Decoration: A: HERAKLES AND THE LION B: KOMOS, YOUTHS, ONE PLAYING PIPES, SOME DANCING, SOME ON WINESKIN, ONE WITH SKYPHOS
Last Recorded Collection: Paris, Musée du Louvre: G110
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 14.3 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 16.3, 18 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 59.3 Beazley, J.D., Paralipomena (Oxford, 1971): 322 Bulletin du Musée Hongrois des Beaux-Arts, Budapest: 114-115 (2011) 31, FIG.9 (DRAWING OF B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 73 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 152 Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 58, FIG.11, 48-50, FIGS.1-3 (A, PART OF B) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): PLS.10-11 (COLOUR OF A AND B) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 71-76, NO.2 (COLOUR, PROFILE, DRAWING OF PART) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 107, FIG.1, 67, FIG.17 (DRAING OF B, PROFILE) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIGS.8.10A-B (COLOUR, DRAWING OF PART) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 45, FIG.13 (A) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 54, FIG.7 (PART OF B) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 7 (A, B, DRAWING) Panvini, R. and Giudice, F. (eds.), Ta Attika, Attic Figured Vases from Gela (Rome, 2003): 204, FIG.22 (COLOUR OF DETAIL) Pasquier, A., Euphronios, genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 8 TOP, 34 BOTTOM (COLOUR, DRAWING OF SIGNATURE) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.105 Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.26.1-2 (B, DRAWING OF B) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.113 Verbanck-Pierard, A. and Viviers, D., (eds.), Culture et Cite, L'avenement d'Athenes a l'epoque archaique, Actes du Colloque int. (Brussels, 1995): 167, FIG.2 (DRAWING OF PART OF B)
CAVI Lemma: FRS. OF RF CALYX KRATER. EUPHRONIOS. LAST QUARTER SIXTH. 510-500. 515-510
(`EUPHRONIOS').
CAVI Subject: A: HERACLES AND THE LION. B: KOMOS: ASKOLIASMOS.
CAVI Inscriptions: A: TO RIGHT OF A TREE TRUNK: Hερακ[λες]{1}. B: IN THE UPPER LEFT: [--]ες.
BETWEEN A YOUTH SEEN FROM THE BACK AND HIS NEIGHBOR: Ευφρον^[ιος]{2}. BELOW
(ALONG THE BACK OF THE NEIGHBOR): εγρ[α]φσεν τ̣α̣δε VAC.{3}. ABOVE THE BEGINNING
OF EGRAPHSEN: [Ελπι]νικος(?){4}. BETWEEN THE `NEIGHBOR' AND THE NEXT YOUTH,
FACING THE FORMER: Ευ[τραπ?]ελος{4}.
CAVI Footnotes: {1} SEE ILL., P. 62. {2} THE `NEIGHBOR''S BODY INTERVENES. {3} TADE IS ON A
NEWLY INSERTED FR. {4} SO VILLARD.
CAVI Comments: + MANY LOUVRE FRS. ADDED BY VILLARD. THE NAMES MAY BE TELLING. `EUPHR.' MAKES
A COMPARISON OF THE EXTENDED SIGNATURE WITH EUTHYMIDES' FAMOUS ὡς οὐδέποτε
Εὐφρόνιος. SEE DENOYELLE'S DISCUSSION. SCHEIBLER HAS A SLIGHTLY DIFFERENT
RECONSTRUCTION OF THE ASKOLIASMOS FROM VILLARD'S. IT CONTRADICTS THE LITERARY
TRADITION IN THAT IT ALLOWS FOR MORE THAN ONE PERSON ON THE WINESKIN AT ANY ONE
TIME. FOR `ταδε' CF. PERHAPS JOHNSTON (1990), 416, 432/I, PL. 73,3: A STELE BASE
IN THE TRITI EPHORIA: καὶ τόδε Ἀριστοκλέο̅ς.
