B. (ed.), Sexuality in Ancient Art, Near East, Egypt, Greece, and Italy (Cambridge, 1996): 129, FIG.54 (DRAWING OF PART) Lexicon Iconographicum Mythologiae Classicae: V, PL.312, HIPPODAMEIA I23 (PART OF A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): VIII, PL.3 Nicole, G., Meidias et le style fleuri (Geneva, 1908): 117 (A) Nikephoros: 4 (1991) 65, FIG.2 (DRAWING OF A) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.583 Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 244, FIGS.248-249 (A) Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 25, FIG.9 (PART OF A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 194-195, FIGS.177-178 (COLOUR OF PARTS OF A) Tsaknis, N., Trophies of the Argonauts (Volos, 2004): 83 (COLOUR OF A) Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 20, 41, FIGS.11, 36-37 (COLOUR OF PART OF A, DRAWING OF A) Vanhove, D. (ed.), El deporte en la Grecia antigua, la genesis del olimpismo, May 10 - August 9, 1992 (Barcelona, 1992): 248, NO.113 (A) Vanhove, D. (ed.), Le Sport dans la Grece Antique, Du Jeu a la Competition, 23 Janvier- 19 Avril 1992 (Gent, 1992): 248, NO.113 (COLOUR OF A) Zamarchi Grassi, P. and Bartoli, D., Museo archeologico nazionale G. Cilnio Mecenate, Arezzo (Rome, 1993): 37, FIG.17
CAVI Lemma: RF neck amphora. From Casalta (see ARV[2]). Manner of Dinos Painter. Late
fifth.
CAVI Subject: Body: A: Pelops and Hippodameia.
CAVI Inscriptions: Πελοψ. Ιπποδαμε[ι](α).
CAVI Comments: Inscriptions after FR, pl. 67 (Reichhold). Final alpha not written, according
to FR, text and pl. "A approximates to the Meidian style" (ARV[2]).
CAVI Number: 0164
AVI Bibliography: FR (1904–32), ii, 32-35, pl. 67. — ARV[2] (1963), 1157/25, 1685. — Para.
(1971), 458. — Simon–Hirmer (1981), pls. 224-25. — Add.[2] (1989), 337 (much
bibl.). — AttScr (1990), no. 1144. — LIMC v (1990), pl. 312, Hippodameia I/23. —
Robertson (1992), 244 and 319 n. 60, figs. 248-49 (A). — Matheson (1995), 233,
397/DM29 (not ill.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Link to this record using the address https://www.beazley.ox.ac.uk/record/A44C3B26-9D29-4C2D-93C7-EC9308D42AC5
